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A beautifully balanced composition depicts, on either side of its central planter, a knobbly gourd and ringed vase of similar shape. Our conception of what constitutes a garden blurs distinctions between human-cultivated plants and human-created…

This painting seems to be a hybrid of portraiture, domestic genre, and still life. A sleeping young woman, whose cheeks and camisole echo the rose’s color, is posed so that her resting fingers appear only inches away from a bunch of grapes. A portion…

It’s not impossible to render Lo Pinto’s scene in everyday terms: moored in a marina are several boats, two of them accessed by floating docks upon which a group of children are passing time dreamily. To describe it in such terms, however, would…

A lighter was a type of barge used for unloading ships in shallower harbors; in the early 20th century, the name extended to lighter tugs used to move those unpowered barges. Here, in golden tones and against a wall of clouds, the Good Hope also is…

Two horses run along an earthen path through what appears to be a stockaded chute, but upon examination the vertical columns turn out to be strata of rock, and four more horses are joining the pair from atop a stylized landform. Through a crack a…

A side table, situated at the corner of two walls, displays a cobalt-blue vase filled with profuse blooms and fall folliage. Blue, cross-hatched walls and the table’s gray tone harmonize with the bouquet’s primarily pink and rose tones. The…

This composition occupies a sort of uncanny valley in painting: its vase and flowers use one regime of three-dimensionality; its plant stand uses a different regime, or perhaps the same from a different vantage point. No viewing point can make those…