Browse Items (1402 total)

The livelihoods of Western New York farmers were tied to commodity prices on the world markets, particularly those in London, and so The Genesee Farmer often devoted space to trends. Factors like global weather, crop failures, and emerging producers…

Two views of a Wadsworth grist mill located on Conesus Creek in the southern part of the town of Avon, N.Y. It was one of several mills in the area owned by the Wadsworth family of Geneseo, N.Y., beginning in the late eighteenth century.

"In point of merit," writes Dr. George E. Walton in his survey of mineral springs, "the Saratoga waters equal, if they do not surpass, any of the kind in the world." By 1874 this village in the Upper Hudson River Valley had become a fashionable…

We see a younger person in a self-reflective pose. Abelman's print focuses on the upper body, bringing the viewer close to the subject’s tilted head and raised hand. The delicate lines, subtle light, and shadows highlight the subject’s upper…

The painting captures the open fields of Wallkill on a spring day. Abernathy’s thick brush strokes depict a tree on the left side of the midground with mountains in the background. Beyond the tree is a tan field, its color suggesting a recent…

On a purely aesthetic level, this portrayal of rural farm life in autumn is quite clearly done in a painterly matter: quick brushstrokes with a specific choice to omit most detail. It can be assumed that the light-handed application of paint was a…

Against New York's skyline in the background, people relax in boats upon a body of water. The colors are cooler, with lots of dark and bright greens, and also lots of blues. The boaters are painted in warmer colors, along with red, to make them stand…

We see a river flowing between two banks lined with trees. The trees are mostly bare however, they appear as they are going to start budding. The colors in this painting are cooler--blues and greens--but there is a hint of warm yellow in the lower…

The depiction of the foreground illustrates a rural setting in the midst of an urbanizing town in the background – a changing sociocultural climate in New York. Abernathy uses a quick, painterly style to show that the brushstrokes are an instrumental…

An inscription on the reverse side of Abernathy's canvas identifies her location as somewhere near Wallkill, NY; more specific landmarks or even skylines cannot be discerned because the space here is so enclosing. Impressionistic splashes of fall…