95 10 1402 https://openvalley.org/files/original/33e909e45b367c50c1bf6307da602eb5.jpg 1d85511103c531c299b3e19d6a9091ad https://openvalley.org/files/original/0a8bdaabaf8183552f9d194a524e719d.jpg 4749772f22cd83867ced1642c86232b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil on canvas painting Physical Dimensions The actual physical size of the original image Canvas: 23 1/2 × 19 1/2 in. Frame: 31 1/4 × 27 1/4 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gladioli Description An account of the resource Witten’s still-life painting depicts a vase of gladioli flowers with a framed nude portrait set next to and slightly behind the vase. The exact year of production is unknown, like much of Witten’s personal history. The flowers are bright red and gold, a sharp contrast to the deep blue-green vase and light green wall. The nude portrait shows a woman on her knees looking downward, apparently posing next to the edge of a bed. Her body language is soft, inviting comparison to the flowers.  Our immediate focal point is the flower vase, particularly its bright red flowers: most of them seemingly lean towards the portrait, creating a line of attention across the piece. By utilizing a contrast of hues and saturations, Witten also invites juxtaposition of the portrait and its surroundings. The pale figure, posed against a deep blue background and cool-hued colors, contrasts the warm-hued colors of its framing room. This shifts the initial focal point towards the picture frame and away from the flowers. Witten’s technique gives the painting a soft, romantic feeling. The visual brushstrokes and soft linework make the work feel familiar but not distinct, as though Witten were portraying a memory. About the Artist Mabel Alice Mary Azure was born in London, her exact birth year unknown, to an English father and Spanish mother. After the early passing of her parents, Witten attended an all-girls private school in Hampshire, England, thanks to family wealth.  During this time, she met her husband, George Walter Bond Witten, whom she married in 1912. George Witten was not only a writer, but also an army Major. The newlywed couple moved to New York, staying for a short time before relocating to Florida, where they remained the rest of their lives. She got the nickname “Bunty” from her husband and used it as a professional name throughout her career.  Witten spent a great deal of time on education. She attended 8 years of school in the U.S., some of them spent at the Metropolitan Art School of New York, one year in a school in England and another in Paris. She is mostly known as a painter, but also sketched, illustrated and created cartoons and personal portraits. Her illustrations appeared in books such as <a href="https://babel.hathitrust.org/cgi/pt?id=nyp.33333023737766&seq=7">A Merry Menagerie</a> (1924), <a href="https://archive.org/details/sim_parents_1928-02_3_2/mode/1up">Children: The Magazine for Parents</a> (1928) and <a href="https://openvalley.org/items/show/1332">Rip Darcy, Adventurer</a> (1938). In Florida, she helped run the Pen and Brush Club, later renamed The Galleon: A Pen and Pencil Club. She was a chair of the club and used her interior design skills to make the club space a gorgeous spot for artists and creators to create a better world for art and literature. Witten passed in 1968, an obituary determining her age to be 74, although her original birth year is unknown. Works Consulted: Paul Guzzo, “Crabby Bill’s CEO honors family’s benefactor” (Stuart News 29 Aug. 2021: 26A); Lillian Blackstone, “Artist and Husband Forget Their Proposed Trip to Guatemala As Soon as They Reach Here" (Tampa Bay Times 30 April 1939: 14); “Obituaries.” (Tampa Bay Times 18 Nov. 1968: 17); “Pen and Brush Club is Now Organized in St. Augustine" (St. Augustine Record 19 Jan. 1924: 1); “‘The Galleon’ New Name for Writers’ and Artists’ Club” (St. Augustine Record 23 Jan. 1924: 1). Creator An entity primarily responsible for making the resource Witten, Bunty (1895? - 1968) Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource c.1935 Contributor An entity responsible for making contributions to the resource Pasiak, Olivia (description and biography) Helquist, Morgan (photography) Source A related resource from which the described resource is derived New Deal Museum, Mount Morris NY Object #FA 826 Format The file format, physical medium, or dimensions of the resource jpeg, 2 MB jpeg, 1.2 MB Type The nature or genre of the resource Still image Bunty Witten Federal Art Project New Deal Museum painting still life https://openvalley.org/files/original/db4698a917430da0e48e11615a92e03b.JPG 6bf16a929a9fcd42f66447bdaf559a0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 20 x 24 in. Condition: surface dirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lilies