81 10 1402 https://openvalley.org/files/original/af57c44803d37e54c1b2537fe6b95797.jpg 0932877f00aa59025ea819ad996be84a https://openvalley.org/files/original/a628b2ebc34e92c549fe0ee019003947.jpg bddc0d8a046cabf7a234ee8e62c52084 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Lithograph Physical Dimensions The actual physical size of the original image 14 1/2 x 21 7/16 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Palisades (No. 19, Hudson River Portfolio) Description An account of the resource In the summer of 1820, Wall toured the Hudson River and painted a series of watercolors that then would be etched and issued to subscribers in series of four prints. The text accompanying this images reads: "The Pallisadoes consist of a line of rugged and perpendicular bluffs, which at a few miles distance from the city of New-York, margin for a considerable distance and overlook the bed of the Hudson river...Rising in savage grandeur, and stretching their tree-crowned summits far as the vision can compass, these rocks are too prominent a feature in the scenery of the Hudson to be overlooked. The shore...is abrupt, and the water sufficiently deep to allow vessels, even of considerable burthen, to approach within a short distance...The height of these bluffs....rising from 400 to 800 feet, exhibiting...steep and solid masses of stupendous stone, and presenting here and there deep cavities, where the eagle builds his nest among the cliffs." Creator An entity primarily responsible for making the resource Hill, John (1770-1850) (Etcher) Wall, William Guy (b. 1792) (Artist) Smith, John Rubens (1775-1849) (Etcher) Publisher An entity responsible for making the resource available Megarey, Henry J. (1818-1845) Date A point or period of time associated with an event in the lifecycle of the resource 1820 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 <a href="https://www.metmuseum.org/art/collection/search/357126">Courtesy Metropolitan Museum of Art</a> <a href="https://creativecommons.org/publicdomain/zero/1.0/">Via Wikimedia Commons</a> Hudson Palisades Hudson River Wall, William Guy Watershed https://openvalley.org/files/original/4e305e0dbb5821c82af7ab78e7f2db68.jpg b4aae8a3dbded805373b8a21dd33e8d6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 10 x 69 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Panorama of Binghamton, NY Creator An entity primarily responsible for making the resource Haines Photo Co. Date A point or period of time associated with an event in the lifecycle of the resource 1909 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://lccn.loc.gov/2007661084">Library of Congress</a> Format The file format, physical medium, or dimensions of the resource jpeg, 624 KB Type The nature or genre of the resource Still Image Description An account of the resource Located at the confluence of two rivers, Binghamton at the time of this photograph was a rapidly growing town of nearly 50,000 inhabitants. We look across the Chenago River and see the Barlow, Rogers Company (one of the largest cigar manufacturers in New York), the Binghamton Spice Mills (founded in 1865), and the Fair Store (a furniture and housewares retailer). Several of Nabisco's "Uneeda Biscuit" advertisements are visible. At the far right of picture, the Chenago joins the Susquehanna River. Binghamton had long been a commercial crossroads--first during the days of the Chenago Canal and then two railroads--and increasingly became a site for manufacturing: cigars, shoes, business machines, Cold War defense systems. But with the decline of American manufacturing the city suffered the fate of other rust-belt communities and has struggled to reinvent itself. Binghamton, NY Panoramic Photo Susquehanna River Watersheds https://openvalley.org/files/original/da22cf28489c06a413605def2b4d785b.jpg 2fb91ded242ba9b8434ec86f5352dc93 https://openvalley.org/files/original/d8331c9e1c9dc3aa28f291eb54200701.JPG 63bc457bb04b3019cbf1aebfebed4d0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 17.25 x 21.5 in. Condition: cracked paint, slightly pitted Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper Bouquet Format The file format, physical medium, or dimensions of the resource jpeg, 876 KB jpeg, 11.4 MB Description An account of the resource The pleasing daisies in a vase at center may give this painting its name, so artfully have they been created and arranged. If so, their status as humble field flowers plays against the ornate, patterned background and checkerboard table. Beautifully harmonized colors create a self-enclosed space. Another interpretation of Pandolfini’s title might observe that everything here is a sort of Trompe-l'œil with painted surfaces. About the Artist: Born in Palermo, Italy, Pandolfini immigrated to the US in 1912 and worked as an engraver in his father’s jewelry shop. Along with NDG artist James Guy, Pandolfini was among the leadership of the Unemployed Artists Group of the John Reed Club—later to become the <a href="https://en.wikipedia.org/wiki/Artists_Union" target="_blank" rel="noopener">Artists Union</a>.  His work was exhibited in places like the Corcoran Gallery (1934); the Museum of Modern Art (1936, 1938); the Pennsylvania State Museum (1939). Underneath his NDG still life painting is a body of work directly grappling with the economic injustice of his times, as a few titles will attest: “Unemployed” (1932-37); “The Pay Line” (1938); “Night Will Fall and the Homeless Shall Be Without Shelter” (1937); and “Strafing Maneuvers” (1941). He taught painting at the Brooklyn Museum. 