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Deceptively simple in scenic terms, Fidaroff's painting relies upon a carefully restricted range of colors, shapes, and distinctive landscape features. A river, partially visible at lower left, makes us aware of a serpentine line continuing to upper…

A photograph doesn’t do justice to Sarkadi’s deft use of color and texture upon his paper medium. Were the painting’s few splashes of white removed, we would see three stems of tulip, along with a bit of greenery, in a glass jar set inside of a bowl.…

In a darkened room, light dramatically illuminates an arrangement of flowers and dried oak leaves in a simple white vase. The leaf shapes and Sharp’s brushwork create a flamelike appearance, albeit in a more muted color palette—even the bouquet’s…

In this bower of parkland amidst the Bronx, we look up a gentle hill toward its crest beneath a muted sky. Thin layers of impressionist blending create a modulated glow in trees and grassland alike. Perhaps the painting's most striking effect is its…

Launched in 1904 as the Prinz Eitel Friedrich for a German cruise line, ship eventually was impounded by the U.S. during World War I, refitted as a troop transport ship, and re-launched as the DeKalb in 1917. After Armistice it was operated by an…