Format The file format, physical medium, or dimensions of the resource jpeg, 1.1 MB Description An account of the resource From slightly above a table, we look down upon a vase of trumpet lilies playing in all directions, their green foliage lush. A dark background adds dramatic contrast the white lilies. Next to the vase is a figure wearing a helmet or headress with a red jewel. About the Artist: There are conflicting, possibly invented details surrounding the life of this colorful artist. Born in England to a Spanish father and English mother, her birth name was Mable Alice Mary Azue; her stated birth date ranges between 1896 and 1901. According to a 1951 newspaper feature, her mother was killed during a 1914 German bombing raid of London, then the teenager’s education was sponsored by a soldier named George W. Witten, who married her a year later when she was sixteen. Col. Witten’s own story—of running away from home to become a soldier of fortune, fighting in the Boer War, plotting to overthrow Venezuela, publishing exposes of fraudulent stock transactions—has its own interests, not least his profession as writer-adventurer (Hooper, “Soldier”). Bunty Witten’s life as an artist included study in New York with Michel Jacobs and fashion designer Ethel Traphagen, then briefly at Académie Colarossi in Paris. Her work included commercial art, interior design, and book illustration. A charming illustration for Jack O’Brien’s <a href="https://openvalley.org/items/show/1332" target="_blank" rel="noopener">Rip Darcy, Adventurer (1938)</a> shows her talent for portraiture, which included several well-known figures: Gen. Robert Lee Bullard and the aviators Amelia Earhart and Jessie “Chubbie” Miller. As of the late 1930s she and her husband, Col. George W. Witten, had relocated to St. Petersburg, FL. Sources Consulted: Paul Hooper, “The Vista That Hides the View,” Tampa Tribune 18 Nov. 1951: 45; Paul Hooper, “Soldier of Fortune Finally Reaches ‘Journey’s End,’” Tampa Tribune 15 June 1952: 46; Lilian Blackstone, “Artist and Husband Forget Their Proposed Trip to Guatemala as Soon as They Reach Here,” Tampa Bay Times 30 April 1932: 14. Creator An entity primarily responsible for making the resource Witten, Bunty, 1894-1968 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18372 Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 200 Bunty Witten Federal Art Project New Deal Gallery still life https://openvalley.org/files/original/c4f7c680dced6be47906328b1b2cc9fb.jpg d922ee72b70ff3bfd09b60cc2ec74377 https://openvalley.org/files/original/ead1427b39a012709118872bb1da2771.jpg 9ace4c5cb0d4fdee2c236660c93ada2e https://openvalley.org/files/original/8b4f5fcd61e0f42cfa61f074ddee8928.jpg 9a3d0655f638f32dae548b14a9a4336d https://openvalley.org/files/original/e953204257f9789a442bd0f7c0bdebdc.jpg b439d10fab57c40e7e57e57b522f05a7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Book illustration Physical Dimensions The actual physical size of the original image 4.5 x 6.5 in. 11 x 8.5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rip Darcy, Adventurer Creator An entity primarily responsible for making the resource Witten, Bunty, 1894-1968 Description An account of the resource Rip Darcy is orphaned the son of a seafaring family and the protagonist of a 1938 book written by Jack O'Brien and illustrated by New Deal Gallery artist <a href="https://openvalley.org/items/show/1264" target="_blank" rel="noopener">Bunty Witten</a>. As the story opens Rip is found upon a deserted Pacific Island near Pago Pago, having lived there a year with only his dog Junie for company. What follows is a series of tales that owes something to the boys adventure genre and perhaps <a href="https://en.wikipedia.org/wiki/The_Adventures_of_Tintin" target="_blank" rel="noopener">The Adventures of Tin Tin</a> by the Belgian artist Hergé. Certainly, both share a love of the global exotic and model a next generation of European explorers who are "clean, straight-forward, unafraid." An interesting innovation of the book is that Rip interacts with real-life members of <a href="https://en.wikipedia.org/wiki/Adventurers%27_Club_of_New_York" target="_blank" rel="noopener">Adventurers Club of New York</a>, including Witten's husband George Witten. Against the backdrop of manly adventures—wild game hunting, aeronautics, and so on—there is a sweetness to Witten's illustrations that mitigates self-congratulatory tales. Publisher An entity responsible for making the resource available John C. Winston Company Date A point or period of time associated with an event in the lifecycle of the resource 1938 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Jack O'Brien, Rip Darcy, Adventurer (John C. Winston, 1938) <a