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The identity of this unusual church isn’t clear. Its design and steeple are characteristic of many found throughout New England; at the top of its steeple is a small “onion dome” turret usually found on Russian or Greek Orthodox churches. Jones may…

We see a dock or port building with two ships moored. Jones uses ink sparingly, but cross-hatches aggressively to convey the dark paint of the dock and shadows on the water. For lighter objects, he implies more than illustrates shape through his…

An apparently straightforward scene of home construction reveals a more complex, interconnected relationship between humans and the rest of nature. In the left foreground we see the stump of a tree, either downed by windfall or more likely cut down.…

The plant depicted here probably is a Japanese arrowhead (Saggitaria japonica), which is native to marshes and due to its edible tuber occasionally called a “duck potato.” Kadowaki’s interest certainly is aesthetic—due to its distinctive leafs and…

We approach this still life obliquely, as a momentary and almost casual glimpse of domestic space: a covered table is pushed against the wall, next to a door frame, holding a few everyday objects set down in passing. Yet each of them points beyond…

A beautifully balanced composition depicts, on either side of its central planter, a knobbly gourd and ringed vase of similar shape. Our conception of what constitutes a garden blurs distinctions between human-cultivated plants and human-created…

This enigmatic watercolor is organized around the small figurine at left, perhaps a mythical Japanese fox-spirit called kitsune. Their intelligence and shape-shifting ability renders them an ambiguous omen: perhaps as shapeshifting tricksters,…

This dramatic still life is created using bold brush strokes and skillful blending, combined with high-contrast lighting. Two vases—one of gladiolus, the other filled with yellow roses—sit upon a small table near a brick wall and arched window. A…