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Postcard shows township located in Potter County, formed in 1804 and so remote that as of the 1830s one gazetteer wrote: "So little indeed is the county known or visited, that its very representatives in the assembly have scarce traversed it" (Gordon). Near this location are the headwaters of three major rivers: the Genesee, the Allegheny, and the Susquehanna. Or put another way, water from here flows to the Gulf of St. Lawrence, the Gulf of Mexico, and Chesapeake Bay. <br /><br />The image on this postcard in all likelihood was created first as a panoramic map, wholly or partially funded by citizens wanting to advertise the community as a commercial destination. In the years since, however, population has remained sparse and Ulysses is better known for its white supremicist activities. <br /><br />Source consulted: Thomas Francis Gordon, <a href="https://archive.org/details/gazetteerofstatep00gord/page/384" target="_blank" rel="noopener"><em>A Gazetteer of the State of Pennsylvania</em></a> (T. Belknap, 1832): 385.
<a href="http://digitalcollections.powerlibrary.org/cdm/ref/collection/pulpl-uh/id/106">Courtesy of Ulysses Library Association</a>
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var str = 'Real-photo postcard shows a mill site alongside Conesus Creek where Emme Light rebuilt after a fire had destroyed an earlier one named \"Glen Avon.\" He retained that name, and became well known for his trademarked varieties of flour: Peerless, Sweet Violet, Daisy, and White Rose. Sometime the operation was called \"Light\'s Mill,\" as on this image.
Ownership of the mill passed to sons John and William, then to his granddaughter Lucy (Light) McDonald who in 1949 leased it to a Dutch miller named George A. Bass. In 1951, the town of Avon purchased the mill for its more valuable Conesus Lake water rights, then sold the property back to Bass. Glen Avon ceased operations sometime around the late 1950s. The structure remains standing today as a private home.';
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Anderson
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The publisher Louis Prang was a noted producer of high-end chromoliths, often of original paintings, but he also published smaller and more affordable works. He had learned during the Civil War that souvenir prints of popular generals sold well, and turned to this "album card" format during the 1870s. <br /><br /><em>Twelve Adirondack Sketches</em> was one such series of 2 1/2 x 4 1/2 cards, sold for perhaps 50 cents. Wilkie depicts the area's scenic mountains, rivers, and lakes; he also renders aspects of its tourist infrastructure and important historical sites. The cards include:<br /><br />1. Paul Smith Hotel <br />2. Pulpit Rock, Au-Sable <br />3. Schroon Lake <br />4. Lake Champlain <br />5. Camp Edgar, Lake Saranac <br />6. Lower Au-Sable Lake <br />7. Lake Placid <br />8. Birmingham Fall, Au-Sable Chasm <br />9. John Brown's Homestead <br />10. Lower Lake Saranac <br />11. Fort Ticonderoga <br />12. Entrance to Round Lake<br /><br />Source Consulted: Warder H. Cadbury, "The Adirondack Chromolithographs of Robert D. Wilkie," <em>Adirondack Prints and Printmakers: The Call of the Wild</em>, ed. Caroline Masten Welch (Adirondack Museum, 1998): 69-82.
Wilkie, Robert D.
<a href="https://www.flickr.com/photos/boston_public_library/4920222511/in/photostream/" target="_blank" rel="noopener">Boston Public Library, Print Department, via Flickr</a>
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