79 10 1402 https://openvalley.org/files/original/e9d57629cc331d39f364b8edd99990fc.jpg 93330554e427e7e77e6fc8ea5342f343 https://openvalley.org/files/original/02b71a4ae1499ae23dbed1f43f04adf8.jpg 9cb81fb3772e016b5f630c7bc421edef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Map Physical Dimensions The actual physical size of the original image 78 x 43 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource U.S. Showing New York Central Lines Creator An entity primarily responsible for making the resource New York Central Railroad Company Rand McNally and Company Publisher An entity responsible for making the resource available Rand McNally and Company Date A point or period of time associated with an event in the lifecycle of the resource 1929 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.davidrumsey.com/luna/servlet/detail/RUMSEY~8~1~23947~870012:U-S--showing-NY-Central-Lines-?sort=Pub_List_No_InitialSort%2CPub_Date%2CPub_List_No%2CSeries_No&qvq=q:%22new%20york%20central%22;sort:Pub_List_No_InitialSort%2CPub_Date%2CPub_List_No%2CSeries_No;lc:RUMSEY~8~1&mi=7&trs=20" target="_blank" rel="noopener">David Rumsey Historical Map Collection</a> Format The file format, physical medium, or dimensions of the resource jpeg, 3.2 MB jpeg 650 KB Description An account of the resource By the time of this map a bitter consolidation battle among smaller rail lines had resulted in the creation of New York Central in 1853. Then, under the leadership of aggressive presidents Erastus Corning and Cornelius Vanderbilt, NYC expanded into a regional network encompassing the northeast and Great Lakes Region. It operated more than 11,000 miles of road by this point. The map here shows the various lines and draws attention to its so-called "water route": mostly level grades following rivers and lakes that e nabled the company to design its engines for speed. The Twentieth-Century Limited, which traveled between New York and Chicago, was perhaps its best known line. The map highlights the Appalachian Mountain range its competitors had to navigate in bright yellow--a nice bit of trolling. As with other railroads NYC's fortunes declined after World War II and the rise of highways. It pursued protective mergers with other failing railroads, was absorbed by the Pennsylvania Railroad in 1976, and finally ended up park of the CSX / Amtrak system. Type The nature or genre of the resource Still image Hudson River Railroad Map New York Central Railroad Railroads https://openvalley.org/files/original/f9c63a99104d2a04091cb93a1a05f188.jpg 4adba8095b81790cd75b13272da8d9fd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breakneck Ridge Tunnel Creator An entity primarily responsible for making the resource Skeats, William J. Publisher An entity responsible for making the resource available RailPictures.Net Date A point or period of time associated with an event in the lifecycle of the resource 2019-06-03 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.railpictures.net/photo/699417/" target="_blank" rel="noopener">Photo/Archive William J. Skeats. Used by permission.</a> Format The file format, physical medium, or dimensions of the resource jpeg, 640 KB Description An account of the resource Breakneck Ridge is located in the Hudson Highlands, directly across the river from Storm King Mountain. Its distinctive stony face was picturesque, albeit quarried for granite by the 19th century. It posed a major obstacle in plans to build a railroad line along the Hudson River. By 1851, however, a 400-foot tunnel had been bored by the Hudson River Railroad (later to become part of New York Central). Here, in a contemporary photo, we see the line still in use as part of Metro North / Amtrak service. The stone structure at right is part of the Catskill Aqueduct, constructed between 1908 and 1924. Technically, it is called the Moodna / Hudson / Breakneck Pressure Tunnel: a tunnel bored 1,100 feet below the river's surface through which water passes from Ashokan Reservoir to New York City. The building was constructed in 1917 to drain the pressure tunnel. Breakneck Ridge probably is the location of New Deal Gallery artist <a href="https://openvalley.org/items/show/1247" target="_blank" rel="noopener">Isaac Fastovsky's 1937 painting Tunnel by the Hudson.</a> Type The nature or genre of the resource Still image Catskill Aqueduct Hudson River Hudson River Railroad New York Central Railroad Railroads tunnel https://openvalley.org/files/original/97d5e9df924012bcf1037548cadda544.jpg 83850b2caf65d1b3f062a139e22a6e99 https://openvalley.org/files/original/0c7b56ec8098d23a1fe691faf7da3ead.jpg 502adaf75417d248471c6f3de639ebd9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Poster Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soil Conservation Service Poster Description An account of the resource This poster is one of many <a href="https://archive.org/search.php?query=series%3A%22Conservation+charts+%28United+States.