71 10 1323 https://openvalley.org/files/original/f9c63a99104d2a04091cb93a1a05f188.jpg 4adba8095b81790cd75b13272da8d9fd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breakneck Ridge Tunnel Creator An entity primarily responsible for making the resource Skeats, William J. Publisher An entity responsible for making the resource available RailPictures.Net Date A point or period of time associated with an event in the lifecycle of the resource 2019-06-03 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.railpictures.net/photo/699417/" target="_blank" rel="noopener">Photo/Archive William J. Skeats. Used by permission.</a> Format The file format, physical medium, or dimensions of the resource jpeg, 640 KB Description An account of the resource Breakneck Ridge is located in the Hudson Highlands, directly across the river from Storm King Mountain. Its distinctive stony face was picturesque, albeit quarried for granite by the 19th century. It posed a major obstacle in plans to build a railroad line along the Hudson River. By 1851, however, a 400-foot tunnel had been bored by the Hudson River Railroad (later to become part of New York Central). Here, in a contemporary photo, we see the line still in use as part of Metro North / Amtrak service. The stone structure at right is part of the Catskill Aqueduct, constructed between 1908 and 1924. Technically, it is called the Moodna / Hudson / Breakneck Pressure Tunnel: a tunnel bored 1,100 feet below the river's surface through which water passes from Ashokan Reservoir to New York City. The building was constructed in 1917 to drain the pressure tunnel. Breakneck Ridge probably is the location of New Deal Gallery artist <a href="https://openvalley.org/items/show/1247" target="_blank" rel="noopener">Isaac Fastovsky's 1937 painting Tunnel by the Hudson.</a> Type The nature or genre of the resource Still image Catskill Aqueduct Hudson River Hudson River Railroad New York Central Railroad Railroads tunnel https://openvalley.org/files/original/6b7c65be8ab6360ea022c784125e9532.jpg 9ac5cb973b3c39f02c5bff57c1770fa0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 2,400 × 1,800 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dust Bowl - Dallas, South Dakota 1936 Description An account of the resource "<a href="https://commons.wikimedia.org/wiki/File:Dust_Bowl_-_Dallas,_South_Dakota_1936.jpg">Buried machinery in barn lot in Dallas, South Dakota, United States during the Dust Bowl, an agricultural, ecological, and economic disaster in the Great Plains region of North America in 1936.</a>" -Andrew C. Creator An entity primarily responsible for making the resource Sloan Publisher An entity responsible for making the resource available United States Department of Agriculture Date A point or period of time associated with an event in the lifecycle of the resource May 13, 1936 Format The file format, physical medium, or dimensions of the resource jpg, 495 KB https://openvalley.org/files/original/774c042617613291dd3619555a52a036.jpg c48b4653ba74c4a3579d3eadd873c03d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Book illustration Physical Dimensions The actual physical size of the original image 4 x 5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Millstones Came in Pairs Description An account of the resource This illustration from Eric Sloane's "Vanishing America" shows the sophisticated and aesthetically pleasing designs of hand-crafted millstones Creator An entity primarily responsible for making the resource Sloane, Eric (1905-1985) Publisher An entity responsible for making the resource available W. Funk Date A point or period of time associated with an event in the lifecycle of the resource 1955 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Sloane, Eric. "Our Vanishing Landscape." New York: W. Funk, 1955: ?? Format The file format, physical medium, or dimensions of the resource jpeg, 14.2 MB Type The nature or genre of the resource Book illustration Mill Milling mills https://openvalley.org/files/original/5425d6202fd7e9ce84857a7795cb5a59.jpg 22b3e5e8d93ac1650fa90cba246ffc5e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Drawing Physical Dimensions The actual physical size of the original image 3.75 x 4 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Warren (1797-1862) Description An account of the resource Portrait of Samuel Warren (1797-1862), pioneer grape grower and winemaker of York, Livingston County, New York. Publisher An entity responsible for making the resource available D. Mason & Co. (Syracuse, N.Y.) Date A point or period of time associated with an event in the lifecycle of the resource 1881 Contributor An entity responsible for making contributions to the resource Viglucci, Matthew Source A related resource from which the described resource is derived Smith, James H. History of Livingston County, New York; with illustrations and biographical sketches of some of its prominent men and pioneers. Syracuse, N.Y.: D. Mason & Co., 1881. Format The file format, physical medium, or dimensions of the resource jpeg, 454 KB Type The nature or genre of the resource Still image Creator An entity primarily responsible for making the resource Smith, James H. Finger Lakes sacramental wine Underground Atlas https://openvalley.org/files/original/09833648902c16480e65ba8eb3c828bd.jpg b5951e02c32e153fb028a061f5050534 