Browse Items (22 total)

From the edge of a lake or slow-moving river, we look across to see several houses built at water’s edge. Using a palette similar to his other New Deal Gallery paintings, Patterson depicts a freshness normally associated with springtime: there appear…

This painting, seemingly located on the upper Mohawk River, assumes a timeless, mythical quality. Bierstadt was one of several second-generation Hudson School artists associated with "luminism," a technique using aerial perspective and…

The center of this landscape is a tree with gold and yellow leaves, a few just turning to orange. Nearby bushes already have dropped their leaves, allowing for views across a pond or river to the other shore, and mountains in the far distance.…

The size of this inlet isn’t clear because of perspectival ambiguitiess: if the two houses at left are modest in scale, then the boats across from them either are tiny or far in the distance. Regardless, in the distance we see perhaps three or four…

Although a train platform in the foreground bears the name “Small Town,” the frame of Yaghjian’s painting had referenced Beacon, NY before getting crossed out in favor of this more universal theme. We are invited to ascend a wooden stairway into a…

Using brushstrokes and a palette resembling impressionism (verging on pointillism), Polowetski’s greens of early spring are overwhelmed by saturated shades of lavender, blue, magenta, and umber. The terrain is roughly accurate but compressed so as to…

On a purely aesthetic level, this portrayal of rural farm life in autumn is quite clearly done in a painterly matter: quick brushstrokes with a specific choice to omit most detail. It can be assumed that the light-handed application of paint was a…

This work, as the title suggests, is of trees during the fall season: red, yellow, and orange colors of leaves on their skeletal forms depict a season of change. Rolling hills behind them likewise are changing color to more muted tones, the color of…