Browse Items (1402 total)

A large and elegant boat dominates this scene, immediately drawing the viewer’s attention. Those few people visible in Jacks' print, scattered around the docks, appear almost ghost-like, as if incorporated into the backdrop. Their small number and…

A tightly framed composition focuses upon the traditional christening of a new ship, whose size can only be inferred. Unlike a peacetime ceremony, the dignitaries are military and the occasion is serious. Using a limited palette of saturated…

We witness a body in pain through a narrowly focused, irregular aperature. The setting, it's implied, is some kind of institutional hospital or sanatorium: a thin mattress upon a spartan bedframe; garments stripped of pattern or individuality.…

The Life Boat depicts a small wooden boat in stormy waters, nineteen survivors from an unknown disaster. Some passengers look out at the water, others grasp onto each other, and one figure holds an oar. One person pulls another out of the water. The…

The Wizard of Oz by Ruth Harper is an oil painting that visually interprets the world created by L. Frank Baum. The composition centers on a young female figure, likely Dorothy Gale, surrounded by a wide array of characters and animals drawn from…

We behold an arch bridge under construction in a seemingly non-urban setting, its steel ribs elevated over gray flowing water underneath—perhaps indicating that a large boat has just passed underneath. The area surrounding the bridge contains greens…

By 1943, "stateside" civilian life in the US had been transformed by WWII. The War Production Board had been granted authority to conserve strategic resources, prioritize essential industrial work, and redistribute labor to support the war effort.…

Three months before Japan's attack on Pearl Harbor, and direct US involvement in World War II, military mobilization was impacting many walks of American life. Here, a satirical cover juxtaposes the scale of an ice cream man--and the simpler life he…

While the title of this humorous cover art forLibertymagazine is unknown, its editors thought it was appropriate for the backstory to Stephen Ronay's art. "Yes, it happened!" they write; "It simply proves that the war reaches into all walks of…
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