Browse Items (1400 total)

This otherworldly woodcut is set in a real-world location: the Corona ash dump in Flushing Meadows, Queens. Originally the site of a proposed new industrial port in the early 20th century, its owner imported trainloads of ash from Manhattan to fill…

This mural was one of two painted in 1938 for a new building slated to be the Social Security Administration, in Washington, DC. The two make a case for the benefits of a social safety net and coordinated management of the US economy. "Wealth of…

This lithograph is one of several prints in Murphy’s “Bridge Worker” series in 1935, which was followed by a “Steel Riggers” series in 1936. The subject matter of both is construction of the Golden Gate Bridge whose active phase began in 1933 and was…

Note: title was given by General Services Administration for the purposes of labeling; Noble's orignal title is unknownWe see a house beside a calm body of water, bordered by trees and shoreline. Noble emphasizes tranquility and stability by placing…

A rural landscape near Kingston, NY is structured to guide a viewer's eye from foreground into the middle distance through a gently curving route or boundary line, creating depth by progressively reducing detail as the land recedes. The image relies…

New for Old is a color lithograph, showing buildings on a street and a crane-like machine. There are what looks like building materials next to the machine. The buildings’ proportions feel slightly off, just enough where they seem to bend a little.…

Construction of the swimming pool at Astoria Park, Queens was facilitated by funding from the Works Progress Administration (WPA), arriving just as Robert Moses became Commissioner of Parks for New York. Swimming in the East River at Hell Gate…

Three men are working in the yard of a cement and tar factory, located alongside a river; they lean into their work of moving large drums. There are small smokestacks on the building and tugs hauling barges in the background. Wilson uses asymmetrical…

Harshly contrasting light values depict a factory of some kind, comprised of buildings, machinery, smokestacks, and mounds of an unidentifiable substance. The black & white lithograph’s upper third is framed by billowing smoke, the bottom portion…
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