9 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-18-folder-1" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Pandolfini, Joseph Paul, 1906-1987 Publisher An entity responsible for making the resource available Federal Art Project1937 Date A point or period of time associated with an event in the lifecycle of the resource 1937-04-27 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18228 Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 135 Federal Art Project Joseph Pandolfini New Deal Gallery painting still life https://openvalley.org/files/original/f52acf6b1a02de18ffdbe7913a6e7a53.jpg 1a47944a75bbe58684bbbd03b4bd13b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mills of Genesee Valley Description An account of the resource Before the commercial extraction of fossil fuels from the Oil Creek region of northern Pennsylvania, most mechanical work in the Genesee Valley was done by human and animal power, or some source ultimately derived from the sun: burning wood, wind power, or flowing water. The exception to this, of course, was coal--by the 1880s America's dominant source of energy. Due to the Genesee region's ample supply of wood and running water, along with the cost of shipping coal, it's quite common to find instances of various water mills in the area's history. They were adapted to a wide range of uses: cutting wood into timber and milling it into specialized shapes (lumber mill); grinding corn into animal feed or for distilling alcohol (grist mill); grinding wheat or other grains (flour mill); creating boxes and other products from wood pulp (paper mill); fabricating metals (triphammer mill); powering industrial equipment (textile mill); and by the 1880s creating electricity via turbines. This collection gathers various documents concerning mills in the Genesee Valley. In addition to images and written texts, there is also an interactive map illustrating the density of their usage during the mid-nineteenth century. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph, black and white Physical Dimensions The actual physical size of the original image 4 x 3 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper Mill Falls, Conesus Creek, town of Avon, N.Y. Description An account of the resource Paper Mill Falls is the site of several early mills, including a grist (or flour) mill owned by the Wadsworth family of Geneseo, N.Y. Format The file format, physical medium, or dimensions of the resource jpeg, 791 KB Type The nature or genre of the resource Still Image Creator An entity primarily responsible for making the resource Wadsworth, Martha Blow (1864-1934) Date A point or period of time associated with an event in the lifecycle of the resource 1907? Source A related resource from which the described resource is derived Martha Blow Wadsworth Image Collection Milne Library Special Collections, SUNY Geneseo GENESEE VALLEY Grist Milling mills wadsworth Waterfalls https://openvalley.org/files/original/8d788546cb56bebcd7542637da8439c1.jpg 7961181aace3d0a75dc431f56e3f9c5c https://openvalley.org/files/original/51b20d50090b96efdf4af4841616c26b.jpg d89c0d9b40a41194e009c0bb783bbbd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parade of the churches in Perry, probably about 1911 Description An account of the resource Parade of the churches in Perry, probably about 1911. Subscript: St. Stanislaus. A procession of men and women clad in church and band uniforms. There’s a banner depicting religious iconography near the front, and behind it there’s a band. The procession extends all the way down Main Street. Publisher An entity responsible for making the resource available Perry, NY Public Library Date A point or period of time associated with an event in the lifecycle of the resource 1911 Contributor An entity responsible for making contributions to the resource Michalak, Benjamin Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource jpeg, 3.1 MB jpeg, 2.3 MB Identifier An unambiguous reference to the resource within a given context 1196 Type The nature or genre of the resource Still image Clark Rice Photography Collection Perry Knitting Co. Perry, NY St. Stanislaus Catholic Church https://openvalley.org/files/original/1af9a540aef90c647fa1743898011ecb.jpg 85977c39b4bf9b632f192a8540d2a430 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photography Ad Physical Dimensions The actual physical size of the original image 8 x 10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Part of series from Catalog from Perry Knitting Company. Description An account of the resource An advertisement explaining how a previous ad received national attention. There is a list of different magazines the ad was mentioned in, including the New York Times Magazine. Publisher An entity responsible for making the resource available Perry, NY Public Library Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Gatlin, Melisha Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource jpeg, 2.7 MB Identifier An unambiguous reference to the resource within a given context 2838.4 advertisement Clark Rice Photography Collection Perry Knitting Co. Perry, NY switchabouts https://openvalley.org/files/original/62a84133fbda2337adb4422ae6924b81.jpg c6d2ccb2ab672f557a5902c8d8e82c70 https://openvalley.org/files/original/46e2a6db21e47f08492a33590fb617ae.pdf b6ebce9c5be8da466eb65edd0f5f5fd3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Printed