1
10
7
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https://openvalley.org/files/original/29eb690ceff5b0f8e82105d04144ab30.jpg
256cc6e96e68be205fa2821d80b8bb88
https://openvalley.org/files/original/fea22e726c06186f9a9c270331a3f7eb.jpg
0ba4a10947e1f485c7b3a06721d7f12f
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Lithograph
Physical Dimensions
The actual physical size of the original image
22 x 16 in.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Format
The file format, physical medium, or dimensions of the resource
jpeg, 1.9 MB
jpeg, 10.8 MB
Title
A name given to the resource
I Feed You All!
Description
An account of the resource
No doubt inspired by the Granger movement, the artist asserts the importance of the farmer in American society. The title is a variation on the movement's motto, "I Pay for All." The Grange was an organization composed mostly of midwestern farmers, who united to combat the monopolistic practices of the railroads and grain elevators. The central vignette shows a farmer with a plough and two horses. In the distance is a large house. The vignette appears within a framework of twigs and oak branches, with stalks of corn and sheafs of wheat in the corners. Above the scene is an eagle and an arrangement of flags, with the inscription "1776. 1876." Several smaller scenes surround the central vignette. Clockwise from the upper left corner are: a lawyer ("I Plead for All"); a seated President Ulysses S. Grant ("I Rule for All"); an officer leading a charge ("I Fight for All"); a clergyman at his pulpit ("I Preach for All"); a ship owner watching his vessel through a window ("I Sail for All"); a shopkeeper in a general store ("I Buy & Sell for All"); a doctor with a scale and drugs ("I Physic You All"); a broker at his window ("I Fleece You All"); a trader (I Bull & Bear for All"); and a railroad owner watching his locomotive ("I Carry for All").
Description courtesy Library of Congress
Creator
An entity primarily responsible for making the resource
American Oleograph
Date
A point or period of time associated with an event in the lifecycle of the resource
1875
Source
A related resource from which the described resource is derived
<a href="https://www.loc.gov/pictures/item/2003690771/" target="_blank" rel="noopener">Library of Congress</a>
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Type
The nature or genre of the resource
Still image
farmers
Poster
The Grange
-
https://openvalley.org/files/original/97d5e9df924012bcf1037548cadda544.jpg
83850b2caf65d1b3f062a139e22a6e99
https://openvalley.org/files/original/0c7b56ec8098d23a1fe691faf7da3ead.jpg
502adaf75417d248471c6f3de639ebd9
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Poster
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Soil Conservation Service Poster
Description
An account of the resource
This poster is one of many <a href="https://archive.org/search.php?query=series%3A%22Conservation+charts+%28United+States.+Soil+Conservation+Service%29%22" target="_blank" rel="noopener">"soil conservation charts"</a> created by the US Department of Agriculture during the 1930s, specifically in response to conditions of drought and farming practices that had exacerbated the problem. In this instance, the Soil Conservation Service makes the case that "Financial Insecurity Follows Erosion of the Soil"--a reverse of prevailing logic that the Dust Bowl was nature-caused affliction. Here, map of a typical farm is annotated with some of the practices that cause erosion over many seasons, and not simply in one summer.
Creator
An entity primarily responsible for making the resource
US Department of Agriculture, Soil Conservation Service
Date
A point or period of time associated with an event in the lifecycle of the resource
1939
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
<a href="https://archive.org/details/CAT31354878/page/n1" target="_blank" rel="noopener">US Department of Agriculture, National Agricultural Library, via Internet Archive</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg, 4.3 MB
jpeg, 294 KB
Type
The nature or genre of the resource
Still image
Dust Bowl
Erosion
farming
Poster
Soil Conservation Service
-
https://openvalley.org/files/original/6bdff0a7e0689dd81ee17312b24d15ff.jpg
6cdfee709ef69824d51153699369fa72
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Silkscreen poster
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Regional Exhibition Work by New York State and New Jersey Artists
Format
The file format, physical medium, or dimensions of the resource
jpeg, 582 KB
Description
An account of the resource
Poster for Federal Art Project exhibition of regional art (New Jersey and New York) at the Federal Art Gallery, 225 West 57 St., New York City, showing a stylized gallery view.