+Soil+Conservation+Service%29%22" target="_blank" rel="noopener">"soil conservation charts"</a> created by the US Department of Agriculture during the 1930s, specifically in response to conditions of drought and farming practices that had exacerbated the problem. In this instance, the Soil Conservation Service makes the case that "Financial Insecurity Follows Erosion of the Soil"--a reverse of prevailing logic that the Dust Bowl was nature-caused affliction. Here, map of a typical farm is annotated with some of the practices that cause erosion over many seasons, and not simply in one summer. Creator An entity primarily responsible for making the resource US Department of Agriculture, Soil Conservation Service Date A point or period of time associated with an event in the lifecycle of the resource 1939 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://archive.org/details/CAT31354878/page/n1" target="_blank" rel="noopener">US Department of Agriculture, National Agricultural Library, via Internet Archive</a> Format The file format, physical medium, or dimensions of the resource jpeg, 4.3 MB jpeg, 294 KB Type The nature or genre of the resource Still image Dust Bowl Erosion farming Poster Soil Conservation Service https://openvalley.org/files/original/d80e0e9175825396769c65ebceacd8b3.jpg ccb645794f1b7be7095bc63388b69355 https://openvalley.org/files/original/00ff084920119be3fe7bb75f4cedb636.jpg 71cb88c2a2ad04fe3c8a08d5d0d75ac8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 5 x 7 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bow Bridge, Central Park Description An account of the resource Photograph of iconic cast iron bridge in New York's Central Park was one of six created for an historical survey in 1984. The description reads: "Designed by Calvert Vaux, the Bow Bridge is one of the most prominently located and visible cast iron bridges in Central Park. It is 87 feet, four inches long. This and other cast iron bridges in Central Park are among the very first built of that material in America. The J.B. and W.W. Cornell Foundry was the contractor. Restored in 1974 with funds provided by Lila A. Wallace and Lucy G. Moses, this graceful arch has been described by New York Times architecture critic Paul Goldberger as seeming 'to pour over the water.'" It is included in OpenValley because this view looking east is very similar to New Deal Gallery artist Inez Abernathy's <a href="https://openvalley.org/items/show/1108" target="_blank" rel="noopener">"The Lake, Central Park"</a> with the Hotel Carlyle visible in the distance. This item consists of a slightly cropped version and the original proportions. Creator An entity primarily responsible for making the resource Lowe, Jet (photographer) Chamberlain, Holly K. (historian) Publisher An entity responsible for making the resource available Historic American Engineering Record Date A point or period of time associated with an event in the lifecycle of the resource 1984 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="Library%20of Congress, <www.loc.gov/item/ny1587/>" target="_blank" rel="noopener">Library of Congress, <www.loc.gov/item/ny1587/></a> Format The file format, physical medium, or dimensions of the resource jpeg, 1 MB jpeg, 2.7 MB Type The nature or genre of the resource Still image Bow Bridge, Central Park Central Park Hotel Carlyle Inez Abernathy new york city Photo https://openvalley.org/files/original/bdf376535bd25f8eeab431cd97491f4b.jpg fd84b6f7afea9557c426b0a1f2c664ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hoover Dam https://openvalley.org/files/original/2d8a07273e99b377fee1a5dbdad92fb1.jpg 796a9d67be37e9b1990816b33a4a1b12 https://openvalley.org/files/original/37e47a9bb6a1a4d0d4b8531cd8bd2fc3.jpg faae6083239e417aa689a9a948cb1ed0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Stereoview Physical Dimensions The actual physical size of the original image 7 x 3.5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bow Bridge, Central Park Format The file format, physical medium, or dimensions of the resource jpeg, 432 KB jpeg, 735 KB Contributor An entity responsible for making contributions to the resource Cooper, Ken Description An account of the resource Designed by Calvert Vaux and Jacob Wrey Mould, and completed in 1862, this 87-foot span was the second cast-iron bridge constructed in the US. Its likeness to the bow of a violinist or archer gave the structure its name. Stereoview taken probably not long after its construction shows recent tree plantings. Creator An entity primarily responsible for making the resource Chase, W[illiam] M[oody], 1817-1901 Date A point or period of time associated with an event in the lifecycle of the resource 1870-1890 Source A related resource from which the described resource is derived The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. "Bow Bridge." The New York Public Library Digital Collections. 