Browse Items (208 total)

In 2008 this painting, loaned for exhibition at the Mills Mansion, Mt. Morris, was stolen and has yet to be recovered. The digital image shown here has been scanned from a photographic print. Although the location of this bridge is not known—there…

An off-white house, set behind a tree with branches reaching over the roof, sits in an opulent environment of greens, browns, and yellows. Visible brush strokes in the siding of the house show shadows and rotting wood; in the tree, they texture the…

Cool blues and greens dominate much of Sharp’s landscape, creating a sharp contrast against the red of the barn and sails. A body of water surrounding the wharf clearly is too small for any boats and seems to be drying up. The rolling hills and…

Loosely translating as a "state of disuse," Fastovsky's title certainly applies to this rural scene. We see what appears to be a boarded-up chicken coop and other farm outbuildings inside a walled enclosure--although the abandonment seems recent…

In this still life we see upon a sideboard a pot planted with large lillies, as well as smaller flowers growing around them. There is a book open, which looks to be a highly stylised Bible, propped up in its own rectangular vessel. Given the…

We behold five white Easter lilies in a glass jug on a red tablecloth. The background is beige, but Spinchorn has dabbed in hints of red, purple, and orange. The lilies and their jug fully fill out the canvas, leaving little negative space. The…

At least two questions are implied by this painting’s title: which edge of the garden, and what is a garden? Due to a flattened plane and Sarkadi’s composition we see a row of hollyhocks and other tall flowers at the bottom of the canvas, with no…

A clean sunny painting that shows a chapel next to a tall tree, beneath a light blue sky. Painted very smoothly with little to no noticeable brush strokes, this illustrates a warm and amiable picture with a pleasant vibe. Boasts a green, light sky…

It's fall, and a farmer is seen returning a wagonload of hay, presumably cut and dried in his fields. Fidaroff composes his scene so as to obscure what may be a gas-powered tractor (since we don't see a team of horses ahead of the farmer). A warm…

Two adjacent types of painting—still life and domestic “genre”—blur in this creatively arranged scene. At right, staples of the still life tradition like fruits, flowers, and drapery are displayed on a table. Yet there also is a child’s toy, and it…