Browse Items (208 total)

We approach this still life obliquely, as a momentary and almost casual glimpse of domestic space: a covered table is pushed against the wall, next to a door frame, holding a few everyday objects set down in passing. Yet each of them points beyond…

At least a third of this painting is dominated by a harbor, whose representation of waves resemble the letter "U" and whose boats are the simplest of icons. To characterize the scene as childlike, however, overlooks the skillful pattern-making…

A vase of flowers is built upon four colors—yellow, orange, green, and blue—along with well-chosen accents and whites. De-differentiating marigolds into puffs of color is complemented by Kerrwood’s flattened space; slight variations of texture on the…

A clearing in forested land, receding toward the painting’s center, draw our attention to a stone house. But it seems to have at least one and possibly two additions to its original structure; along with the farm outbuildings, road and bridge, and…

An arrangement of dried stalks in a ceramic urn creates this dazzling play of colors and light. Its setting is a wooden table, Navaho-patterned weaving, and earth-colored walls; along with the bright light passing in through a curtain at left, the…

This composition occupies a sort of uncanny valley in painting: its vase and flowers use one regime of three-dimensionality; its plant stand uses a different regime, or perhaps the same from a different vantage point. No viewing point can make those…

A side table, situated at the corner of two walls, displays a cobalt-blue vase filled with profuse blooms and fall folliage. Blue, cross-hatched walls and the table’s gray tone harmonize with the bouquet’s primarily pink and rose tones. The…

Two horses run along an earthen path through what appears to be a stockaded chute, but upon examination the vertical columns turn out to be strata of rock, and four more horses are joining the pair from atop a stylized landform. Through a crack a…

A lighter was a type of barge used for unloading ships in shallower harbors; in the early 20th century, the name extended to lighter tugs used to move those unpowered barges. Here, in golden tones and against a wall of clouds, the Good Hope also is…

It’s not impossible to render Lo Pinto’s scene in everyday terms: moored in a marina are several boats, two of them accessed by floating docks upon which a group of children are passing time dreamily. To describe it in such terms, however, would…