Dublin Core
Title
Patterned Kay
Description
Pastel drawing takes its name from a traditional Haitian house that is long and narrow, with its narrow end facing the road and lots of cross-ventilation through windows and doors. According to landscape architect Patti Stouter, its design is similar to--and may have influenced--the American "shotgun shack."
Kays often were colorfully decorated on their street-facing end, and this appears to have inspired the design of Catave Sean's drawing--although it has been abstracted to a shape and patterned colors. The painter, having migrated from Haiti, was at the time living at the Hoehandle labor camp in Castile, NY. The drawing appeared in a 1985 exhibit sponsored by the Geneseo Migrant Center called African Past: Migrant Present.
Kays often were colorfully decorated on their street-facing end, and this appears to have inspired the design of Catave Sean's drawing--although it has been abstracted to a shape and patterned colors. The painter, having migrated from Haiti, was at the time living at the Hoehandle labor camp in Castile, NY. The drawing appeared in a 1985 exhibit sponsored by the Geneseo Migrant Center called African Past: Migrant Present.
Creator
Cantave Sean
Publisher
Geneseo Migrant Center
Date
1985
Contributor
Cooper, Ken
Source
Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts
Format
jpeg, 1.4 MB
Type
Still image
Still Image Item Type Metadata
Original Format
Pastel on paper
Physical Dimensions
11 x 14 in.