Browse Items (1402 total)

Composite image created as a directory page for nine story maps associated with the Farmworkers Atlas exhibit. It consists of eight mandala drawings associated with each story map, along with the Geneseo Migrant Center logo. In the background are…

Created by the Federal Art Project Poster Division, this advertises a show staged by the Albany Institute of History and Art. It appears to have supported "The Art Caravan," a traveling exhibition of paintings accompanied by lecturer Judson Smith.…

This poem, written by Felix Hipolito demonstrates the life that a migrant farm worker has. The first stanza of the poem begins with Hipolito getting to work and cutting tomatoes and then continuing to do so for the rest of her workday. From this…

The setting of this composition blurs the genres of En plein air landscapes and still lifes; there is no "background" to situate the basket of flowers in space, but the grass underneath them departs from carefully artificial indoor settings. A few…

Landscape painting adopts an aerial perspective upon a farm in the midst of harvesting--tomatoes, potatoes, and corn all are represented. Large formal blocks of color divide the different spaces, and farm equipment conveys a sense of energy via…

From an elevated perspective we look into a pleasingly enclosed, bowl-shaped valley; agricultural plantings emphasize the land’s underlaying contours. An arboreal line runs diagonally across the property. In the middle ground, a small house and…

Poster promoting better health care through the prevention of tuberculosis by better eating and sleeping habits, and more exposure to sunshine.

A fierce encounter between two stallions recalls the work of Frederic Remington in its drama and stripped-down setting. Rounded masses of muscle on the horses resemble the surrounding hills, particularly at lower right. Although not perhaps set…

Figure Subject is a print that showcases a nude woman looking off as she rests her arms and stands on a windy brick ground, barefoot. Wiltz plays with perspective by not having the road directly lead to the background--he even has the supposed ground…

The Engine house of the Perry Knitting Company was destroyed and the land filled in. <br />