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Map of Ho-De-No-Sau-Nee-Ga, or The Territories of the People of the Long House, in 1720
Anthropologist's map of Six Nations homeland, showing approximate boundaries, principal trails, native and colonial villages, and aboriginal place names. This item contains an image of the map in three different sizes, suitable for various uses.
Tags: Haudenosaunee; Map; Morgan, Lewis Henry
On the Rocks
This dramatic view of a coastal shoreline and shipwreck is lit with the light pinks and blues of twilight. At left, a rocky coast and cliffs in the background; in the foreground, breaking waves and foamy aquamarines. The abandoned ship itself tilts…
Bavarian Group
Somewhat of an outlier among the New Deal Gallery paintings, Morton’s composition follows in a tradition of European genre painting. We see a cozily circumscribed group of four people in traditional clothing, gathered under a pool of light and…
Still Life on a Table
In stark contrast to Dutch pronk still-lifes, known for their ostentatious display of exotic objects, we see here a much humbler setting and collection. A rough wooden table (albeit polished enough to reflect fruit resting upon it) is nestled against…
Ballet Dancer No. 4
Ballet Dancer No. 4 is a lithograph depicting a ballerina in motion, her upper body bent towards the ground, with most of her weight placed on her right leg. The other leg is bent at the knee and propped up on a platform of some kind. Most…
Bridge Worker No. 2
This lithograph is one of several prints in Murphy’s “Bridge Worker” series in 1935, which was followed by a “Steel Riggers” series in 1936. The subject matter of both is construction of the Golden Gate Bridge whose active phase began in 1933 and was…
Bridge Worker No. 1
This lithograph is one of several prints in Murphy’s “Bridge Worker” series in 1935, which was followed by a “Steel Riggers” series in 1936. The subject matter of both is construction of the Golden Gate Bridge whose active phase began in 1933 and was…
Junk Yard on East 29th St.
Nearby to many of New York's factories, power plants, and slaughterhouses, there's an obvious social ecology to Myers' choice of location. It's possible that the photographic of this painting may have mis-titled it, given frequent references to a…
New York Markets
At an unidentified and humble market advertising “Fruits & Produce,” we see what appears to be a family preparing their display. The muted browns of the ground, wooden crates, and shed constitute much of the painting yet serve as a backdrop to…
The Gift
Four children encounter each other upon a path in Central Park, the city skyline silhouetted against a colorful sky. Two older—and, judging from their clothing, apparently wealthier—children accept a flower offered by a young girl holding a larger…