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https://openvalley.org/files/original/04b262188c664a51b4243da539e85d76.jpg
3ea2bd25088177a4b478c0bde7474043
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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New Deal Gallery
Description
An account of the resource
This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." <br /><br />Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.<br /><br />Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.
Date
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1935-1940
Contributor
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Cooper, Ken (project director)
Ritz, Abigail (photography and project assistant)
Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.
Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Oil on board
Physical Dimensions
The actual physical size of the original image
30 x 40 in.
Condition: surface dirt, stained slightly
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Japanese Garden
Description
An account of the resource
<p>This painting depicts blooming Japanese flora in what appears to be a body of water; however, most of the canvas is negative space, a technique that allows for a higher contrast in colors of Ward’s vegetation. It also is perhaps intended to allow viewers to contemplate life and its meaning, for the flowers and waterlilies surrounding the base of the vegetation—their branches and petals—are flourishing. <br /><br /><span style="text-decoration: underline;">About the Artist:</span> Ward was born, in Paris, to a family of artists. His father <a href="https://www.metmuseum.org/art/collection/search/13132" target="_blank" rel="noopener">Edgar Melville</a> was a noted genre painter who directed the National Academy of Design for twenty years; his uncle <a href="https://en.wikipedia.org/wiki/John_Quincy_Adams_Ward" target="_blank" rel="noopener">John Quincy Adams Ward</a> was even more famous for his public sculptures. The younger painter studied with <a href="https://en.wikipedia.org/wiki/Edward_William_Carlson" target="_blank" rel="noopener">Edward William Carlson</a>, <a href="https://en.wikipedia.org/wiki/Francis_Coates_Jones" target="_blank" rel="noopener">Francis Coates Jones</a>, and—perhaps most influential—the muralist <a href="https://en.wikipedia.org/wiki/George_W._Maynard" target="_blank" rel="noopener">George W. Maynard</a>. He lived much of his life in Ulster County. As of the mid-1930s Ward, in addition to painting, was a designer and a muralist in his own right (<em>Kingston Daily Freeman</em> 30 July 1936: 7). His “Under Sea Life” was at the Jones Beach Pavillion, and he created several for Wells College, Aurora NY.</p>
Creator
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Ward, Edgar Melville, Jr., 1887-1943
Publisher
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Federal Art Project
Date
A point or period of time associated with an event in the lifecycle of the resource
1935-1940
Contributor
An entity responsible for making contributions to the resource
Ritz, Abigail (photographer)
Griffin, Michael (biography)
Source
A related resource from which the described resource is derived
New Deal Gallery, Genesee Valley Council on the Arts
Object #FA18285
Type
The nature or genre of the resource
Still image
Format
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jpeg, 2.5 MB
Identifier
An unambiguous reference to the resource within a given context
192
Edgar Melville Ward Jr
Federal Art Project
John Quicy Adams Ward
New Deal
New Deal Gallery
Oil Painting
painting