1850 - 1930. <a href="https://digitalcollections.nypl.org/items/510d47e1-ee44-a3d9-e040-e00a18064a99" target="_blank" rel="noopener">http://digitalcollections.nypl.org/items/510d47e1-ee44-a3d9-e040-e00a18064a99</a> Type The nature or genre of the resource Still image Bow Bridge, Central Park Bridge Central Park New York Stereoview https://openvalley.org/files/original/8a362dd87d24b025d47c187d7c950608.jpg 8aa90c4e40acea10baa611da6b001b5c https://openvalley.org/files/original/72fe846c9e00f66b65417619956f004a.jpg 456bf9a5e313446c3bcc9a5d30d108c0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph of oil painting Physical Dimensions The actual physical size of the original image 8 x 10 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchard Format The file format, physical medium, or dimensions of the resource jpeg, 640 KB Description An account of the resource The title of this painting is paradoxical, since none of the trees depicted appear to be the fruiting varieties usually associated with commercial orchards. Nor is it entitled "Arboretum," a collection of species under a landscaping rubric. Instead, Aberathy asks us to think about the relation between humans—represented in the two figures at lower right—and the fecundity of nature beyond our own definitions. About the Artist: Abernathy, Inez. (1873-1956) Born in Summerville, AR, Abernathy studied at the Art Academy in Cincinnati and later in Europe. She supported herself by teaching art and elocution at Belmont College (TN), Stanford Female College (KY), Columbia Female Institute (TN), the University of Arkansas, and the<a href="https://fsuspecialcollections.wordpress.com/tag/inez-abernethy/" target="_blank" rel="noopener"> Florida Female College</a>. At this last institution, when a fire broke out Abernathy guided her students to safety rather than saving her own art and equipment; the Florida legislature passed a special bill to help compensate her loss (The Weekly True Democrat 29 Sept 1905: 1). She studied art for a period in Paris, and her painting “Reverie” was shown at the 1902 Salon des artistes français, described by one reporter as “the full-length figure of a girl seated, with a background of dull blues and yellows. A springtime freshness pervades the picture” (San Francisco Chronicle 26 Oct. 1902: 6). Her works were exhibited at the Academy of Fine Art, Philadelphia, and the National Academy of Design. Two more digital images from<a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-1-folder-4" target="_blank" rel="noopener"> FAP</a>. Creator An entity primarily responsible for making the resource Abernathy, Inez, 1873-1956 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1939-06-12 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-1-folder-4" target="_blank" rel="noopener">Archives of American Art, Federal Art Project, Photographic Division, Box 1, Folder 4.</a> Federal Art Project Green New Deal Inez Abernathy https://openvalley.org/files/original/9ddee84d60ada84353247bc92f688ad8.jpg e19fdb87d3668cadd998fc6c9bf31ba3 https://openvalley.org/files/original/e8a9642a47b78b7dd347849e02928c1f.jpg 6bd2231d6e4ea464cc56504525e9e07b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Map Physical Dimensions The actual physical size of the original image 39 x 9 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map of the Central Park Showing the Progress of the Work up to January 1st, 1860. Description An account of the resource In 1853 after extensive study, the New York City Common Council approved a site surrounding the Croton Reservoir for a Manhattan park. Landscape architect Frederick Law Olmsted and designer Calvert Vaux were winners of a design competition, and in 1857 work began upon the original 778-acre site (it would grow to 843 acres). This rare map was disseminated only through park's Board of Commissioners annual report, and to key players in the construction process--in this case, board member Andrew Haswell Green. It shows that almost all early work was concentrated upon the park's southern portion, and the extent to which its "natural" appearance was constructed. Significant rock outcroppings that remained from the Lawrentide Ice Sheet are marked by Olmsted--a fundamental driver of his design. Central Park was officially completed in 1876. Creator An entity primarily responsible for making the resource Olmsted, Frederick Law Olmsted, 1822 - 1903 Publisher An entity responsible for making the resource available Board of Commissioners of the Central Park Date A point or period of time associated with an event in the lifecycle of the resource 1860 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://commons.wikimedia.org/wiki/File:1860_Pocket_Map_of_Central_Park,_New_York_City_-_Geographicus_-_CentralPark-olmstead-1860.jpg" target="_blank" rel="noopener">Geographicus Fine Antique Maps, via Wikimedia Commons</a> Format The file format, physical medium, or dimensions of the resource jpeg, 466 KB jpeg, 2 MB Type The nature or genre of the resource Still image Calvert Vaux Central Park Frederick Law Olmsted Map new york city park https://openvalley.org/files/original/7108f4dab699061472abcf396b515010.jpg 3d54494fd1657cd87c230b060e3590f3 https://openvalley.org/files/original/ea38f1540705bf7b55bd1d7a2b4be2bc.jpg bbb642c6ffb590db4ae4ba9e416d88bf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Map Physical Dimensions The actual physical