Several stems of pink and white gladiolus are displayed in a pictorial vase, whose unusual scene gestures toward a sailboat alongside a coastal mountain range. Below them on the table are apples, an orange, and a grapefruit. A warm light illuminates…
More than a dozen species of fruit and flowers are mounded on a bed of grass. The painting's upper half, a skillfully mottled background, is crucial for establishing the space necessary to make sense of the lower half--without it, those objects…
A simple still life (perhaps deceptively so) includes as its ostensible objects a Grecian vase, flowers, and red grapes. Whether intentional or not, each element evokes a somewhat different artistic tradition: classical sculpture, informal nature in…
This complex still life plays with how the natural world makes its way into artistic forms and representation. A grouping of fruit at upper left is echoed in the fabric’s shapes at lower right, as with the bell pepper’s distinctive shape. A pear at…
The location of this painting isn’t clear: there’s no identifiable “mid-country highway,” and a “mid-county” highway in Maryland doesn’t seem to fit the landscape. Here, we look at hilly terrain under a cloudy sky that have rendered the mountaintops…
Labor shortages on Western New York farms during World War II led to various programs for making up the shortfall: the "Farm Cadets" youth program; calls for community volunteers; guest workers from Jamaica and the Bahamas; and prisoner of war labor.…
Samuel Ferrara, Leslie Fenn, Russell Shaughnessy, and Robert Courch pose for a photo at the Perry Knitting Company. A picture of the Mill hangs on the wall behind them. All have "suggested changes in production control and materials handling and have…