Creator
An entity primarily responsible for making the resource
Federal Art Project, New York City
Date
A point or period of time associated with an event in the lifecycle of the resource
1938
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Type
The nature or genre of the resource
Still image
Federal Art Project
Federal Art Project Gallery
Poster
-
https://openvalley.org/files/original/671f3f98c2195bfa730a303dfb76f731.jpg
da0db4bfbbd83de451673d720fd16f5a
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Silkscreen poster, via color film copy slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allocations poster
Format
The file format, physical medium, or dimensions of the resource
jpeg, 800 KB
Description
An account of the resource
The Federal Art Project wasn't simply a relief program; central to its mission was the creation of art for government buildings, schools, libraries, charitable institutions, and hospitals like the one in Mt. Morris. This process was termed Allocations, and is illustrated here in simplified form by the Boston, MA division of the Federal Art Project.
Creator
An entity primarily responsible for making the resource
Nason, Ben, 1908-1985
Publisher
An entity responsible for making the resource available
Federal Art Project
Date
A point or period of time associated with an event in the lifecycle of the resource
1938
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
Library of Congress, Prints & Photographs Division, WPA Poster Collection, <a href="https://lccn.loc.gov/98518023" target="_blank" rel="noopener">LC-USZC2-5568</a>
allocations
Federal Art Project
Poster
Poster Division
-
https://openvalley.org/files/original/6280689a05b6a01ca00e92c02dd01b6a.jpg
f4b66daf5ae4db62f4deb160e6e4db43
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Silkscreen poster, via color film copy slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poster for exhibition at Federal Art Project Gallery, New York
Format
The file format, physical medium, or dimensions of the resource
jpeg, 406 KB
Creator
An entity primarily responsible for making the resource
Floethe, Richard, 1901-1988
Publisher
An entity responsible for making the resource available
Federal Art Project
Description
An account of the resource
This poster was created by the Richard Floethe, Director of the Federal Art Project's NYC Poster Division. His training at the modernist Bauhaus in Germany shows its influence in stylized illustration and bold, simple lettering. The Federal Art Project Gallery, which opened on 27 December 1935, was a frequent venue for painters in the program.
Date
A point or period of time associated with an event in the lifecycle of the resource
1936
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
Library of Congress, Prints & Photographs Division, WPA Poster Collection, <a href="https://lccn.loc.gov/98513588" target="_blank" rel="noopener">LC-USZC2-959</a>
Type
The nature or genre of the resource
Still image
Federal Art Project
Federal Art Project Gallery
Poster
Poster Division
-
https://openvalley.org/files/original/eb5d55807a33bd5492b0eaef2f8be657.jpg
c10b751a5844f4c3cf178fedbd10df14
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Silkscreen poster, via color film copy slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Federal Art Project exhibition, Albany Institute
Format
The file format, physical medium, or dimensions of the resource
jpeg, 444 KB
Description
An account of the resource
Created by the Federal Art Project Poster Division, this advertises a show staged by the Albany Institute of History and Art. It appears to have supported "The Art Caravan," a traveling exhibition of paintings accompanied by lecturer Judson Smith. After its stop in Albany, "Stops will be made at small towns throughout New York" (<em>Kingston Daily Freeman</em> 21 Sept. 1938: 5).
Creator
An entity primarily responsible for making the resource
Rothstein, Jerome (1918-2008)
Publisher
An entity responsible for making the resource available
Federal Art Project
Date
A point or period of time associated with an event in the lifecycle of the resource
1938
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
Library of Congress, Prints & Photographs Division, WPA Poster Collection, <a href="https://lccn.loc.gov/98516718" target="_blank" rel="noopener">LC-USZC2-930</a>
Type
The nature or genre of the resource
Still image
Albany, NY
Federal Art Project
Poster
Poster Division
Works Progress Administration
WPA
-
https://openvalley.org/files/original/8dba4ac2a1591b1664308849ac5a0642.jpg
2a00fd3944ac78009d6af07ca9c63300
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Silkscreen poster, via color film copy slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition: Oil Paintings from the Easel Division
Format
The file format, physical medium, or dimensions of the resource
jpeg, 613 KB
Creator
An entity primarily responsible for making the resource
Rothstein, Jerome Henry, 1918-2008
Publisher
An entity responsible for making the resource available
New York City W.P.A. Art Project
Date
A point or period of time associated with an event in the lifecycle of the resource
1936-1941
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken
Source
A related resource from which the described resource is derived
Library of Congress, Prints & Photographs Division, WPA Poster Collection, <a href="https://lccn.loc.gov/98516689" target="_blank" rel="noopener">LC-USZC2-5386</a>
Description
An account of the resource
Created by the WPA poster division, it's not clear whether this sign is promoting a show at the New Deal Gallery, a show at some other location, or simply was used for traveling shows.
Federal Art Project
Poster
Poster Division
Works Progress Administration
WPA