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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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                <text>The Selective Service Act of 1917 was enacted on May 18 of that year. It required all males aged 18 to 30 years to register for military conscription; the first registration took place on June 5. Individuals who were employed in agriculture or industrial labor essential to the war effort were granted a temporary exemption. This document lists the PKC employees, along with their draft number in most cases, for the purposes of an exemption due to the mill's production of clothing for the military.&#13;
&#13;
It also happens to be a very useful document for the purposes of understanding the mill's organizational structure and (male) individuals working in each section.</text>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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                <text>This appears to be a notarized copy of a letter by Perry Knitting Co. President George M. Trabor,Sr. on behalf of an employee named Albert Torrey. Torrey is identified as the chief engineer and electrician of the plant, and Trabor is arguing for a deferral on the grounds that Torrey's work is essential to the war effort in Europe. This was a fairly common practice, multiplied many fold during World War II.&#13;
&#13;
Among the interesting facts we learn about PKC in 1918 are that it employs "upwards of nine hundred operatives"; that Torrey runs a power plant of 1200 horsepower; that PKC supplies 30% of the US Army's undershirts, to the tune of 2,000-3,000 dozen per week; and that the plant has "been put on a priority basis by the War Industries Board." </text>
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                <text>Launched in 1904 as the &lt;i&gt;Prinz Eitel Friedrich&lt;/i&gt; for a German cruise line, ship eventually was impounded by the U.S. during World War I, refitted as a troop transport ship, and re-launched as the &lt;em&gt;DeKalb &lt;/em&gt;in 1917. After Armistice it was operated by an American cruise line between 1920-25 before getting scrapped in 1934.&lt;br /&gt;&lt;br /&gt;The photograph is of interest because it has been painted using the artist William A. Mackay's &lt;a href="https://openvalley.org/items/show/924"&gt;"disruptive coloration" camouflage scheme.&lt;/a&gt; It is shown here in the Philadelphia Navy Yard. New Deal Gallery artist Thomas Casilear Cole was one of Mackay's pupils and assigned to the US Navy's Bureau of Construction and Repair during 1918. Such measures were critical due to German submarine attacks, for example a June 1918 convoy that included the &lt;em&gt;DeKalb&lt;/em&gt;.</text>
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                <text>U.S. Naval History and Heritage Command Item #NH 54662</text>
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                <text>State, War, and Navy Building</text>
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                <text>Located in Washington, DC, this impressive building was designed in the French Second Empire style. As its name suggests the structure housed several important departments that eventually outgrew available space. The building still stands today, known as the "Old Executive Office Building" or the "Eisenhower Executive Office Building."&#13;
&#13;
The image appears in OpenValley as part of an exhibit on Isabel Fraser Harmon's work during World War I at a YWCA Hostess House located at Camp Meade, MD.</text>
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&#13;
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&#13;
This image has been lightly edited and resized for web exhibits; larger file available at source listed below.&#13;
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Cooper, Ken&#13;
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https://archive.org/stream/reportofhostessh00nati#page/n0/mode/2up/search/Oglethorpe&#13;
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&#13;
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&#13;
This image has been lightly edited and resized for web exhibits; larger file available at source listed below.&#13;
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&#13;
YWCA Hostess Houses, usually located upon military bases, were created to serve visiting families of service members and to ensure proper conduct among the men—as for instance during visits from hometown sweethearts. Hostess Houses operated within a gendered “separate spheres” paradigm yet also afforded women unusual opportunities otherwise unavailable to them: supervisory experience, for example, and in some cases designing the structures themselves. Almost all Hostess Houses were decommissioned after Armistice.&#13;
&#13;
This image has been lightly edited and resized for web exhibits; larger file available at source listed below.&#13;
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https://catalog.archives.gov/id/55172878#.Wkuz-QcHMUk.link&#13;
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&#13;
YWCA Hostess Houses, usually located upon military bases, were created to serve visiting families of service members and to ensure proper conduct among the men—as for instance during visits from hometown sweethearts. Hostess Houses operated within a gendered “separate spheres” paradigm yet also afforded women unusual opportunities otherwise unavailable to them: supervisory experience, for example, and in some cases designing the structures themselves. Almost all Hostess Houses were decommissioned after Armistice.&#13;
&#13;
This image has been lightly edited and resized for web exhibits; larger file available at source listed below.&#13;
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        <src>https://openvalley.org/files/original/37ed583b442f4ea60d1dade4f9723ffe.jpg</src>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3078">
              <text>Photograph</text>
            </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3072">
                <text>John Eugene Harmon World War I Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3073">
                <text>This is a photograph of John Eugene Harmon in his uniform, upon returning home from military service during World War I. A member of Company C, Sixth Engineers, he had been wounded during the Battle of Amiens in 1918 and recovered in France. Back home at the family's O-Ka-lee farm, he is saluting the camera, with fenced cows in the background.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3074">
                <text>1919-04-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3075">
                <text>DiPreta, Ariana</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Harmon Family Collection, Big Springs Historical Society, Caledonia, NY</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3077">
                <text>jpeg, 545 KB&#13;
jpeg, 498 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Unknown photographer</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="81">
        <name>Caledonia, NY</name>
      </tag>
      <tag tagId="360">
        <name>Farm</name>
      </tag>
      <tag tagId="531">
        <name>Harmon Family</name>
      </tag>
      <tag tagId="410">
        <name>John Eugene Harmon</name>
      </tag>
      <tag tagId="534">
        <name>O-Ka-lee Farm</name>
      </tag>
      <tag tagId="409">
        <name>World War I</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
