Browse Items (188 total)

A soothing rural landscape fades into the hazy distance. Its design is mostly symmetrical, save for a red barn and fence at left center; humans and livestock are conspicuous in their absence. Perhaps the painting's most remarkable feature is its…

At the time of this painting, marine art in its modern form was less than a hundred years old. Henning shows the influence of Gustave Courbet's "landscapes of the sea" and of subsequent artists like Claude Monet, albeit in more representational form.…

More than a dozen species of fruit and flowers are mounded on a bed of grass. The painting's upper half, a skillfully mottled background, is crucial for establishing the space necessary to make sense of the lower half--without it, those objects…

Nature's bounty is gathered into a late-summer array: grapes, pears, peaches, a plum and a melon; behind them, heads of wheat and various flowers. It is not a haphazard grouping, given the wheat stalks poking out from green grass; the effect is…

The setting of this composition blurs the genres of En plein air landscapes and still lifes; there is no "background" to situate the basket of flowers in space, but the grass underneath them departs from carefully artificial indoor settings. A few…

A riot of fourteen sunflower blossoms fills the borders of Gubin's composition, in hues of vivid red, orange, and yellow. Combined with their foliage, it takes an effort to locate the flower's container--a warm brown vase possibly incorporating a…

The title of this painting isn't clear; it's inscribed as "Gray Day" on the frame, but listed as "The Two Birches" in its NDG and General Services Administration records--which is followed here for the sake of institutional continuity. The canvas…

A mass of rocks at upper left is mirror by rising ground at lower right in this impressionist composition. Earth tones predominate, even in the water's surface, except for a delicately colored sky and treetops--at sunrise or sunset?About the Artist:…

Judging from the brushstrokes, we appear to be located at a river's bend, our view of the sky obstructed by trees but inferable by a play of light in the water. With the exception of two sharply defined tree trunks, most of Gordon's painting…

In the foregound, trees bent through years of snow; behind them an alpine lake and glaciered mountain under cerulean skies. Much of this painting is based upon a pair of complementary colors, played out in different juxtapositions. In subject matter…