Browse Items (208 total)

A white vase, holding what appears to be baby’s breath and several varieties of marigolds, sits upon a table. Its blaze of yellow, orange, and red overwhelms muted pinks and mauves of the table covering and wallpaper. Rollo accentuates this emphasis…

Across a field we see two small buildings next to a larger one mostly obscurred by trees at left. Given their size and delapidation, it can be inferred that the lives within the homes are humble ones—perhaps agricultural workers, given the pile of…

Judging from the brushstrokes, we appear to be located at a river's bend, our view of the sky obstructed by trees but inferable by a play of light in the water. With the exception of two sharply defined tree trunks, most of Gordon's painting…

A beautiful and delicately lit scene of trees in a field of snow suggests, via its background, that we are in a valley at some considerable elevation. Against the placid light and colors is an arrangement of trees that reveal the struggle for…

This painting depicts a snowy mountainside. Tall, dark trees contrast the lighter highlights of the snow around them. In the distance, two mountain peaks are visible against the skyline. The trees progressively grow smaller in the distance, creating…

Gaige uses just enough visual cues to suggest some depth to his landscape, but its main interest appears to be the play of willow trunks and branches against grass and foliage. The latter, rendered in a limited pallette of colors, nevertheless plays…

Two horses run along an earthen path through what appears to be a stockaded chute, but upon examination the vertical columns turn out to be strata of rock, and four more horses are joining the pair from atop a stylized landform. Through a crack a…

The subject of this painting is a vase of white flowers. The flowers themselves are large and take up a significant portion of the area, but are balanced out by a multicolored vase underneath. The vase seems to have the pattern of some sort of animal…

This view adopts some several conventions of folk painting: a non-linear perspective, extremely simplified renderings of structures and people; and a “coverage” of the scene that feels complete. The style was one of several for Nichols. Perhaps most…

A faceless laborer lifts what appears to be bales of cotton--presumably one of many for New York's textile and garment industries. The etching's dark, cross-hatched interior contrasts with a view of docks, tugboat, and buildings seen through the…