https://openvalley.org/files/original/8ae406e5505a05672aa208f64a9954bb.jpg ab28bd94b116605dcc4a19075ae7c92c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Painting Physical Dimensions The actual physical size of the original image 11.75 x 17.5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cohoes Falls on Mohawk River, New York Creator An entity primarily responsible for making the resource Smith, John Rubens (1775-1849) Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Maria DeWitt Jesup Fund, 1974, <a href="https://www.metmuseum.org/art/collection/search/12614">Metropolitan Museum of Art</a> Via <a href="https://creativecommons.org/publicdomain/zero/1.0/">Wikimedia Commons</a> Format The file format, physical medium, or dimensions of the resource jpeg, 951 KB jpeg, 515 KB Description An account of the resource Watercolor and graphite composition captures the 1,000-ft. wide falls two miles upstream from where Mohawk joins the Hudson River. The name may derive from the Mohawk phrase "a canoe falling"--a wry bit of humor. According to an 1813 description, the "river is seen gliding over a granitic rock, smoothed by its own operations, and bordered with rocky banks, supporting a sterile soil and a stinted growth of pine, hemlock, cedar and other evergreens, till it arrive at the fall, down which it pours at high water, in one sheet of near 70 feet: but at low water, descends, in excavated courses, some in cataracts, and some in oblique or zig-zag precipices, affording a most sublime and picturesque combination of bold force and violence" (Horatio Gates Spafford, <a href="https://archive.org/details/gazetteerofstate01spaf/page/170">A Gazetteer of the State of New-York</a>, p. 170). In 1831, the river was dammed for manufacturing purposes and its flow has been regulated since the 1930s, when it was converted for electricity generation. Type The nature or genre of the resource Still image electricity Hudson River Milling Mohawk River Waterfalls Watershed https://openvalley.org/files/original/8858118c4f40096d4e9cbd31e2df3e4b.jpg 94006bb9d96ee618b21661c33c1d9eb1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 9 1/2 x 13 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Migrant Farmer, Gus Picking Potatoes Wyoming Co. Description An account of the resource The photo was matted to a 16×20 black board of Gus (the farmer picking potatoes) in Genesee County while living in East Bethany. This is common labor a migrant worker may expect in Western NY. Publisher An entity responsible for making the resource available Geneseo Migrant Center Contributor An entity responsible for making contributions to the resource Fensterstock, Cooper Format The file format, physical medium, or dimensions of the resource jpeg, 2.5 MB Type The nature or genre of the resource Still image Creator An entity primarily responsible for making the resource Smith, Robert Date A point or period of time associated with an event in the lifecycle of the resource Unknown Farm labor Geneseo Migrant Center Haitian Migrants Migrant Farmers Potato Farm https://openvalley.org/files/original/6aafaa32728c4742b54d2b1c0aa85b4e.jpg 47d299fa1c07ea2d1e3100e2cb1e5781 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Digital graph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource US Print Cloth Production by Region, 1889-1939 Description An account of the resource This simplified chart from US Census data shows how dramatically the location of cotton manufacturing in the US shifted from New England to the Southern states. There were several causes, including proximity to cotton fields, newer machinery, and lower wages for workers. The Perry Knitting Company was a relative anomaly during this period, hanging on while most northern textile production relocated or went out of business. But even during the firm's heyday it's clear that economic trends were running another direction. Creator An entity primarily responsible for making the resource Smith, Thomas Russell Cooper, Ken Date A point or period of time associated with an event in the lifecycle of the resource 1944 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Thomas Russell Smith, <a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015003640789&view=1up&seq=100">The Cotton Textile Industry of Fall River, Massachusetts: A Study of Industrial Localization</a> (1944) p. 84 Format The file format, physical medium, or dimensions of the resource jpeg, 108 KB Cotton Mill Perry Knitting Co. Textiles https://openvalley.org/files/original/47bb8e8349d62e3a1333c9ef067a32db.jpg 087315f4d6c1e8ad4639aa900a35191a https://openvalley.org/files/original/e8b55ce6605ce4c52e2e8409a110b97b.jpg e5a790852dc792db61742406cc822027 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Steroview Physical Dimensions The actual physical size of the original image 3.5 x 7 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Otsego Hall, Cooperstown, NY Creator An entity primarily responsible for making the resource Smith, Washington G., 1828-1893 Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived New York Public Library, Robert N. Dennis collection of stereoscopic views Format The file format, physical medium, or dimensions of the resource jpeg, 1.2 MB jpeg, 772 KB Description An account of the resource William Cooper founded the village of Cooperstown in 1786, and in 1799 built a large mansion inherited by his