Browse Items (208 total)

In stark contrast to Dutch pronk still-lifes, known for their ostentatious display of exotic objects, we see here a much humbler setting and collection. A rough wooden table (albeit polished enough to reflect fruit resting upon it) is nestled against…

At an unidentified and humble market advertising “Fruits & Produce,” we see what appears to be a family preparing their display. The muted browns of the ground, wooden crates, and shed constitute much of the painting yet serve as a backdrop to…

Four children encounter each other upon a path in Central Park, the city skyline silhouetted against a colorful sky. Two older—and, judging from their clothing, apparently wealthier—children accept a flower offered by a young girl holding a larger…

At lower left, a tight cluster of houses is set along the same plane as a plateau running to the right; in the distance are gentle hills of a comparable height, and beyond that taller mountains in blue. In the basin between them we see the broad…

The size of this inlet isn’t clear because of perspectival ambiguitiess: if the two houses at left are modest in scale, then the boats across from them either are tiny or far in the distance. Regardless, in the distance we see perhaps three or four…

Precise outlines and imaginative color blending give this watercolor a distinctive appearance. It departs from most still lifes in giving a “ground-level” perspective of its subject matter—almost as a terrain. Fruit, flowers, and vegetables all make…

Groups of like flowers, often in threes, are gathered into a roughly symmetrical bouquet along its vertical axis. The planter has no visible pattern; the wallpaper behind is defined via colors instead of pattern. Judging from highlights upon the…

This scene at the edge of a forest is drawn using remarkably sparse details, for example a few brushstrokes evoking a vegetable garden, a house, or a hill. Much of Nakagawa’s attention has been devoted to dense and multicolored foliage at left and…

Currently known as the Malayan Peacock-Pheasant, it is represented here by Nakamizo somewhat outside of its normal forest habitat for the purposes of a carefully arranged display. In flattened space the bird’s striking eye-spots are unique in their…

An alert jay sits upon a tree branch in the foreground, with billow of leaves or some other foliage in the midground. In the distance, we see the turret of a large building. Nakamizo’s decision to render this scene as an engraving turns it into a…