Browse Items (1401 total)

A half circular table is placed against the wall. On top of the table is a pile of fruits,pairs, apples and lemons, spilling out of a wooden basket that is sideways. To the left of the basket and behind the fruit is a potted plant that appears to be…

This landscape illuminates the life of farmers working in Long Island, New York. The painting represents a time period when suburbia begins to emerge, as viewers can see the juxtaposition between the cityscape in the background and the simplicity of…

A table supports a toppled paper bag of fruit, strewn directly on the table or on a white cloth. In the background is an empty vase. The wooden furniture is so shiny that fruit reflects off of its surfaces The light source is unclear, but a curtain…

The painting captures the open fields of Wallkill on a spring day. Abernathy’s thick brush strokes depict a tree on the left side of the midground with mountains in the background. Beyond the tree is a tan field, its color suggesting a recent…

In this still life, there are various objects placed on a brown table. Towards the left end of the table, we see a small container of ink standing next to a dip pen and a journal on the opposite end of the table. Towards the center, there is a…

In what appears to be a staged painting, we see a red cloth behind various objects, and a white cloth upon which they rest. Towards the left side there are books stacked up against each other and next to them, in the center, a small blue bowl of…

Presumably at the edge of a small mountain lake, we look across its surface to the middle and far distance. Although using atmospheric perspective to some extent, the hills and sky also register as a single plane differentiated by line and color. The…

Spare composition of an open space, perhaps parkland, is most distinctive in its use of linear elements. The horizontals of skyline and a row of plantings across the middle of painting are intersected by verticals of trees and, in the distance, lines…

Deceptively simple in scenic terms, Fidaroff's painting relies upon a carefully restricted range of colors, shapes, and distinctive landscape features. A river, partially visible at lower left, makes us aware of a serpentine line continuing to upper…

It's fall, and a farmer is seen returning a wagonload of hay, presumably cut and dried in his fields. Fidaroff composes his scene so as to obscure what may be a gas-powered tractor (since we don't see a team of horses ahead of the farmer). A warm…