Browse Items (227 total)

Delicate, minimalist still life depicts a vase of cut stems from trees and plants. In keeping with the season—but also reminding us of time’s passage—two leafs have fallen upon an unadorned table. McEvoy’s flattened background transforms the leaves…

A cryptic, maybe private allegory is signalled by this still life. We look downward to a table in disarray: yes, the towel is artfully draped, but eleven cherries are scattered from a bowl; the carafe of water doesn’t match a coffee cup and saucer;…

A simple grouping of teapot, cup and spoon, cherries and an orange becomes an exploration of color and form thanks to Adler's gauzy rendering. Neutral backgrounds of brown and tan set apart small placements of red and blue; a painting upon the wall…

We look upon a remarkably minimalist still life--sixteen apples upon a wooden board or table--but by the time of Adler's painting they were highly charged objects due to the thousands of minimally employed apple vendors on New York streets during the…

An inscription on the reverse side of Abernathy's canvas identifies her location as somewhere near Wallkill, NY; more specific landmarks or even skylines cannot be discerned because the space here is so enclosing. Impressionistic splashes of fall…

A beautifully balanced composition depicts, on either side of its central planter, a knobbly gourd and ringed vase of similar shape. Our conception of what constitutes a garden blurs distinctions between human-cultivated plants and human-created…

This painting seems to be a hybrid of portraiture, domestic genre, and still life. A sleeping young woman, whose cheeks and camisole echo the rose’s color, is posed so that her resting fingers appear only inches away from a bunch of grapes. A portion…

It’s not impossible to render Lo Pinto’s scene in everyday terms: moored in a marina are several boats, two of them accessed by floating docks upon which a group of children are passing time dreamily. To describe it in such terms, however, would…

A lighter was a type of barge used for unloading ships in shallower harbors; in the early 20th century, the name extended to lighter tugs used to move those unpowered barges. Here, in golden tones and against a wall of clouds, the Good Hope also is…

Two horses run along an earthen path through what appears to be a stockaded chute, but upon examination the vertical columns turn out to be strata of rock, and four more horses are joining the pair from atop a stylized landform. Through a crack a…