1
10
5
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https://openvalley.org/files/original/ddc0eb5d4fd694f5c3b5290c58230a2a.jpg
c2f8441dc16647a06d80ecefdd0ea55a
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Illustration
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Workers of the World
Description
An account of the resource
Magazine illustration dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, a recurring column on labor issues makes a point to have both men and women in an Atlas-like pose of bearing the burden of modern industrial America.
At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Progressive Woman in Chicago; he also produced much of the magazine’s art. It was founded as The Socialist Woman in 1907 by Josephine Conger-Kaneko and in 1913 would become The Coming Nation before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922.
Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: “Down and Out” (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN.
Creator
An entity primarily responsible for making the resource
Braverman, Barnet (1888-1965)
Publisher
An entity responsible for making the resource available
The Progressive Woman
Date
A point or period of time associated with an event in the lifecycle of the resource
1912-11
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
"The Progressive Woman" 6.65 (Nov. 1912): 12
Format
The file format, physical medium, or dimensions of the resource
jpeg, 318 KB
Type
The nature or genre of the resource
Illustration
Barnet Braverman
New Deal
socialism
Suffrage Movement
The Progressive Woman
-
https://openvalley.org/files/original/539f7a6fd5a50af60236d14cf6b76b74.jpg
930f3aad6f38eddab6efbffaa6dc4f54
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Illustration
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
International Woman's Day
Description
An account of the resource
Magazine cover dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, three different social ills are linked to the absence of suffrage: a mother and daughter under the tyranny of a patriarchal father, an impoverished prostitute with her son watching on, and an economically precarious mother alone. Suffrage was just part of a larger progressive agenda symbolized by the large allegorical figure.
At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Coming Nation," published in Chicago; he also produced much of the magazine’s art. It had been founded as "The Socialist Woman" in 1907 by Josephine Conger-Kaneko and in 1909 changed its name to "The Progressive Woman." The final iteration shown above lasted only a year before folding in 1914.
After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922. Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: “Down and Out” (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN.
Creator
An entity primarily responsible for making the resource
Braverman, Barnet (1888-1965)
Publisher
An entity responsible for making the resource available
The Coming Nation
Date
A point or period of time associated with an event in the lifecycle of the resource
1914-03
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
"The Coming Nation" 1.5 (Mar. 1914): cover
Format
The file format, physical medium, or dimensions of the resource
Illustration
Barnet Braverman
socialism
Suffrage Movement
The Coming Nation
The Progressive Woman
-
https://openvalley.org/files/original/0d7bede47d472449c3cf7680f93bb3a0.jpg
61913133dbcdec2567da2786a37a4336
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Illustration
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Masthead for "The Coming Nation"
Description
An account of the resource
At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Coming Nation," published in Chicago; he also produced much of the magazine’s art. It had been founded as "The Socialist Woman" in 1907 by Josephine Conger-Kaneko and in 1909 changed its name to "The Progressive Woman." The final iteration shown above lasted only a year before folding in 1914.
After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922.
Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: “Down and Out” (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN.
Creator
An entity primarily responsible for making the resource
Braverman, Barnet (1888-1965)
Publisher
An entity responsible for making the resource available
The Coming Nation
Date
A point or period of time associated with an event in the lifecycle of the resource
1914-04
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
"The Coming Nation" 1.6 (April 1914): 3
Format
The file format, physical medium, or dimensions of the resource
jpeg, 376 KB
Type
The nature or genre of the resource
Illustration
Barnet Braverman
New Deal
socialism
The Coming Nation
The Progressive Woman
-
https://openvalley.org/files/original/501a4fbb02e4ec38c0f6e6537b1551b0.jpg
94625704de696132be596406e1d50d0e
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Illustration
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
House Drudge
Description
An account of the resource
Magazine cover dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, women's oppression within the home by husbands is linked to "man-made law" enacted without enfranchisement. As with other Braverman images, women appear as heroic figures contained by multiple social forces.
At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Progressive Woman in Chicago; he also produced much of the magazine’s art. It was founded as The Socialist Woman in 1907 by Josephine Conger-Kaneko and in 1913 would become The Coming Nation before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922.
Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: "Down and Out" (1937). He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN.
Creator
An entity primarily responsible for making the resource
Braverman, Barnet (1888-1965)
Publisher
An entity responsible for making the resource available
The Progressive Woman
Date
A point or period of time associated with an event in the lifecycle of the resource
1913-05
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
"The Progressive Woman" 7.71 (May 1913): cover
Format
The file format, physical medium, or dimensions of the resource
Illustration
Barnet Braverman
New Deal
socialism
Suffrage Movement
The Progressive Woman
-
https://openvalley.org/files/original/37b966621f9cd62c8e6794a11b61ea5d.jpg
188f7c05a25cdf7ad44af3a176365aed
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Illustration
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Child Labor
Description
An account of the resource
Magazine illustration dates to a period when women’s suffrage and socialism were commingling in productive new ways. Here, Braverman's image perhaps redeploys American Association for the Study and Prevention of Infant Mortality--that is, simply thinking of children as "the nation's chief asset" in terms of health was limited. The wings of allegorical figure also protects children from economic exploitation.
At the time of this illustration Braverman’s job title was “Associate Editor and Circulation Manager” for The Progressive Woman in Chicago; he also produced much of the magazine’s art. It was founded as The Socialist Woman in 1907 by Josephine Conger-Kaneko and in 1913 would become The Coming Nation before folding in 1914. After passage of the Nineteenth Amendment in 1920, and as socialist unity fragmented under the duress of Palmer Raids and systematic anti-red legislation, Braverman became disillusioned and moved into poster art and advertising. By the 1920s he worked for the Curtis Company agency in Detroit, MI and then the Hamman group in Oakland, CA. He played a central role in smuggling copies of James Joyce’s banned novel Ulysses into America in 1922.
Later Braverman created works for the Federal Art Project, including a work held by the New Deal Gallery at Mt. Morris: . He had a great interest in films, during the 1940s working upon an authorized biography of the director D.W. Griffith that never was published. He lived the last years of his life in St. Paul, MN.
Creator
An entity primarily responsible for making the resource
Braverman, Barnet (1888-1965)
Publisher
An entity responsible for making the resource available
The Progressive Woman
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Format
The file format, physical medium, or dimensions of the resource
jpeg, 376 KB
Source
A related resource from which the described resource is derived
"The Progressive Woman" 7.72-73 (June-July 1913): cover.
Type
The nature or genre of the resource
Illustration
Barnet Braverman
New Deal
socialism
The Progressive Woman