New Deal Gallery

Dublin Core

Title

New Deal Gallery

Description

This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes."

Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. Follow this hyperlink to a short introduction to the New Deal Gallery collection. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.

Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.

Date

1935-1940

Contributor

Cooper, Ken (project director)<br /> <br /> Ritz, Abigail (photography and project assistant)<br /> <br /> Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.<br /> <br /> Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.

Collection Items

Walter Whitman
A tightly framed portrait shows the elderly American poet in profile, informally dressed. McMillan's etching creates texture and expressive lines on Whitman’s face, applying fine strokes to achieve realism. Whitman’s hair and beard are at the center…

Children
In the foreground are four children and a dog, each making a somewhat inscrutable gesture. Behind them, in the middle ground, another child walks toward them using a pair of crutches—again, leaving us to speculate as what has happened and the…

Snowy Landscape
Snowy Landscape depicts farm buildings located in a mountain valley, their grays and reds deeply saturated to attract the viewer's eye. The structures are perhaps slightly simplified, some lacking windows or even doors, and none seems to be the…

Dangerous Crossing
Abramovitz's woodcut print creates a heavy contrast thanks to it monochrome color scheme. Every etch in this engraving appears to be done with the same tool: fine, intricate lines create every form, figure, and detail in the piece. This approach to…

News
A man and a woman are peering at a newspaper. The woman stands behind the seated man as she softly holds his shoulder; by comparison, he grips the newspaper tightly. The print is a high-contrast black-and-white charcoal portrait that uses value and…

Garden Scene
Two women are depicted holding one another, one nude and the other clothed. While the brushstrokes are liberated and cloud the painting, it is obvious there are another two figures in the background observing these women. This addition to the work…

Winter Day
A city street is rendered using a loosely sketched framework of lines and scribbles, overlaid with lithographic shadings and textures. Some of its details, like a cart in the foreground, remain insubstantial and undeveloped. Several human figures are…

Ash Heap &#039;19 Westinghouse &#039;39
This otherworldly woodcut is set in a real-world location: the Corona ash dump in Flushing Meadows, Queens. Originally the site of a proposed new industrial port in the early 20th century, its owner imported trainloads of ash from Manhattan to fill…

Bridge Worker No. 1
This lithograph is one of several prints in Murphy’s “Bridge Worker” series in 1935, which was followed by a “Steel Riggers” series in 1936. The subject matter of both is construction of the Golden Gate Bridge whose active phase began in 1933 and was…

House by the Water
Note: title was given by General Services Administration for the purposes of labeling; Noble's orignal title is unknownWe see a house beside a calm body of water, bordered by trees and shoreline. Noble emphasizes tranquility and stability by placing…
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