56 10 1323 https://openvalley.org/files/original/67ecbe9baae4379511ac0fb52eb6d3b2.jpg 7882af1e4073b39a55932e295c1f0afb https://openvalley.org/files/original/ed91f531c5a9e9a19b3cb8e98d783fb8.jpg 1929005ad1ca25577ba784c99af8afe2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Little Italy Reservoir Remains Description An account of the resource The current state of the Little Italy reservoir Creator An entity primarily responsible for making the resource Auld, Mary Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Auld, Mary https://openvalley.org/files/original/1fd0d64d2c8dc87f81c7f240d13124b5.jpg 4ceafe5589c6823c4018b1e6790ed369 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Livingston County Courthouse Description An account of the resource An image of the old Livingston County Courthouse, which stood 1823-1897 Contributor An entity responsible for making contributions to the resource Argentieri, Liz; Valvo, Connor Source A related resource from which the described resource is derived Livingston County Courthouse. Genesee Valley Historical Collection, Milne Library, SUNY Geneseo. Format The file format, physical medium, or dimensions of the resource .jpg, 737 KB Type The nature or genre of the resource Still Image Court Geneseo House Livingston New York Sheffield Peabody https://openvalley.org/files/original/4e5b51bbe65ce32b7dee27f5551417a9.jpg 41f71d93fa6b0c64942c6de6db4b06bc https://openvalley.org/files/original/baa11410d1730a224fe94d3c9577e5ac.jpg d755e55e3cec28dbf11d7618563e945f https://openvalley.org/files/original/53e43a5aac9e3769b146298ea8e803cc.jpg b51bb8a1bf728855d562906c8a2f8a8b https://openvalley.org/files/original/63f7ebd495b9a7a5b222fb6695381bdf.jpg c4a5f0cf4e6d2df84f0d1d5377f759a1 https://openvalley.org/files/original/c8636d1902342cb002b488ac590b9254.jpg 91bc3101e25d1ace1d1e7652586aa4b6 https://openvalley.org/files/original/0200a82168632c9c5d17ece0e4c607db.jpg de9815a9020a2577e5e99f7b4a890866 https://openvalley.org/files/original/4c4a064bdbae384efbab8eec593f890f.jpg 6c7be697fa2ccd229ea67f1efd638ea1 https://openvalley.org/files/original/019d1337d0578912c4302e071711a38b.jpg 3756630514cfc8b8f9face2746561a8b https://openvalley.org/files/original/78c11eefb0c54b530a516e8101ab4fdf.jpg f6b8998b6497d8e43a67a4cfcb567635 https://openvalley.org/files/original/fbc5f08de4246a3dc093da0c785ba022.jpg d61dd9d41d89c0fa11741b14c69ad184 https://openvalley.org/files/original/d272a66bf058d249bb39b4ebc5c508be.jpg 4d6631b5ca1c9bf0a569b0ccbf6c984b https://openvalley.org/files/original/e2d98c0444097af299e6cd9536a3ac56.jpg 9fda3c084bf2a5f54667f2c04fb8f64d https://openvalley.org/files/original/109b6d10e651707dbd597b19a3536a48.jpg 5dffa3d444f765052c18b337544a2930 https://openvalley.org/files/original/b5dec1b3fbb94454bc904ec7fb768299.jpg 5649263e23b9dd348a99dcc9bfd1a76b https://openvalley.org/files/original/9a707dc983e3df039c0599b6c2de5788.jpg 5e5aa622abd15b657a6ae7d59b932ce5 https://openvalley.org/files/original/11a7caebc193f4d1e32dec7f385901ea.jpg 36d1e9554b8a29d9227b4f1bc4616358 https://openvalley.org/files/original/5e01f572e3bd2339276db8966982391d.jpg f8900e1c5e1de7b1d66a71b33af93f60 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Aerial photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Livingston County protected lands then and now Description An account of the resource Side by side aerial images of Livingston County from the 1950s and present day showing changes in land cover. Publisher An entity responsible for making the resource available USGS, Google Date A point or period of time associated with an event in the lifecycle of the resource 2015-12 Contributor An entity responsible for making contributions to the resource Chauvin, Noah Source A related resource from which the described resource is derived USGS Earth Explorer, Google Maps Format The file format, physical medium, or dimensions of the resource Jpeg images Type The nature or genre of the resource Still image, aerial photographs aerial photograph comparison land cover satellite imagery https://openvalley.org/files/original/d241606bf22249e73d090a443306b835.jpg 7607dd5fee7a4871e8ba4a0f9db8bd04 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Map Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Livingston County state protected areas. Description An account of the resource A map of land protected by the state in Livingston County, including state forests, parks, and wildlife management areas. Creator An entity primarily responsible for making the resource New York State Department of Environmental Conservation Publisher An entity responsible for making the resource available New York State Department of Environmental Conservation Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Chauvin, Noah Source A related resource from which the described resource is derived Rochester/Western Finger Lakes - Region 8. List of lands you can visit. Format The file format, physical medium, or dimensions of the resource jpeg, 381 KB Type The nature or genre of the resource Still Image, Map conservation DEC Livingston County Map New York Protected Land