1 10 5 https://openvalley.org/files/original/37b966621f9cd62c8e6794a11b61ea5d.jpg 188f7c05a25cdf7ad44af3a176365aed Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Child Labor Description An account of the resource Magazine illustration dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, Braverman's image perhaps redeploys American Association for the Study and Prevention of Infant Mortality--that is, simply thinking of children as "the nation's chief asset" in terms of health was limited. The wings of allegorical figure also protects children from economic exploitation. At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Progressive Woman in Chicago; he also produced much of the magazine’s art. It was founded as The Socialist Woman in 1907 by Josephine Conger-Kaneko and in 1913 would become The Coming Nation before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922. Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: . He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN. Creator An entity primarily responsible for making the resource Braverman, Barnet (1888-1965) Publisher An entity responsible for making the resource available The Progressive Woman Date A point or period of time associated with an event in the lifecycle of the resource 1913 Contributor An entity responsible for making contributions to the resource Cooper, Ken Format The file format, physical medium, or dimensions of the resource jpeg, 376 KB Source A related resource from which the described resource is derived "The Progressive Woman" 7.72-73 (June-July 1913): cover. Type The nature or genre of the resource Illustration Barnet Braverman New Deal socialism The Progressive Woman https://openvalley.org/files/original/501a4fbb02e4ec38c0f6e6537b1551b0.jpg 94625704de696132be596406e1d50d0e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource House Drudge Description An account of the resource Magazine cover dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, women's oppression within the home by husbands is linked to "man-made law" enacted without enfranchisement. As with other Braverman images, women appear as heroic figures contained by multiple social forces. At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Progressive Woman in Chicago; he also produced much of the magazine’s art. It was founded as The Socialist Woman in 1907 by Josephine Conger-Kaneko and in 1913 would become The Coming Nation before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922. Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: "Down and Out" (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN. Creator An entity primarily responsible for making the resource Braverman, Barnet (1888-1965) Publisher An entity responsible for making the resource available The Progressive Woman Date A point or period of time associated with an event in the lifecycle of the resource 1913-05 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "The Progressive Woman" 7.71 (May 1913): cover Format The file format, physical medium, or dimensions of the resource Illustration Barnet Braverman New Deal socialism Suffrage Movement The Progressive Woman https://openvalley.org/files/original/0d7bede47d472449c3cf7680f93bb3a0.jpg 61913133dbcdec2567da2786a37a4336 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Masthead for "The Coming Nation" Description An account of the resource At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Coming Nation," published in Chicago; he also produced much of the magazine’s art. It had been founded as "The Socialist Woman" in 1907 by Josephine Conger-Kaneko and in 1909 changed its name to "The Progressive Woman." The final iteration shown above lasted only a year before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922. Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: “Down and Out” (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN. Creator An entity primarily responsible for making the resource Braverman, Barnet (1888-1965) Publisher An entity responsible for making the resource available The Coming Nation Date A point or period of time associated with an event in the lifecycle of the resource 1914-04 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "The Coming Nation" 1.6 (April 1914): 3 Format The file format, physical medium, or dimensions of the resource jpeg, 376 KB Type The nature or genre of the resource Illustration Barnet Braverman New Deal socialism The Coming Nation The Progressive Woman https://openvalley.org/files/original/539f7a6fd5a50af60236d14cf6b76b74.jpg 930f3aad6f38eddab6efbffaa6dc4f54 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource International Woman's Day Description An account of the resource Magazine cover dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, three different social ills are linked to the absence of suffrage: a mother and daughter under the tyranny of a patriarchal father, an impoverished prostitute with her son watching on, and an economically precarious mother alone. Suffrage was just part of a larger progressive agenda symbolized by the large allegorical figure. At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Coming Nation," published in Chicago; he also produced much of the magazine’s art. It had been founded as "The Socialist Woman" in 1907 by Josephine Conger-Kaneko and in 1909 changed its name to "The Progressive Woman." The final iteration shown above lasted only a year before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922. Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: “Down and Out” (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN. Creator An entity primarily responsible for making the resource Braverman, Barnet (1888-1965) Publisher An entity responsible for making the resource available The Coming Nation Date A point or period of time associated with an event in the lifecycle of the resource 1914-03 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "The Coming Nation" 1.5 (Mar. 1914): cover Format The file format, physical medium, or dimensions of the resource Illustration Barnet Braverman socialism Suffrage Movement The Coming Nation The Progressive Woman https://openvalley.org/files/original/ddc0eb5d4fd694f5c3b5290c58230a2a.jpg c2f8441dc16647a06d80ecefdd0ea55a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Workers of the World Description An account of the resource Magazine illustration dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, a recurring column on labor issues makes a point to have both men and women in an Atlas-like pose of bearing the burden of modern industrial America. At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Progressive Woman in Chicago; he also produced much of the magazine’s art. It was founded as The Socialist Woman in 1907 by Josephine Conger-Kaneko and in 1913 would become The Coming Nation before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922. Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: “Down and Out” (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN. Creator An entity primarily responsible for making the resource Braverman, Barnet (1888-1965) Publisher An entity responsible for making the resource available The Progressive Woman Date A point or period of time associated with an event in the lifecycle of the resource 1912-11 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "The Progressive Woman" 6.65 (Nov. 1912): 12 Format The file format, physical medium, or dimensions of the resource jpeg, 318 KB Type The nature or genre of the resource Illustration Barnet Braverman New Deal socialism Suffrage Movement The Progressive Woman