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This complex still life plays with how the natural world makes its way into artistic forms and representation. A grouping of fruit at upper left is echoed in the fabric’s shapes at lower right, as with the bell pepper’s distinctive shape. A pear at…

At the time of this painting Harlem had the highest population density in New York, so it is a surprise to see remaining pockets of its originally rural identity. On the hill above, we see newer and more expensive housing.About the Artist: Born in…

This composition occupies a sort of uncanny valley in painting: its vase and flowers use one regime of three-dimensionality; its plant stand uses a different regime, or perhaps the same from a different vantage point. No viewing point can make those…

A side table, situated at the corner of two walls, displays a cobalt-blue vase filled with profuse blooms and fall folliage. Blue, cross-hatched walls and the table’s gray tone harmonize with the bouquet’s primarily pink and rose tones. The…

This is a halftone image created from an original pen-and-ink drawing no longer available. It was drawn by a Haitian immigrant farmworker living at the Hoehandle labor camp in Castile, NY. His work was featured in the 1986 gallery show African Past:…

A clearing in forested land, receding toward the painting’s center, draw our attention to a stone house. But it seems to have at least one and possibly two additions to its original structure; along with the farm outbuildings, road and bridge, and…

This structure was located on a 1500-acre cantaloupe farm in California's Imperial Valley near the US border with Mexico. Its photographer, Dorothea Lange, was one of the best-known photographers of the New Deal era, often recording poverty amidst…