Browse Items (1289 total)

We look at what appears to be a table, many different items rest on its surface. Towards the bottom right corner there is half of a block of cheese that is hidden through the strokes of the table. Moving further up into the middle ground, there is a…

This painting features a wilderness scene, strikingly symmetrical in its composition, with a pond, undulating row of trees, hills, and clouds. It is rendered mainly in earthy brown tones with a small pop of blue in the color of the pond. Waltemath’s…

We behold five white Easter lilies in a glass jug on a red tablecloth. The background is beige, but Spinchorn has dabbed in hints of red, purple, and orange. The lilies and their jug fully fill out the canvas, leaving little negative space. The…

A traditional oil on canvas still life with visible brush strokes features two and a half green-yellow pears, a golden pineapple, a paring knife, a bottle of Italian wine, and a red bowl propped up as the centerpiece on a wooden dining table. In…

Two curtains in warm yellow and pink frame the painting from the right, with the rest of the background in a mesh of cool blues and greens in a quasi-watercolor style. The brushstrokes are evident and very thick in some parts of the background. The…

This oil on canvas still-life features a modestly decorated table. The primary object, the vase of overflowing peonies, demands our attention. A few, smaller objects also adorn this table such as small candles, a looking glass, and a gold statue. At…

An off-white house, set behind a tree with branches reaching over the roof, sits in an opulent environment of greens, browns, and yellows. Visible brush strokes in the siding of the house show shadows and rotting wood; in the tree, they texture the…

Two boats, a sailboat at left and a motor boat at right, are stationary on calm water. Trees that occupy the background of this piece are reflected by the water in which several moorings are stand. A sand hill or trail cuts into these trees. The…

This painting depicts blooming Japanese flora in what appears to be a body of water; however, most of the canvas is negative space, a technique that allows for a higher contrast in colors of Ward’s vegetation. It also is perhaps intended to allow…