son, the novelist James Fenimore Cooper. It was located near the outlet of Otsego Lake, the beginning of the Susquehanna River. A fictionalized version of Otsego Hall appears as "The Mansion House" in his 1823 novel The Pioneers. The bricks-and-mortar version fell into disrepair during Cooper's years of travel in America and Europe; in 1834 he renovated it according to the new Gothic Revival style, pictured here in an undated stereocard. Cooper died in 1851, the mansion was sold and converted into a hotel, then burned down in 1853. Its brick and timbers had an afterlife, however, when his daughter Susan Fenimore Cooper--an important nature writer--salvaged them to build what she called the "Riverside Cottage." The original Cooper estate now is home to the Baseball Hall of fame and its grounds. Type The nature or genre of the resource Still image James Fenimore Cooper Otsego Lake Stereoview Susan Fenimore Cooper Susquehanna River Watersheds https://openvalley.org/files/original/41d5def6af65689e92daa05310d0b5c8.JPG ea9bc45ed9669660e8a685db861cbdb9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 24 x 30 in. Condition: surface dirt, pitted Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tulips Description An account of the resource Two curtains in warm yellow and pink frame the painting from the right, with the rest of the background in a mesh of cool blues and greens in a quasi-watercolor style. The brushstrokes are evident and very thick in some parts of the background. The middle ground houses an emerald vase with seven pink tulips, six yellow tulips, and two red tulips all in full bloom. The area of the clearest focus is in the foreground, centered on the pink paint jar, with paint splotches around it, but an obvious absence of a paint brush. Even in the darkest shadows of the painting, there is no black paint used, and other colors mixed together to create darker hues. This demonstrates formal art training, because the usage of black paint, when mixed with white paint, grays out a painting. By not using black paint, the vibrant hues stand out more. About the Artist: Little is known about George Spector. He was a Russian immigrant to the United States and lived in the New York City area. Between 1913 and 1914 he got a diploma from the Cooper Union Night School of Art and received recognition for the category “Drawing from Life.” Given Spector's grasp of detail and three dimensional modeling, it seems possible that he had formal art training prior to the Cooper Union. He exhibited at the Salons of America in 1926 and 1927. 2 works at the <a href="https://www.nga.gov/collection/artist-info.8083.html?artobj_artistId=8083&sortOrder=CHRONOLOGICAL&pageNumber=1&lastFacet=sortOrder" target="_blank" rel="noopener">Index of American Design</a>. 7 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-21-folder-35" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Spector, George Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1937 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) VanOstrand, Ravenna (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18272 Format The file format, physical medium, or dimensions of the resource jpeg, 1.2 MB Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 179 Federal Art Project George Spector New Deal Gallery painting https://openvalley.org/files/original/097be0b3931c34d2fe186b031ac45cec.JPG d0e7d73cb6fc329b4966bd7ea76c71f8 https://openvalley.org/files/original/5f739c6466d75ca45dc06c8eb04ffac5.jpg a064fe78ce52ce404073cd3a8917c0bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 16 X 20 in. Condition: flaking paint, surface dirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peonies Description An account of the resource The focus of the still life painting is a vase of multicolored peonies. Spector shows skillful creation of the 3D geometric forms of the flower petals and vase, with a light source coming from the bottom right. The background is unusual in its abstraction, it suggests the idea of a corner of a room. It uses the same color palette as the flowers, with thin paint and visible brush strokes. About the Artist: About the Artist: Little is known about George Spector. He was a Russian immigrant to the United States and lived in the New York City area. Between 1913 and 1914 he got a diploma from the Cooper Union Night School of Art and received recognition for the category “Drawing from Life.” Given Spector's grasp of detail and three dimensional modeling, it seems possible that he had formal art training prior to the Cooper Union. He exhibited at the Salons of America in 1926 and 1927. 2 works at the <a href="https://www.nga.gov/collection/artist-info.8083.html?artobj_artistId=8083&sortOrder=CHRONOLOGICAL&pageNumber=1&lastFacet=sortOrder" target="_blank" rel="noopener">Index of American Design</a>. 7 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-21-folder-35" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Spector, George Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1937 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) McCrohan, Niamh (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18271 Format The file format, physical medium, or dimensions of the resource jpeg, 934 KB jpeg, 4.4 MB Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 178 Federal Art Project George Spector New Deal Gallery painting still life