Browse Items (295 total)

The setting of this composition blurs the genres of En plein air landscapes and still lifes; there is no "background" to situate the basket of flowers in space, but the grass underneath them departs from carefully artificial indoor settings. A few…

From an elevated perspective we look into a pleasingly enclosed, bowl-shaped valley; agricultural plantings emphasize the land’s underlaying contours. An arboreal line runs diagonally across the property. In the middle ground, a small house and…

A fierce encounter between two stallions recalls the work of Frederic Remington in its drama and stripped-down setting. Rounded masses of muscle on the horses resemble the surrounding hills, particularly at lower right. Although not perhaps set…

Figure Subject is a print that showcases a nude woman looking off as she rests her arms and stands on a windy brick ground, barefoot. Wiltz plays with perspective by not having the road directly lead to the background--he even has the supposed ground…

Coffey's painting is very busy and has a lot of movement going on within it: sweeping, shoveling, sledding, throwing snowballs, and simply talking. Thirty-one distinct individuals, each in motion, give the scene great vitality despite a "Store to…

While the title of this humorous cover art forLibertymagazine is unknown, its editors thought it was appropriate for the backstory to Stephen Ronay's art. "Yes, it happened!" they write; "It simply proves that the war reaches into all walks of…

Two boats, a sailboat at left and a motor boat at right, are stationary on calm water. Trees that occupy the background of this piece are reflected by the water in which several moorings are stand. A sand hill or trail cuts into these trees. The…

Using a fairly flat picture plane, Ramer uses an array of muted colors to depict a rural scene in Duchess County (mountains in the background may be the Fishkill range). The composition is balanced between an aging tree at left, a windmill at right.…

This enigmatic watercolor is organized around the small figurine at left, perhaps a mythical Japanese fox-spirit called kitsune. Their intelligence and shape-shifting ability renders them an ambiguous omen: perhaps as shapeshifting tricksters,…

At upper left are the flowers of this still life’s putative title, but it still doesn’t account for the majority of Preachen’s composition. Their bright orange petals activate several objects in a similar tone (fruit, a piece of fabric, a painted…