Browse Items (10 total)

This is a halftone image created from an original pen-and-ink drawing no longer available. It was drawn by a Haitian immigrant farmworker living at the Hoehandle labor camp in Castile, NY. His work was featured in the 1986 gallery show African Past:…

For the 1985 Genesee Migrant Center exhibit African Past: Migrant Present, this drawing was titled "Ghost"; for the 1991 exhibit Passages, it was title "Voudo Man." Cantave Sean's stylized figure recalls the vèvè of Voudon, symbols that were to act…

Pastel drawing takes its name from a traditional Haitian house that is long and narrow, with its narrow end facing the road and lots of cross-ventilation through windows and doors. According to landscape architect Patti Stouter, its design is similar…

These five poems date to an early proposal for a 1986 exhibition staged by the Geneseo Migrant Center (GMC). All had been published previously in collections of poetry; for African Past, Migrant Present they were to be paired with black & white…

When the Geneseo Migrant Center's African Past, Migrant Present gallery was moved, in part, to the Balch Institute this article was published providing a brief overview of the content and is sources, as well as a discussion about Dr. Robert Farris…

At the close of the 1986 gallery African Past, Migrant Present, some art pieces were transported to the Balch Institute in Philadelphia. They were displayed there as part of their "Freedom's Doors" exhibition. It is unknown what works from African…

Dr. Robert Farris Thompson was a professor of art history Yale University and agreed to be a consultant on the Geneseo Migrant Center's African Past: Migrant Present Exhibit. He also delivered a lecture at SUNY Geneseo--advertised via this hand-drawn…

As with designing anything, African Past, Migrant presents went through many iterations before one design was settled on. While all of these plans may look similar, each calls attention to different details or aspects of the gallery and show the care…

The late Dr. Robert Farris Thompson of Yale University was brought on as a consultant for African Past, Migrant Present. His requirements as stipulated in his contract were to look over the assembled collection for the gallery and to provide notes…

These Voices, These Faces was a portion of the gallery assembled for African Past: Migrant Present. Near the beginning of the exhibition it was intended as a wall display to place the viewer of the gallery squarely in the shoes of the creators of the…