href="https://archive.org/details/bwb_S0-EHH-441" target="_blank" rel="noopener">Courtesy of Internet Archive</a> Format The file format, physical medium, or dimensions of the resource jpeg, 492 KB jpeg, 602 KB jpeg, 1 MB jpeg, 457 KB Type The nature or genre of the resource Still image Boy's Books Bunty Witten lithograph https://openvalley.org/files/original/b1bead2e6a82dea124fae0aeec655e2e.jpg b4ebb5ab4afeeeb74f7bbe6b4a02984e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Print from nitrate negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cotton day laborers Description An account of the resource The full title of this photograph is "Day laborers carrying sack of cotton from field to cotton house to be weighed, Marcella Plantation, Mississippi Delta, Mississippi." It was taken by a photographer hired by the Farm Security Administration during the New Deal era, presumably to document farm practices and working conditions during dust bowl conditions. Creator An entity primarily responsible for making the resource Wolcott, Marion Post, 1910-1990 Publisher An entity responsible for making the resource available US Farm Security Administration US Library of Congress Date A point or period of time associated with an event in the lifecycle of the resource 1939 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived US Library of Congress digital ID<a href="https://lccn.loc.gov/2017754738" target="_blank" rel="noopener"> #fsa 8a41028 //hdl.loc.gov/loc.pnp/fsa.8a41028</a> Format The file format, physical medium, or dimensions of the resource jpeg, 1.1 MB Language A language of the resource Still image Cotton Farm Security Administration Great Depression Labor New Deal Perry Knitting Co. https://openvalley.org/files/original/7c927bb081bf4132bfd5d3ffefe07c49.jpg a37edd87bc37af7794c23ecfe0dc8cd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Print from nitrate negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mechanical Cotton Harvesters Description An account of the resource The full title of this photograph is "Three international pickers in a cotton field on Hopson Plantation, Mississippi Delta." It was taken by a photographer on contract with the Farm Services Administration, documenting agricultural practices and working conditions during the New Deal era. Creator An entity primarily responsible for making the resource Wolcott, Marion Post, 1910-1990 Publisher An entity responsible for making the resource available US Farm Security Administration Date A point or period of time associated with an event in the lifecycle of the resource 1939-11 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived US Library of Congress Digital ID #<a href="https://lccn.loc.gov/2017801785" target="_blank" rel="noopener">fsa 8c10971 //hdl.loc.gov/loc.pnp/fsa.8c10971 </a> Format The file format, physical medium, or dimensions of the resource jpeg, 1.9 MB Type The nature or genre of the resource Still image Agriculture Cotton Farm Security Administration Great Depression Perry Knitting Co. https://openvalley.org/files/original/b98b3c56939971616210503e03a31ac2.docx f83c80ad94acdb4d4890208280431864 https://openvalley.org/files/original/b37a5ee84cc26c610d6d565c013c0583.jpg a4d8092b4a5caf34ef7de88f74b1aede Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Geneseo is a small town in upstate New York and while it does not have as much to offer as larger towns, its small businesses are what make it memorable. Aunt Cookie’s Sub Shop is one of those businesses. Known for creating some of the most delicious subs, Aunt Cookie’s is a must go to destination for anyone who visits Geneseo. Since becoming a student at SUNY Geneseo, it has become one of my favorite places to go and eat after a long, stressful day of classes. The trip to Aunt Cookie’s Sub Shop is sometimes painful, especially when you aren’t adjusted to walking up the endless amount of steep hills the campus offers. However, even when you’re out of breath, you know you made the right decision to stop here for lunch. While the shop is quite small, it exudes a very homey feel that makes you want to stay for hours. The smiling faces of the cashiers are a prime example as to how friendly and welcoming the people of Geneseo truly are. Not only are the people that work there friendly, but they have a gift for making the most delicious subs you have ever tasted. I know when I order my sub that I must eat it all. Nothing can remain in front of me. And once I am finished, I sink into a much needed food coma filled with pure delight Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Food For Thought Description An account of the resource Aunt Cookie’s is one of Geneseo’s most popular businesses. This short prose piece is the feeling you get when walking into the restaurant and how at home it makes you feel. Creator An entity