Browse Items (25 total)

A beautiful and delicately lit scene of trees in a field of snow suggests, via its background, that we are in a valley at some considerable elevation. Against the placid light and colors is an arrangement of trees that reveal the struggle for…

This view adopts some several conventions of folk painting: a non-linear perspective, extremely simplified renderings of structures and people; and a “coverage” of the scene that feels complete. The style was one of several for Nichols. Perhaps most…

This work, as the title suggests, is of trees during the fall season: red, yellow, and orange colors of leaves on their skeletal forms depict a season of change. Rolling hills behind them likewise are changing color to more muted tones, the color of…

On a purely aesthetic level, this portrayal of rural farm life in autumn is quite clearly done in a painterly matter: quick brushstrokes with a specific choice to omit most detail. It can be assumed that the light-handed application of paint was a…

Using brushstrokes and a palette resembling impressionism (verging on pointillism), Polowetski’s greens of early spring are overwhelmed by saturated shades of lavender, blue, magenta, and umber. The terrain is roughly accurate but compressed so as to…

Although a train platform in the foreground bears the name “Small Town,” the frame of Yaghjian’s painting had referenced Beacon, NY before getting crossed out in favor of this more universal theme. We are invited to ascend a wooden stairway into a…

The size of this inlet isn’t clear because of perspectival ambiguitiess: if the two houses at left are modest in scale, then the boats across from them either are tiny or far in the distance. Regardless, in the distance we see perhaps three or four…

The center of this landscape is a tree with gold and yellow leaves, a few just turning to orange. Nearby bushes already have dropped their leaves, allowing for views across a pond or river to the other shore, and mountains in the far distance.…