Browse Items (234 total)

Gaige uses just enough visual cues to suggest some depth to his landscape, but its main interest appears to be the play of willow trunks and branches against grass and foliage. The latter, rendered in a limited pallette of colors, nevertheless plays…

This painting appears to be a collection of familiar domestic objects: a bowl of fruit and a plant rest upon a deep window sill; another plant is visible outdoors. But is everything in its place? Here, plants on either side of a glass window or glass…

A single lily stem displays two blossoms, with the promise of a third; their colors and shapes run extravagently in all directions. Holding the lily is a crystal vase with a mesmerizing, flame-like pattern. Through its facets we see the lily’s green…

Sometimes called Low Point, Chelsea, NY is located north of the present-day Newburgh-Beacon Bridge. Dean’s etching shows the ruins of what had once been a thriving Hudson River industry, using mud from seasonal deposits. We see grass in the…

It’s possible that somewhere there is a Sung Harbor represented by this painting, but it’s more likely a typographical misreading of Snug Harbor—just across the water from New York on Staten Island. Sailor’s Snug Harbor was created in 1833 via a…

Six spotted lilies are surrounded by snapdragons, zinnias, and an incongruous “Radio” calendula. This latter flower, along with the lily stamens, appear to have been chosen for their delicate pointed shapes. Most of Alger’s still live is painted in…

Alger's painting here depicts a lovely still life of a flowery plant which gives off a warm vibe with with its relatively light colors. Green and light red are the prominent colors in this illustration of a species closely related to sunflowers.…

This image combines Samuel Theobald's 1937 painting "Close Relations", a Keeling Curve showing the rise in global carbon dioxide levels, and a stylized grid. It was created for a series of exhibits hosted by OpenValley.

This view adopts some several conventions of folk painting: a non-linear perspective, extremely simplified renderings of structures and people; and a “coverage” of the scene that feels complete. The style was one of several for Nichols. Perhaps most…

Possibly inspired by a time spent farming in Massachusetts, Nesin’s painting radically flattens the landscape into a tapestry: sky and trees cascade down toward cows behind a fence at bottom. Somewhat abstracted forms give a pleasing roundness and…