Browse Items (1402 total)

Six spotted lilies are surrounded by snapdragons, zinnias, and an incongruous “Radio” calendula. This latter flower, along with the lily stamens, appear to have been chosen for their delicate pointed shapes. Most of Alger’s still live is painted in…

Alger's painting here depicts a lovely still life of a flowery plant which gives off a warm vibe with with its relatively light colors. Green and light red are the prominent colors in this illustration of a species closely related to sunflowers.…

This image combines Samuel Theobald's 1937 painting "Close Relations", a Keeling Curve showing the rise in global carbon dioxide levels, and a stylized grid. It was created for a series of exhibits hosted by OpenValley.

This view adopts some several conventions of folk painting: a non-linear perspective, extremely simplified renderings of structures and people; and a “coverage” of the scene that feels complete. The style was one of several for Nichols. Perhaps most…

Possibly inspired by a time spent farming in Massachusetts, Nesin’s painting radically flattens the landscape into a tapestry: sky and trees cascade down toward cows behind a fence at bottom. Somewhat abstracted forms give a pleasing roundness and…

Striking design maintains accurate details of common marigolds in a glass vase or jar, while experimenting with simplified blocks of color. The nearly monochromatic background is variegated using brushstrokes and different thicknesses of paint.…

An alert jay sits upon a tree branch in the foreground, with billow of leaves or some other foliage in the midground. In the distance, we see the turret of a large building. Nakamizo’s decision to render this scene as an engraving turns it into a…

Currently known as the Malayan Peacock-Pheasant, it is represented here by Nakamizo somewhat outside of its normal forest habitat for the purposes of a carefully arranged display. In flattened space the bird’s striking eye-spots are unique in their…

Groups of like flowers, often in threes, are gathered into a roughly symmetrical bouquet along its vertical axis. The planter has no visible pattern; the wallpaper behind is defined via colors instead of pattern. Judging from highlights upon the…