program Physical Dimensions The actual physical size of the original image 20 pages, 5.5 x 8.5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Format The file format, physical medium, or dimensions of the resource pdf, 2.9 MB Description An account of the resource This program was created for a 1991 exhibition whose premise was quite formalist: that there are four types of passages "common to all migrant people": through historical time, through space, through seasons of nature, and through cycles of life. These passages were, furthermore, mapped on to four different cultural groups served by the Geneseo Migrant Center: Mexican, Algonquin Native, Haitian, and African American. The effect was somewhat like a cognitive grid for recognizing commonalities of experience, although for the exhibition pieces were chosen to "highlight, for each group, one passage that receives particular expression and value in their art." Creator An entity primarily responsible for making the resource Roark-Calnek, Sue Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource 1991 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts Type The nature or genre of the resource Still image Creative Artists Migrant Program Services Gallery Geneseo Migrant Center migrant art https://openvalley.org/files/original/b1ae1604bd1fa1def615106ac4babeda.jpg 70bbdd54e734e1ff045d8e99d1c2b082 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Scan of Drawing Physical Dimensions The actual physical size of the original image 17" x 11" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Gallery Working Drawings Description An account of the resource In late 1990, the Geneseo Migrant Center began to prepare for Passages, another large exhibit. This is a set of working drawings for labels in the exhibit. Hand-drawn and written small pictures, notes, and explanations of the work being done are written almost as a guidance for someone inexperienced reading over the document then going to make the labels being discussed. Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource 1990-12 Contributor An entity responsible for making contributions to the resource Wilson, Sawyer Source A related resource from which the described resource is derived Geneseo Migrant Center Archives Format The file format, physical medium, or dimensions of the resource jpeg, 178 KB Geneseo Migrant Center Passages https://openvalley.org/files/original/1dac9766a8eae584fddaea64e75d33e3.jpg 6602e64ecb5f3f6912d555f0273a12e2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Pastel on paper Physical Dimensions The actual physical size of the original image 11 x 14 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Patterned Kay Description An account of the resource Pastel drawing takes its name from a traditional Haitian house that is long and narrow, with its narrow end facing the road and lots of cross-ventilation through windows and doors. According to landscape architect <a href="http://www.domerama.com/types-of-domes/earth-buildings/kay-haitian-housing/" target="_blank" rel="noopener">Patti Stouter</a>, its design is similar to--and may have influenced--the American "shotgun shack." Kays often were colorfully decorated on their street-facing end, and this appears to have inspired the design of Catave Sean's drawing--although it has been abstracted to a shape and patterned colors. The painter, having migrated from Haiti, was at the time living at the Hoehandle labor camp in Castile, NY. The drawing appeared in a 1985 exhibit sponsored by the Geneseo Migrant Center called <a href="https://openvalley.org/items/show/1975" target="_blank" rel="noopener">African Past: Migrant Present</a>. Creator An entity primarily responsible for making the resource Cantave Sean Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource 1985 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts Format The file format, physical medium, or dimensions of the resource jpeg, 1.4 MB Type The nature or genre of the resource Still image African Past, Migrant Present Creative Artists Migrant Program Services Geneseo Migrant Center migrant art https://openvalley.org/files/original/07992fb5537591d5d987fa75537b4fee.jpg 4e2710028b2c6a8948e99bf9d95ef348 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe width="480" height="270" src="//www.youtube.com/embed/EBVzLKMpAmg" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Goodman, "The Lordly Hudson" Description An account of the resource Provided to YouTube by The Orchard Enterprises Poems by Paul Goodman and Theodore Roethke: The Lordly Hudson · Ned Rorem · Regina Sarfaty Ned Rorem: Songs of Ned Rorem - Bressler, Curtin, d'Angelo, Gramm, Sarfaty ℗ 2006 Other Minds ℗ 2012 Other Minds Released on: 2007-01-25 Screenplay Author: Paul Goodman Auto-generated by YouTube. Date A point or period of time associated with an event in the lifecycle of the resource 2015-02-11T13:55:27.000Z Source A related resource from which the described resource is derived http://YouTube.com Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> This video represents licensed content on YouTube, meaning that the content has been claimed by a YouTube content partner. Publisher An entity responsible for making the resource available Various Artists - Topic published via YouTube.com Ned Rorem Regina Sarfaty Ned Rorem: Songs of Ned Rorem - Bressler,Curtin,d'Angelo,Gramm,Sarfaty Poems by Paul Goodman and Theodore Roethke: The Lordly Hudso Watersheds