Browse Items (1266 total)

In stark contrast to Dutch pronk still-lifes, known for their ostentatious display of exotic objects, we see here a much humbler setting and collection. A rough wooden table (albeit polished enough to reflect fruit resting upon it) is nestled against…

Nearby to many of New York's factories, power plants, and slaughterhouses, there's an obvious social ecology to Myers' choice of location. It's possible that the photographic of this painting may have mis-titled it, given frequent references to a…

At an unidentified and humble market advertising “Fruits & Produce,” we see what appears to be a family preparing their display. The muted browns of the ground, wooden crates, and shed constitute much of the painting yet serve as a backdrop to…

Four children encounter each other upon a path in Central Park, the city skyline silhouetted against a colorful sky. Two older—and, judging from their clothing, apparently wealthier—children accept a flower offered by a young girl holding a larger…

Myers, Jerome. (1867-1940) Born in Petersburg, VA, and traveling to New York City at age eighteen, Myers knew poverty at first hand. He took art classes when he was able at the Art Students League and Cooper Union, but was largely self-taught and…

At lower left, a tight cluster of houses is set along the same plane as a plateau running to the right; in the distance are gentle hills of a comparable height, and beyond that taller mountains in blue. In the basin between them we see the broad…

The size of this inlet isn’t clear because of perspectival ambiguitiess: if the two houses at left are modest in scale, then the boats across from them either are tiny or far in the distance. Regardless, in the distance we see perhaps three or four…

Precise outlines and imaginative color blending give this watercolor a distinctive appearance. It departs from most still lifes in giving a “ground-level” perspective of its subject matter—almost as a terrain. Fruit, flowers, and vegetables all make…

Groups of like flowers, often in threes, are gathered into a roughly symmetrical bouquet along its vertical axis. The planter has no visible pattern; the wallpaper behind is defined via colors instead of pattern. Judging from highlights upon the…