Like other Cavazos paintings about agricultural work--Fields,The Cherry Pickers Are Working--sweeping vistas evoke underlying, difficult questions about perspective. Here, the curvature associated with panoramic views depicts a long line of cabbages…
Photograph of an unidentified painting, probably by Juan Cavazos. A self-taught painter, Cavazos traveled from Mexico for employment as a migrant farmworker in Western New York. With support from the Geneseo Migrant Center and the MollyOlga Art…
Ahead of Cavazos' 1989 show at the Bertha V. B. Lederer Gallery, he sketched several of the works that appeared in the exhibition. Perhaps it was to help others identify the objects; perhaps it was intended for subsequent shows in Buffalo. The…
Radical organization of space turns this lush orchard into a social cross-section of American agriculture. Four migrant workers are on ladders picking cherries, the one at left positioned to appear behind bars. A farmer or crew chief drives a tractor…
Landscape painting adopts an aerial perspective upon a farm in the midst of harvesting--tomatoes, potatoes, and corn all are represented. Large formal blocks of color divide the different spaces, and farm equipment conveys a sense of energy via…