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                <text>The Grotto and Cavern Cascade, Glen Alpha</text>
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                <text>This stereocard was part of the "Artistic series, scenery at Watkins Glen and vicinity, N.Y." The picturesque series of falls and rock formations became a popular destination during the post-bellum period, and many other such images were created. This item consists of a cropped and enhanced single image, and the original stereoview card.</text>
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                <text>The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. " &lt;a href="http://digitalcollections.nypl.org/items/510d47e1-e010-a3d9-e040-e00a18064a99" target="_blank" rel="noopener"&gt;http://digitalcollections.nypl.org/items/510d47e1-e010-a3d9-e040-e00a18064a99&lt;/a&gt;</text>
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                <text>Photo captures much of what is distinctive about New York's Finger Lake region: long, glacially carved lakes; open vistas from which to behold them; and agriculture benefiting from the deep water's moderating influence upon temperature. The location of this photograph is not far from the winery of Dr. Konstantin Frank, a pioneer viticulturalist and important influence upon the state wine industry. Note: this photograph has been slightly cropped from the original.</text>
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                <text>See 1, Do 1, Teach 1 [screen name]</text>
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                <text>&lt;a href="https://www.flickr.com/photos/mpaulmd/37732410972/" target="_blank" rel="noopener"&gt;Attribution 2.0 Generic (CC BY 2.0) via Flickr&lt;/a&gt;</text>
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              <text>35 x 25 cm.</text>
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                <text>View on the Erie Canal</text>
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                <text>Hill, J[ohn] W[illiam], 1812-1879</text>
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                <text>Hill was the son of a well-known commercial lithographer, and was only 17 years old when he created this and other watercolors of the Erie Canal with an eye toward eventual publication. That never came to pass, but as historical documents the somewhat stylized paintings still are invaluable, in this case just five years after the canal opened.&#13;
&#13;
Here, we see two vessels passing each other along an unspecified stretch of the canal: a packet boat carrying several wealthy travelers, and a barge carrying what appears to be a load of stone. On the towpath, "hoggees" drive mules used to pull the boats. Within this one stretch there are two low bridges, over one of which a farmer is driving pigs from one field to another. It's clear that many different social and economic interests are in play, yet the overall effect is harmonious.</text>
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                <text>The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection, The New York Public Library. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://digitalcollections.nypl.org/items/510d47d9-7ba7-a3d9-e040-e00a18064a99" target="_blank" rel="noopener"&gt;New York Public Library Digital Collections.&lt;/a&gt;</text>
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              <text>Oil painting</text>
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                <text>Mohawk River, New York</text>
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                <text>Portland Art Museum, Portland OR&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Mohawk_River,_New_York,_by_Albert_Bierstadt,_1864,_oil_on_canvas_-_Portland_Art_Museum_-_Portland,_Oregon_-_DSC08750.jpg" target="_blank" rel="noopener"&gt;Photograph by Daderot, via Wikimedia Commons&lt;/a&gt;</text>
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                <text>Bierstadt, Albert, 1830-1902</text>
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                <text>1864</text>
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                <text>This painting, seemingly located on the upper Mohawk River, assumes a timeless, mythical quality. Bierstadt was one of several second-generation Hudson School artists associated with "luminism," a technique using aerial perspective and moisture-saturated air to create an otherworldly glow. &lt;br /&gt;&lt;br /&gt;Here, we see four cattle watering in a river so calm it reflects the surrounding forest. No signs of the humans who graze them are visible. At left a white steer stands apart, illuminated in a beam of sunlight. Its nearly mythical quality may reference Greek mythology and the metamorphosis of humans into animal form--whether &lt;a href="https://en.wikipedia.org/wiki/Io_(mythology)" target="_blank" rel="noopener"&gt;Io transformed by an angry Hera&lt;/a&gt; or &lt;a href="https://en.wikipedia.org/wiki/Europa_(consort_of_Zeus)" target="_blank" rel="noopener"&gt;Zeus transorming himself to rape&lt;/a&gt; Europa.</text>
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                <text>Still image</text>
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        <name>Albert Bierstadt</name>
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        <name>Landscape Art</name>
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        <name>Mohawk River</name>
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        <name>painting</name>
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              <text>Lithographed poster</text>
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            <description>A name given to the resource</description>
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                <text>Poster for &lt;em&gt;The Wonderful Wizard of Oz&lt;/em&gt;</text>
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                <text>L. Frank Baum's surreal book for children, published to great acclaim in 1900, is advertised in this rare poster. It borrows artwork from the novel's title page, gives it a landscape orientation, and adds a few promotional blurbs. It is included in OpenValley to support an exhibit concerning surrealist art at the New Deal Gallery, Mount Morris.</text>
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                <text>Carqueville Litho Company</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Denslow, William Wallace, 1856-1915</text>
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                <text>1900</text>
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&#13;
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