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October Still Life
A vividly colored grouping avoids any appearance of symmetry or regularity of shape—even a painted plate isn’t circular. Likewise, mottling seems part of Preachen’s design as if to demonstrate that beauty can be irregular. Reds and oranges dominate…
October Landscape
Although it owes something to Cézanne’s post-impressionist fields of color, Rites’ painting often de-emphasizes formal shapes that would hold together such a composition. It takes a second look to discern a house, outbuilding, and dock upon a pond or…
October Bouquet
A side table, situated at the corner of two walls, displays a cobalt-blue vase filled with profuse blooms and fall folliage. Blue, cross-hatched walls and the table’s gray tone harmonize with the bouquet’s primarily pink and rose tones. The…
October Afternoon
An inscription on the reverse side of Abernathy's canvas identifies her location as somewhere near Wallkill, NY; more specific landmarks or even skylines cannot be discerned because the space here is so enclosing. Impressionistic splashes of fall…
