57 10 1323 https://openvalley.org/files/original/ad4e4e9798c05f25ad0206b0a803efb5.png 35ac841edff5870ffb42b4fa96d842f2 https://openvalley.org/files/original/9a5481d80a8ac35d28023ee8d665c404.png 74c34c3b7586d6ee7f0140006a9dcfd9 https://openvalley.org/files/original/8f32669a42fd8772f70eb14bf9dee186.jpeg decb79c9f261feda6bf6bb978db6469a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Journal page Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sheffield Peabody's Diary from July, 1868 Description An account of the resource Journal Creator An entity primarily responsible for making the resource Peabody, Sheffield Winslow Publisher An entity responsible for making the resource available Betty Peabody Knoblock Date A point or period of time associated with an event in the lifecycle of the resource July 26th, 1868 & July 28th, 1868 Contributor An entity responsible for making contributions to the resource Nitto, Michelle Source A related resource from which the described resource is derived Milne Library Special Collections, SUNY Geneseo Format The file format, physical medium, or dimensions of the resource jpeg, Subject The topic of the resource Tent Meeting, Emigration Meeting, gatherings Journal entry https://openvalley.org/files/original/b1d14bc6d680021f6fce59375e8fb7bc.jpg 47d238dd640fb8c8521c8fdb3ab2d8b6 https://openvalley.org/files/original/8a3ff07b648b60cc1b42ef67504738ab.JPG 5059b41d8bc98cdc76ad0259c4a5df74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 23.5 x 29.5 in. Condition: surface dirt, slight tear Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fruit and Flowers (1) Format The file format, physical medium, or dimensions of the resource jpeg, 996 KB jpeg, 14.5 MB Description An account of the resource Several stems of pink and white gladiolus are displayed in a pictorial vase, whose unusual scene gestures toward a sailboat alongside a coastal mountain range. Below them on the table are apples, an orange, and a grapefruit. A warm light illuminates the still life and its simple surroundings. About the Artist: We haven’t located any reliable information about this artist. Please contact us if you're able to help. 1 more image at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-18-folder-6" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Pecci, Mario Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1937-10-20 Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18236 Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 143 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Federal Art Project Mario Pecci New Deal Gallery painting still life https://openvalley.org/files/original/9d7611ebc1af582d58826fa336d7f1e4.JPG 6e496dfa10dbb5c6c35908d297a1ac3a https://openvalley.org/files/original/b5813d0488783ace85e7f934089bda7c.JPG ac6184a5cd8f131af8257d083bfac716 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 30 x 24 in. Condition: surface dirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fruit in a Basket Format The file format, physical medium, or dimensions of the resource jpeg, 883 KB jpeg, 11.9 MB Description An account of the resource Upon an unadorned table we see a cane basket filled with apples, oranges, and a grapefruit; next to a pitcher, a lemon and another apples. In the absence of drapery or curios, the complexity in this still life comes from subtle elements like the apples’ blush and striping, shadows upon the wall and table, or indeed the minimalist “European” aesthetic. About the Artist: We haven’t located any reliable information about this artist. Please contact us if you're able to help. 1 more image at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-18-folder-6" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Pecci, Mario Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1937-10-20 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18237 Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 144 Federal Art Project Mario Pecci New Deal Gallery painting still life https://openvalley.org/files/original/561949762e81d6f61524fddb7950ac31.JPG fc497b5d6319940b7fee421f2afcdbde https://openvalley.org/files/original/431fc3eb2e2f2451ccdac568be40a3bb.JPG 7736e742dd3bed1256a9d32483b25e54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 24 x 30 in. Condition: paint peeling Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fruit and Flowers (2) Format The file format, physical medium, or dimensions of the resource jpeg, 917 KB jpeg, 14.7 MB Description An account of the resource On a plain table is placed a bowl of pears and an Italian jug, apparently that same one as appearing in his <a href="https://openvalley.org/files/original/9d7611ebc1af582d58826fa336d7f1e4.JPG" target="_blank" rel="noopener">“Fruit in a Basket"</a> still life. In the jug, we see a bouqet of roses. Light from the ride side of painting casts shadow seemingly upon a wall at left; if so, the room’s corner isn’t visible due to Pecci’s coloring in shades of brown. About the Artist: We haven’t located any reliable information about this artist. Please contact us if you're able to help. 1 more image at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-18-folder-6" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Pecci, Mario Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1937-08-24 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18238 Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 145 Federal Art Project Mario Pecci New Deal Gallery painting still life https://openvalley.org/files/original/a1c21ddfa0ae38ce216903508eb54932.JPG d61d00f604e0a3082a4c04bbc258563c https://openvalley.org/files/original/2fec3c886bd59f6e4e7bc0b9c1818b21.JPG 2ac6f9a6bdb5f7aa778913517f290c91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 20 x 16 in. Condition: surface dirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grapes and Roses Format The file format, physical medium, or dimensions of the resource jpeg, 994 KB jpeg, 8 MB Description An account of the resource Upon a table we behold a composition in red: a bunch of grapes, a bouquet of red roses, and a bottle of Chianti its classic straw basket (called a fiasco). Once we factor in Pecci’s white wall and green leaves, it would seem that these colors of Italy aren’t accidental—the still life grows out of a powerful nostalgia for home. About the Artist: We haven’t located any reliable information about this artist. Please contact us if you're able to help. 1 more image at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-18-folder-6" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Pecci, Mario Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18239 Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 146 Federal Art Project Mario Pecci New Deal Gallery painting still life https://openvalley.org/files/original/07212720b8619f84a67ad5843c02caf6.JPG 9f4077af7b131f209203f6e7da5904d8 https://openvalley.org/files/original/fa617fc99ade7be6df0eb8bffccd9945.JPG fd980643b4664795850610e32be55abf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 24 x 20 in. Condition: surface dirt, stains Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Jugs Format The file format, physical medium, or dimensions of the resource jpeg, 929 KB jpeg, 11.3 MB Description An account of the resource All five of the Pecci paintings at the New Deal Gallery shuffle elements from each other, such as a table perhaps common to all. In this still life, a pictorial jug from his <a href="https://openvalley.org/files/original/b1d14bc6d680021f6fce59375e8fb7bc.jpg" target="_blank" rel="noopener">“Fruit and Flowers (1)”</a> receives a 90-degree turn so that its handle can be seen and image recognized. Mount Vesuvius, which underwent a series of eruptions between 1913 and 1944, smoulders in the background to a sailboat on the Bay of Naples. The small painting hung at upper right may be one of the villages along this coast—in any event, all objects signifying a beloved homeland. About the Artist: We haven’t located any reliable information about this artist. Please contact us if you're able to help. 1 more image at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-18-folder-6" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Pecci, Mario Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18240 Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 147 Federal Art Project Mario Pecci New Deal Gallery painting still life https://openvalley.org/files/original/b8ec83f5788715c7b307c23ea791d3d0.jpg 714bc041c6c5eef798bdf479383abaca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Squawkie Hill Farm newspaper advertisement from 1887 Publisher An entity responsible for making the resource available The Livonia Gazette Date A point or period of time associated with an event in the lifecycle of the resource 1887 Contributor An entity responsible for making contributions to the resource Smith, Haley Format The file format, physical medium, or dimensions of the resource jpeg, 100 KB Creator An entity primarily responsible for making the resource Peer, Sherman Frank Description An account of the resource An 1887 advertisement from The Livonia Gazette concerning stallions at Squawkie Hill Farm in Mount Morris Source A related resource from which the described resource is derived The Livonia Gazette 1887; accessed through Fulton History https://openvalley.org/files/original/5f53fb8b085a5399e13b7a33bcd29f99.tif cb23c35ee19cc7a46be6bf56d7bc7507 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Squawkie Hill Farm Letterhead Date A point or period of time associated with an event in the lifecycle of the resource 1889 Contributor An entity responsible for making contributions to the resource Smith, Haley Source A related resource from which the described resource is derived Wadsworth Family Papers, Box L28 Milne Library Special Collections, SUNY Geneseo Format The file format, physical medium, or dimensions of the resource tif, 24 MB Description An account of the resource Letter from Frank Sherman Peer, owner of Squawkie Hill Farm, to the Wadsworth homestead discussing business matters Creator An entity primarily responsible for making the resource Peer, Sherman Frank Sherman F. Peer Squawkie Hill https://openvalley.org/files/original/cdfaba42f320f9d2e08ea1ee2db987dc.pdf ac538ae96e5ffa63be6f53248cab8449 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Printed sheets Physical Dimensions The actual physical size of the original image Two pages, 8.5 x 11 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poems by Intergrow Greenhouse Workers, June 2002 Description An account of the resource Poet Janine Pommy Vega facilitated dozens of writing workshops during her time with Creative Artists Migrant Program Services (CAMPS), whether located in farm labor camps or other sites where migrant workers could access. This session was held at the Colonial Motel in Oramel, NY; its participants were employees at the 680,000 square-foot Intergrow Greenhouse in nearby Fillmore, NY. A list of the poems appears below, all of which were translated by Pommy Vega. --Juan Jose Pérez, "I Am an Eagle" --Isael Nava, "I Am the Sea" --Mario Estrada, "Hello, I Am the River" --Gil Nava, "Rainbow" --Constantino Garcia, "Hello, I Am the Water" Creator An entity primarily responsible for making the resource Pérez, Juan Jose Nava, Isael Estrada, Mario Nava, Gil Garcia, Constantino Vega, Janine Pommy (translator) Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource 2002-06 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts Format The file format, physical medium, or dimensions of the resource pdf, 78 KB Creative Artists Migrant Program Services Geneseo Migrant Center Intergrow Janine Pommy Vega Poetry https://openvalley.org/files/original/bd5742e878c5bb968354ca5645490fe4.png 928ab92b6f3a261e0012a7a78aad9c50 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Poem Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jose Coyote Pérez - "I Am Nature" July 2002 Description An account of the resource This poem written in July 2002 by Jose Coyote Pérez explains migrant farming in a contrasting way. Pérez expresses that he feels like he is nature/the earth because of his good work always being taken advantage of. "Human beings are killing me/even though I serve them so much..." With this being written in July, it is safe to say that the location he was in was having elevated temperatures making it even more challenging for him to work. Yet, Pérez, just like numerous other migrant workers do not have the choice whether to work or not because they are essential workers, just as nature has no choice to give humans what they need because it is essential as well. Creator An entity primarily responsible for making the resource Pérez, Jose Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource 2002-07 Contributor An entity responsible for making contributions to the resource Michalkow, Nikolete Source A related resource from which the described resource is derived Lor-Rob Farm Format The file format, physical medium, or dimensions of the resource png, 3.4MB Farm worker Geneseo Migrant Center migrant families Migrant Farmer