Browse Items (188 total)

This complex still life plays with how the natural world makes its way into artistic forms and representation. A grouping of fruit at upper left is echoed in the fabric’s shapes at lower right, as with the bell pepper’s distinctive shape. A pear at…

Under a pale sky, we look uphill along a crooked line of split-rail fences and melting snow toward a pair of dormant trees and farm buildings. Bolton’s close attention to Catskill landscapes is apparent in his treatment of patterns in melting snow;…

Somewhat of an outlier among the New Deal Gallery paintings, Morton’s composition follows in a tradition of European genre painting. We see a cozily circumscribed group of four people in traditional clothing, gathered under a pool of light and…

Against a backdrop of muted, almost murky tones in brown, green, and tan, we see a still life of flowers in an earthenware jar along with various fruits. Their colors likewise are subdued; golds, reds, and oranges are illuminated by autumnal light in…

In 2008 this painting, loaned for exhibition at the Mills Mansion, Mt. Morris, was stolen and has yet to be recovered. The digital image shown here has been scanned from a photographic print. Although the location of this bridge is not known—there…

Some elements of this watercolor are abstract and patterned: the green leaves at left, the tablecloth, wallpaper background, and even the vase’s outline. Other elements, however, show careful attention to modeling and texture, like the orange. Palter…

Against a cool background of blue-grays and white, we see a hillside of innumerable colors flowing downhill in nearly a molten state. In contrast to Fastovsky’s general blending technique are several smaller clusters of intensely pointilized…

Although a train platform in the foreground bears the name “Small Town,” the frame of Yaghjian’s painting had referenced Beacon, NY before getting crossed out in favor of this more universal theme. We are invited to ascend a wooden stairway into a…

Not rendered with perfectly accurate optics, Archer’s still life nevertheless is a creative study in perspective and visual planes. Upon a table covered by the eponymous checkboard-patterned cloth, a crystal decanter and copper teapot sit…

A photograph doesn’t do justice to Sarkadi’s deft use of color and texture upon his paper medium. Were the painting’s few splashes of white removed, we would see three stems of tulip, along with a bit of greenery, in a glass jar set inside of a bowl.…