https://openvalley.org/files/original/c08572b58a05138db2c491105da193cb.jpg f4388bcf9fc063e04f0648c0ff3bcac5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Livingston County, NY flag Description An account of the resource Photograph of the Livingston County, NY, flag. Publisher An entity responsible for making the resource available Livingston County, NY Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Chauvin, Noah Source A related resource from which the described resource is derived "Explanation of the Livingston County Flag" Format The file format, physical medium, or dimensions of the resource jpeg, 78 KB Type The nature or genre of the resource Still Image, Photograph flag Livingston County https://openvalley.org/files/original/cdd7489366fdfdea09a93b5c26b77cf2.jpg 4243c979e9569fe1f1eb731f4c5fc826 https://openvalley.org/files/original/692584ce6f79092abc5144d82ff29c9a.jpg 54ae60fca6adcfa02991af0b4e593cd9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Postcard Physical Dimensions The actual physical size of the original image 3.5 x 5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Livingston Inn, Conesus Lake, NY Publisher An entity responsible for making the resource available Rochester News Company Date A point or period of time associated with an event in the lifecycle of the resource 1906-11-27 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Courtesy of Ken Cooper Format The file format, physical medium, or dimensions of the resource jpeg, 650 KB jpeg, 443 KB Type The nature or genre of the resource Postcard Description An account of the resource Pictured at McPherson's Point on the east side of Conesus Lake, this building had a strange history. It was constructed as the "Avon Cure" in 1866, during the heyday of mineral springs resorts in that village, by Charles Whalley. It could host more than a hundred guests, who enjoyed mineral baths sourced from two springs on the hotel property. In 1904, the structure was purchased by Walter Strowger and dismantled for the purpose of relocation to Conesus Lake. The lumber was transported by rail, and from there across the water on ice sleds. The over-extended Strowger opened the Livingston Inn for business in 1905, went bankrupt after a season, and sold to a consortium of Rochester investors. The expanded three-story building had spacious, wrap-around porches and a variety of amusements on site: a dance pavilion, picnic grounds, and a baseball field. For a time, the Walter E. Johnson School of Aviation ran its hydroplane flight instruction school out of the inn. At left several boats are pictured, including a steamer that ferried guests across Conesus Lake and to points north and south. In 1916 the consortium sold the inn to Miles Woodruff, whose family oversaw operations until 1961; the well-traveled building was sold and demolished for redevelopment. https://openvalley.org/files/original/de9e4396c2ed78fe59e0b00c3e208400.png 0ad9b2e4f0fdc6f1f377fbe4654e580b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data drawing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lo Pinto Illustration From Page 176 Description An account of the resource Lo Pinto, Ferdinand (1906-1980) Lo Pinto was the son of Italian immigrants in New York City, his father a physician. After attending the National Academy of Design and taking classes at the Art Students League, he exhibited at venues like the Metropolitan Museum of Arts, the De Young Memorial Museum, the Corcoran Gallery, and the Carnegie Institute, and the Art Institute of Chicago. Lo Pinto also studied with the sculptor<a href="https://en.wikipedia.org/wiki/David_Smith_(sculptor)" target="_blank" rel="noopener"> David Smith</a>, whose geometric designs appear to have influenced his NDG painting. Lo Pinto’s landscape “Evening” received favorable mention at a Federal Art Project show in 1937. In 1937 he was one of a dozen artists who traveled to Alaska under WPA auspices resulting, in addition to several paintings, numerous illustrations for Merle Colby’s<a href="https://archive.org/stream/alaskaguidetolas00writrich#page/n6/mode/1up" target="_blank" rel="noopener"> Alaska: A Guide to Last American Frontier</a>. During the 1930s Lo Pinto created two murals: one for the “Hall of Man” at the 1939 World’s Fair at New York, the other for the Federal Courthouse in Anchorage, AK. He also created several stage sets for the Federal Theater Project in New York. Lo Pinto relocated to Allentown, PA during the 1950s and seems to have begun work for Hess’s department stores as a designer. 1 work at<a href="https://americanart.si.edu/artist/ferdinand-lo-pinto-2994" target="_blank" rel="noopener">Smithsonian American Art Museum</a>. 