Browse Items (208 total)

Using brushstrokes and a palette resembling impressionism (verging on pointillism), Polowetski’s greens of early spring are overwhelmed by saturated shades of lavender, blue, magenta, and umber. The terrain is roughly accurate but compressed so as to…

The location of this painting isn’t clear: there’s no identifiable “mid-country highway,” and a “mid-county” highway in Maryland doesn’t seem to fit the landscape. Here, we look at hilly terrain under a cloudy sky that have rendered the mountaintops…

All five of the Pecci paintings at the New Deal Gallery shuffle elements from each other, such as a table perhaps common to all. In this still life, a pictorial jug from his “Fruit and Flowers (1)” receives a 90-degree turn so that its handle can be…

Upon a table we behold a composition in red: a bunch of grapes, a bouquet of red roses, and a bottle of Chianti its classic straw basket (called a fiasco). Once we factor in Pecci’s white wall and green leaves, it would seem that these colors of…

On a plain table is placed a bowl of pears and an Italian jug, apparently that same one as appearing in his “Fruit in a Basket" still life. In the jug, we see a bouqet of roses. Light from the ride side of painting casts shadow seemingly upon a wall…

Upon an unadorned table we see a cane basket filled with apples, oranges, and a grapefruit; next to a pitcher, a lemon and another apples. In the absence of drapery or curios, the complexity in this still life comes from subtle elements like the…

Several stems of pink and white gladiolus are displayed in a pictorial vase, whose unusual scene gestures toward a sailboat alongside a coastal mountain range. Below them on the table are apples, an orange, and a grapefruit. A warm light illuminates…

This group of individuals from the blackbird family each perches on a distinct branch, looking in a different direction, and in physical space likely at some distance from the others. Yet Patterson telescopes his composition so as to render them…

Given its light greens and the implied blossoms of field flowers, Patterson’s landscape may be set during springtime, in which case the lake pictured here still would be filled with meltwater. His fresh, pastel-shaded scene celebrates nature with any…

We behold at least a dozen distinct plants and animals as a flattened tapestry whose weave isn’t simply metaphorical: the warp of vertical plants and rising bubbles is complemented by a weft of horizontel “currents” visualized for the painting.…