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Pale girl sits atop a pony, protected from the sun’s rays as apples fall from a tree nearby. The pony, meanwhile, stares blankly at the ground. Although Meloy’s familiarity with animals shows in his representation of anatomy and posture, the bright…

A fierce encounter between two stallions recalls the work of Frederic Remington in its drama and stripped-down setting. Rounded masses of muscle on the horses resemble the surrounding hills, particularly at lower right. Although not perhaps set…

Delicate, minimalist still life depicts a vase of cut stems from trees and plants. In keeping with the season—but also reminding us of time’s passage—two leafs have fallen upon an unadorned table. McEvoy’s flattened background transforms the leaves…

A cryptic, maybe private allegory is signalled by this still life. We look downward to a table in disarray: yes, the towel is artfully draped, but eleven cherries are scattered from a bowl; the carafe of water doesn’t match a coffee cup and saucer;…

A simple grouping of teapot, cup and spoon, cherries and an orange becomes an exploration of color and form thanks to Adler's gauzy rendering. Neutral backgrounds of brown and tan set apart small placements of red and blue; a painting upon the wall…

We look upon a remarkably minimalist still life--sixteen apples upon a wooden board or table--but by the time of Adler's painting they were highly charged objects due to the thousands of minimally employed apple vendors on New York streets during the…

An inscription on the reverse side of Abernathy's canvas identifies her location as somewhere near Wallkill, NY; more specific landmarks or even skylines cannot be discerned because the space here is so enclosing. Impressionistic splashes of fall…