primarily responsible for making the resource Wong, Megan Date A point or period of time associated with an event in the lifecycle of the resource 2015-11 Format The file format, physical medium, or dimensions of the resource doc, 27.8 KB Type The nature or genre of the resource Prose https://openvalley.org/files/original/3fc0f12a63f2fe0ac08492e9bca7ca8d.jpg 57fc547e5bc413edc38a898b8e8ee63c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High Banks, Mount Morris Description An account of the resource Scenic view from the northern end of present-day Letchworth State Park accompanied W. S. Ward's essay "The Valley of the Genesee." Creator An entity primarily responsible for making the resource Woodward, J. Douglas Publisher An entity responsible for making the resource available D. Appleton & Co, Publishers, New York Date A point or period of time associated with an event in the lifecycle of the resource 1874 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-Falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of our Country. With Illustrations on Steel and Wood. Vol 2. Ed. William Cullen Bryant. New York: D. Appleton & Co., 1874: 359. Format The file format, physical medium, or dimensions of the resource jpeg, 520 KB Type The nature or genre of the resource Engraving High Banks Letchworth State Park Mt. Morris, NY Viewpoints https://openvalley.org/files/original/5d3058facb7c7c1d5d8397b9971b7499.jpg c57d8c41c54c2ce17928c54cf221a0bb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indian Council House, Letchworth State Park Description An account of the resource Illustration of Seneca council house, in present-day Letchworth State Park, accompanied W. S. Ward's essay "The Valley of the Genesee." Creator An entity primarily responsible for making the resource Woodward, J. Douglas Publisher An entity responsible for making the resource available D. Appleton & Co, Publishers, New York Date A point or period of time associated with an event in the lifecycle of the resource 1874 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-Falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of our Country. With Illustrations on Steel and Wood. Vol 2. Ed. William Cullen Bryant. New York: D. Appleton & Co., 1874: 357. Format The file format, physical medium, or dimensions of the resource jpeg, 584 KB Type The nature or genre of the resource Engraving Glen Iris Inn Letchworth State Park Mary Jemison Seneca Council House Viewpoints https://openvalley.org/files/original/fdeee147f99907fe2e0510de887f45d3.jpg 0621e777a6a6bdb3475e0e8380c4ecb4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Middle Falls, Portage Description An account of the resource View of the most famous waterfall in present-day Letchworth State Park accompanied W. S. Ward's essay "The Valley of the Genesee." Creator An entity primarily responsible for making the resource Woodward, J. Douglas Publisher An entity responsible for making the resource available D. Appleton & Co, Publishers, New York Date A point or period of time associated with an event in the lifecycle of the resource 1874 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-Falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of our Country. With Illustrations on Steel and Wood. Vol 2. Ed. William Cullen Bryant. New York: D. Appleton & Co., 1874: 355. Format The file format, physical medium, or dimensions of the resource jpeg, 590 KB Type The nature or genre of the resource Engraving Genesee River Glen Iris Inn Letchworth State Park Middle Falls Viewpoints https://openvalley.org/files/original/15b439a3a6db148853586ef3dd6f2d44.jpg cf8101a215cd1c054bf4e5afab31a733 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Railroad Bridge, Portage Description An account of the resource Famous Erie Railroad viaduct over Upper Falls at Portage, located in present-day Letchworth State Park, accompanied W. S. Ward's essay "The Valley of the Genesee." Creator An entity primarily responsible for making the resource Woodward, J. Douglas Publisher An entity responsible for making the resource available D. Appleton & Co, Publishers, New York Date A point or period of time associated with an event in the lifecycle of the resource 1874 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived "Picturesque America; or, The Land We Live In. A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-Falls, Shores, Cañons, Valleys, Cities, and Other Picturesque Features of our Country. With Illustrations on Steel and Wood. Vol 2. Ed. William Cullen Bryant. New York: D. Appleton & Co., 1874: 353. Format The file format, physical medium, or dimensions of the resource jpeg, 480 KB Type The nature or genre of the resource Engraving Erie Railroad Genesee River Letchworth State Park Portageville, NY Upper Falls Viewpoints