14 more images at<a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-14-folder-22" target="_blank" rel="noopener"> FAP</a>. Creator An entity primarily responsible for making the resource Lo Pinto, Ferdinand (1906-1980) Publisher An entity responsible for making the resource available The Macmillan Company Date A point or period of time associated with an event in the lifecycle of the resource 1939 Contributor An entity responsible for making contributions to the resource Anderson, Justin (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived Colby, Merle. A Guide to Alaska Last American Frontier. New York: The Macmillan Company, 1939, print. Accessed at <a href="https://archive.org/stream/alaskaguidetolas00writrich#page/n6/mode/1up" target="_blank" rel="noopener">archive.org</a>. Format The file format, physical medium, or dimensions of the resource jpeg, 479 KB Type The nature or genre of the resource Still Image https://openvalley.org/files/original/dea457dfeaa15599e3fcf4594499ca8e.png 9d27bc3d775697571786de3f91a318c4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data drawing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lo Pinto Illustration From Page 3 Description An account of the resource Lo Pinto, Ferdinand (1906-1980) Lo Pinto was the son of Italian immigrants in New York City, his father a physician. After attending the National Academy of Design and taking classes at the Art Students League, he exhibited at venues like the Metropolitan Museum of Arts, the De Young Memorial Museum, the Corcoran Gallery, and the Carnegie Institute, and the Art Institute of Chicago. Lo Pinto also studied with the sculptor<a href="https://en.wikipedia.org/wiki/David_Smith_(sculptor)" target="_blank" rel="noopener"> David Smith</a>, whose geometric designs appear to have influenced his NDG painting. Lo Pinto’s landscape “Evening” received favorable mention at a Federal Art Project show in 1937. In 1937 he was one of a dozen artists who traveled to Alaska under WPA auspices resulting, in addition to several paintings, numerous illustrations for Merle Colby’s<a href="https://archive.org/stream/alaskaguidetolas00writrich#page/n6/mode/1up" target="_blank" rel="noopener"> Alaska: A Guide to Last American Frontier</a>. During the 1930s Lo Pinto created two murals: one for the “Hall of Man” at the 1939 World’s Fair at New York, the other for the Federal Courthouse in Anchorage, AK. He also created several stage sets for the Federal Theater Project in New York. Lo Pinto relocated to Allentown, PA during the 1950s and seems to have begun work for Hess’s department stores as a designer. 1 work at<a href="https://americanart.si.edu/artist/ferdinand-lo-pinto-2994" target="_blank" rel="noopener"> Smithsonian American Art Museum</a>. 14 more images at<a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-14-folder-22" target="_blank" rel="noopener"> FAP</a>. Creator An entity primarily responsible for making the resource Lo Pinto, Ferdinand (1906-1980) Publisher An entity responsible for making the resource available The Macmillan Company Date A point or period of time associated with an event in the lifecycle of the resource 1939 Contributor An entity responsible for making contributions to the resource Anderson, Justin (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived Colby, Merle. A Guide to Alaska Last American Frontier. New York: The Macmillan Company, 1939, print. Accessed at <a href="https://archive.org/stream/alaskaguidetolas00writrich#page/n6/mode/1up" target="_blank" rel="noopener">archive.org</a>. Format The file format, physical medium, or dimensions of the resource jpeg, 487 KB Type The nature or genre of the resource Still Image https://openvalley.org/files/original/4ab2c8ca69eb1cbe966e9707dc8fb30f.png 432f3fe78d98b1854009bbefbd6c4edc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data drawing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lo Pinto Illustration From Page 53 Description An account of the resource Lo Pinto, Ferdinand (1906-1980) Lo Pinto was the son of Italian immigrants in New York City, his father a physician. After attending the National Academy of Design and taking classes at the Art Students League, he exhibited at venues like the Metropolitan Museum of Arts, the De Young Memorial Museum, the Corcoran Gallery, and the Carnegie Institute, and the Art Institute of Chicago. Lo Pinto also studied with the sculptor<a href="https://en.wikipedia.org/wiki/David_Smith_(sculptor)" target="_blank" rel="noopener"> David Smith</a>, whose geometric designs appear to have influenced his NDG painting. Lo Pinto’s landscape “Evening” received favorable mention at a Federal Art Project show in 1937. In 1937 he was one of a dozen artists who traveled to Alaska under WPA auspices resulting, in addition to several paintings, numerous illustrations for Merle Colby’s<a href="https://archive.org/stream/alaskaguidetolas00writrich#page/n6/mode/1up" target="_blank" rel="noopener"> Alaska: A Guide to Last American Frontier</a>. During the 1930s Lo Pinto created two murals: one for the “Hall of Man” at the 1939 World’s Fair at New York, the other for the Federal Courthouse in Anchorage, AK. He also created several stage sets for the Federal Theater Project in New York. Lo Pinto relocated to Allentown, PA during the 1950s and seems to have begun work for Hess’s department stores as a designer. 1 work at<a href="https://americanart.si.edu/artist/ferdinand-lo-pinto-2994" target="_blank" rel="noopener">Smithsonian American Art Museum</a>. 