Browse Items (1266 total)

This dramatic view of a coastal shoreline and shipwreck is lit with the light pinks and blues of twilight. At left, a rocky coast and cliffs in the background; in the foreground, breaking waves and foamy aquamarines. The abandoned ship itself tilts…

In stark contrast to Dutch pronk still-lifes, known for their ostentatious display of exotic objects, we see here a much humbler setting and collection. A rough wooden table (albeit polished enough to reflect fruit resting upon it) is nestled against…

The references in this uncanny painting aren’t clear. At the front of a stage we see a performer, seemingly dressed as a princess and like Cinderella wearing only a single slipper. She holds in her hand a white flower. Behind her, peeking out from…

At lower left, a tight cluster of houses is set along the same plane as a plateau running to the right; in the distance are gentle hills of a comparable height, and beyond that taller mountains in blue. In the basin between them we see the broad…

Groups of like flowers, often in threes, are gathered into a roughly symmetrical bouquet along its vertical axis. The planter has no visible pattern; the wallpaper behind is defined via colors instead of pattern. Judging from highlights upon the…

Currently known as the Malayan Peacock-Pheasant, it is represented here by Nakamizo somewhat outside of its normal forest habitat for the purposes of a carefully arranged display. In flattened space the bird’s striking eye-spots are unique in their…

An alert jay sits upon a tree branch in the foreground, with billow of leaves or some other foliage in the midground. In the distance, we see the turret of a large building. Nakamizo’s decision to render this scene as an engraving turns it into a…

Striking design maintains accurate details of common marigolds in a glass vase or jar, while experimenting with simplified blocks of color. The nearly monochromatic background is variegated using brushstrokes and different thicknesses of paint.…

Possibly inspired by a time spent farming in Massachusetts, Nesin’s painting radically flattens the landscape into a tapestry: sky and trees cascade down toward cows behind a fence at bottom. Somewhat abstracted forms give a pleasing roundness and…

This view adopts some several conventions of folk painting: a non-linear perspective, extremely simplified renderings of structures and people; and a “coverage” of the scene that feels complete. The style was one of several for Nichols. Perhaps most…