size of the original image 78 x 60 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map of the Town of Concord, Middlesex County Mass. Format The file format, physical medium, or dimensions of the resource jpeg, 851 KB jpeg, 3.9 MB Creator An entity primarily responsible for making the resource Walling, Henry Francis, 1825-1888 Publisher An entity responsible for making the resource available H. F. Walling Date A point or period of time associated with an event in the lifecycle of the resource 1852 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="http://hdl.loc.gov/loc.gmd/g3764c.ct001110" target="_blank" rel="noopener">Library of Congress</a> Description An account of the resource A great deal of historical interest attaches to this map. It shows the residences of important figures in the Transcendentalist movement: Ralph Waldo Emerson, William Ellery Channing, and Henry David Thoreau--whether living at Walden Pond or at his father John's home. Thoreau's work as a surveyor contributes materially to Walling's map in the form of White Pond and Walden Pond. By convention Thoreau's two-year sojourn at Walden Pond is thought to have been in the "wilderness," by his own description, but we see here that he was located less than two miles from the Concord town pump, and midway between a turnpike and the Fitchburg Railroad. A detail from Walling's larger map shows the approximate location of Thoreau's cabin. Type The nature or genre of the resource Still image Concord, MA Henry David Thoreau Map Walden Pond https://openvalley.org/files/original/933bdfb9ca1b33dca4659811a3a51cb5.jpg bad6cdbb8f0789e9d00e76c1667037bf https://openvalley.org/files/original/4fdc3cea2119d8b3bad225fd19f379ed.JPG ad3a442c0d5ebbc6bf7e36c58b2d3633 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image Condition: dented, surface dirt, paint flaked Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lilies and Shell Description An account of the resource It’s possible that the flowers depicted in this still life are wild mountain lilies (Lilium auratum), also called the golden-rayed lily of Japan. Whatever the case, flowers’ size and colorful radials draw our attention inward—which is similar in effect to a conch shell pictured on the same table. Warm peach colors are played against complementary greens and blues. About the Artist: Born in Syracuse, NY, Bowler attended the Syracuse University College of Fine Arts and there received a postgraduate award for study in Paris. He was best known for painting official portraits of prominent political, military, and theatrical figures such as dancers Ruth St. Denis and Michel Fokine; humorist Will Rogers, actor Vincent Price, and explorer/author Richard Halliburton. Bowler also traveled to Washington, D.C. to paint portraits of Secretary of State Cordell Hull and Vice President John Nance Garner, among others. But Bowler also was passionate about landscapes and still lifes. A 1940 newspaper article implies that his two works at NDG were part of “a series of flower paintings done for all the tuberculosis hospitals in New York” (Allentown, PA Morning Call 31 Mar. 1940: 16). During World War II, Bowler served as Director of Design for a camouflage section of the 909th Air Force Engineers, organizing a 1943 show of their work at Macy’s Department store. It was after a 32-mile training hike that he painted a well-known image entitled <a href="https://bucksco.michenerartmuseum.org/bucksartists/image/67/">“After the Hike”</a>—a picture of his worn pair of army shoes—that was exhibited in the Library of Congress. Bowler also served as director of an arts program for the American Red Cross and as a USO portrait artist during the war (Syracuse Herald-Journal 23 July 1965: 14). After 1945 Bowler continued to live and work in Bucks County, PA. A critic attending the Philips’ Mill Art Exhibition wrote that he had “all the majesty and power of great people who see great movements and think great things. A realist, his ‘Little Red Barn’ is characterized by a sensitive brush, a direct approach, rich colors and mellow overtones and an uninhibited technique — all contributing to the aching loveliness of this farm scene” (Muhlenberg Weekly 14 Oct. 1948: 2). In addition to producing many paintings, Bowler was an art teacher for much of his professional life. 1 work at <a href="https://americanart.si.edu/artist/harold-bowler-536">Smithsonian American Art Museum</a>. 3 works at <a href="https://bucksco.michenerartmuseum.org/bucksartists/artist/35/https:/bucksco.michenerartmuseum.org/bucksartists/artist/35/">Michener Art Museum</a>. 2 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-3-folder-19">FAP</a>. Creator An entity primarily responsible for making the resource Bowler, Harold T., 1903-1965 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Format The file format, physical medium, or dimensions of the resource jpeg, 1.2 MB jpeg, 4.1 MB Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18119 Type The nature or genre of the resource Still image Federal Art Project Harold Bowler New Deal Gallery still life