14 more images at<a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-14-folder-22" target="_blank" rel="noopener"> FAP</a>. Creator An entity primarily responsible for making the resource Lo Pinto, Ferdinand (1906-1980) Publisher An entity responsible for making the resource available The Macmillan Company Date A point or period of time associated with an event in the lifecycle of the resource 1939 Contributor An entity responsible for making contributions to the resource Anderson, Justin (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived Colby, Merle. A Guide to Alaska Last American Frontier. New York: The Macmillan Company, 1939, print. Accessed at <a href="https://archive.org/stream/alaskaguidetolas00writrich#page/n6/mode/1up" target="_blank" rel="noopener">archive.org</a>. Format The file format, physical medium, or dimensions of the resource jpeg, 537 KB Type The nature or genre of the resource Still Image https://openvalley.org/files/original/55639ff4c143997be5976001d39bbfd4.JPG 0f93942ba64d5912b8ab06c0468c2c19 https://openvalley.org/files/original/708966027236550fcaa1b7050b9e9cbf.jpg c7d6d0e420c348f55ff8511d3653107c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Gouache painting Physical Dimensions The actual physical size of the original image 20 x 14 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Local Stop Creator An entity primarily responsible for making the resource Terrell, Elizabeth M., 1908-1993 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cannioto, Sydney (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Art Gallery, Genesee Valley Council on the Arts Object # FA18278 Format The file format, physical medium, or dimensions of the resource jpeg, 1 MB Description An account of the resource A local town is represented as a train stop, hinted at beyond a hill. It appears to be either fall or the middle of a drought, as the colors used are warm—mostly reds, oranges, and yellows—with the corn and surrounding vegetation brown and yellow. These colors contrast with the sky, which composes two thirds of the canvas, and is blue with cumulous clouds. Terrell’s painting is diagonally composed, and the left half of it seems more modernized, with its large buildings and what appear to be telephone poles and electric wires running to the buildings, in contrast to the right, which has telegraph wires and a small silo or water tower. About the Artist: Born in Toledo, OH, Terrel spent most of her young life in Florida—her father was a bookkeeper—and studied at the Ringling School of Art and Design before moving to New York in 1932 after winning a scholarship to the Art Students League. The body of Terrell’s work is nearly impossible to imagine apart from the New Deal: her paintings appeared in the <a href="https://www.moma.org/artists/65752" target="_blank" rel="noopener">“New Horizons of American Art”</a> exhibit at the Museum of Modern Art, curated by FAP director Holger Cahill, and in WPA traveling shows like “New York Watercolors,” “Country Cross-Section,” and “America Through American Eyes.” Terrell also painted two post office murals for the WPA: <a href="https://livingnewdeal.org/projects/conyers-post-office-mural-conyers-ga/" target="_blank" rel="noopener">“The Ploughman”</a> (1940), in Conyers, GA; and “Reforestation” (1942), in Starke, FL. In 1936, along with Albert Potter, she created an imaginative five-part <a href="https://nycdesignarchive.tumblr.com/post/171898648020/history-of-the-usa-mural-by-elizabeth-terrell" target="_blank" rel="noopener">“History of the USA”</a> mural at City Hospital children’s room on Welfare Island (now called Roosevelt Island). Meanwhile her work appeared in such galleries as the Art Institute of Chicago, Brooklyn Museum, Metropolitan Museum of Art, Museum of Modern Art, and the Pennsylvania Academy of the Arts. She regularly showed in and around Woodstock, NY. 2 works at <a href="https://americanart.si.edu/artist/elizabeth-terrell-4760" target="_blank" rel="noopener">Smithsonian American Art Museum</a>. 1 work at the <a href="https://www.metmuseum.org/art/collection/search/488132" target="_blank" rel="noopener">Metropolitan Museum of Art</a>. 2 works at <a href="https://collections.hvvacc.org/digital/collection/waam/search/searchterm/terrell" target="_blank" rel="noopener">Woodstock Artists Association and Museum</a>. 2 works at the <a href="http://emuseumplus.unl.edu:8080/eMP/eMuseumPlus?service=ExternalInterface&module=artist&objectId=997&viewType=detailView" target="_blank" rel="noopener">Sheldon Museum of Art</a>. 1 work at <a href="https://uarizona.pastperfectonline.com/webobject/60E0CBD2-07F0-4D36-9D3D-256425216048" target="_blank" rel="noopener">University of Arizona Museum of Art</a>. 31 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-22-folder-40" target="_blank" rel="noopener">FAP</a>. Identifier An unambiguous reference to the resource within a given context 185 Type The nature or genre of the resource Still image Elizabeth Terrell Federal Art Project Gouache New Deal Gallery painting