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                  <text>This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." &lt;br /&gt;&lt;br /&gt;Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. &lt;a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener"&gt;Follow this hyperlink to a short introduction to the New Deal Gallery collection&lt;/a&gt;. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.&lt;br /&gt;&lt;br /&gt;Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.</text>
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                  <text>Cooper, Ken (project director)&#13;
&#13;
Ritz, Abigail (photography and project assistant)&#13;
&#13;
Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.&#13;
&#13;
Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.</text>
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                <text>1. Rochester &lt;i&gt;Democrat and Chronicle &lt;/i&gt;1 July 1941: 37&lt;br /&gt;2. Rochester&amp;nbsp;&lt;em&gt;Democrat and Chronicle&amp;nbsp;&lt;/em&gt;1 May 1931: 18&lt;br /&gt;3. Rochester &lt;i&gt;Democrat &amp;amp; Chronicle&lt;/i&gt; 6 Feb 1938: 58&lt;br /&gt;4. Rochester &lt;i&gt;Democrat and Chronicle&lt;/i&gt; 8 Aug. 1936: 4&lt;br /&gt;5. Rochester &lt;i&gt;Democrat &amp;amp; Chronicle&lt;/i&gt; 9 Feb 1935: 6&lt;br /&gt;6. Rochester Democrat &amp;amp; Chronicle 15 Sept 1933: 10&lt;br /&gt;7. Rochester &lt;i&gt;Democrat &amp;amp; Chronicle&lt;/i&gt; 16 Sept. 1932: 13&lt;br /&gt;8. Rochester &lt;i&gt;Democrat &amp;amp; Chronicle&lt;/i&gt; 17 Feb 1934: 4&lt;br /&gt;9. Rochester &lt;i&gt;Democrat &amp;amp; Chronicle&lt;/i&gt; 24 Aug. 1908: 8&lt;br /&gt;10. Rochester Democrat &amp;amp; Chronicle 24 Jan. 1931: 8&lt;br /&gt;11. Rochester &lt;i&gt;Democrat &amp;amp; Chronicle&lt;/i&gt; 24 Oct 1940: 32&lt;br /&gt;12. Rochester &lt;i&gt;Democrat &amp;amp; Chronicle&lt;/i&gt; 30 Oct. 1908: 11</text>
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                <text>Beginning in roughly the 1900s, electric interurban rail lines became popular across the US. Their lower profile--in terms of size, weight and emissions--made them ideal for commuters traveling to cities. The Erie Railroad joined this trend by adding service along an existing line between Mt. Morris and Rochester. &lt;br /&gt;&lt;br /&gt;The postcard view here shows one such journey across the town of Avon's five-arch bridge during the 1920s. Service stops included Mt. Morris, Cuylerville, Geneseo, Ashantee, Avon, West Rush, West Henrietta, Mortimer, and Rochester. Initially, 24 trains ran daily; by 1931, however, that number had been cut in half, and in 1941 all passenger service was terminated as automobiles supplanted interurban rail service. The Erie RR tore up all tracks south of Avon. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Work Consulted&lt;/span&gt;: Arch Merrill, “Interurbans Had a Day...And a Pleasant Day it Was,” &lt;em&gt;Rochester Democrat &amp;amp; Chronicle&lt;/em&gt; 13 Feb 1949: 29.</text>
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          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
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              <text>Magazine article</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Article Entitled "Migrant Folk Art on Display at Eastern Stream"</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>When the Geneseo Migrant Center's African Past, Migrant Present gallery was moved, in part, to the Balch Institute this article was published providing  a brief overview of the content and is sources, as well as a discussion about Dr. Robert Farris Thompson</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1987-02</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Wilson, Sawyer</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Geneseo Migrant Center Archives</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>PDF, 1.3 MB</text>
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        <name>African Past, Migrant Present</name>
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        <name>Balch Institute</name>
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        <name>Geneseo Migrant Center</name>
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        <name>Robert Farris Thompson</name>
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        <name>Robert Thompson</name>
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          <name>Original Format</name>
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              <text>Scan of Drawing</text>
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          <description>The actual physical size of the original image</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Passages Gallery Working Drawings</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In late 1990, the Geneseo Migrant Center began to prepare for Passages, another large exhibit. This is a set of working drawings for labels in the exhibit. Hand-drawn and written small pictures, notes, and explanations of the work being done are written almost as a guidance for someone inexperienced reading over the document then going to make the labels being discussed.</text>
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                <text>Geneseo Migrant Center</text>
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            <name>Date</name>
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                <text>1990-12</text>
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                <text>Wilson, Sawyer</text>
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                <text>Geneseo Migrant Center Archives </text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Geneseo Migrant Center</name>
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        <name>Passages</name>
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