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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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                <text>Women Sewing at the Perry Knitting Company</text>
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                <text>1940-1950</text>
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                <text>Cooper, Ken</text>
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                <text>Dozens of women create what are probably items of Nitey-Nite sleepwear at the Perry Knitting Co. </text>
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                  <text>Mills of Genesee Valley</text>
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                  <text>Before the commercial extraction of fossil fuels from the Oil Creek region of northern Pennsylvania, most mechanical work in the Genesee Valley was done by human and animal power, or some source ultimately derived from the sun: burning wood, wind power, or flowing water. The exception to this, of course, was coal--by the 1880s America's dominant source of energy. &lt;br /&gt;&lt;br /&gt;Due to the Genesee region's ample supply of wood and running water, along with the cost of shipping coal, it's quite common to find instances of various water mills in the area's history. They were adapted to a wide range of uses: cutting wood into timber and milling it into specialized shapes (&lt;strong&gt;lumber mill&lt;/strong&gt;); grinding corn into animal feed or for distilling alcohol (&lt;strong&gt;grist mill&lt;/strong&gt;); grinding wheat or other grains (&lt;strong&gt;flour mill&lt;/strong&gt;); creating boxes and other products from wood pulp (&lt;strong&gt;paper mill&lt;/strong&gt;); fabricating metals (&lt;strong&gt;triphammer mill&lt;/strong&gt;); powering industrial equipment &lt;strong&gt;(textile mill&lt;/strong&gt;); and by the 1880s creating electricity via turbines.&lt;br /&gt;&lt;br /&gt;This collection gathers various documents concerning mills in the Genesee Valley. In addition to images and written texts, there is also an interactive map illustrating the density of their usage during the mid-nineteenth century.</text>
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                <text>Located along the Silver Lake Outlet near the town of Perry, NY, this photograph of early milling operation shows seven people posing--two of them young boys. A caption on reverse side reads: "Silver Lake Mills--before being steam powered. George Thomlinson [sic]. Water powered feed and flour milling of all kinds." </text>
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                <text>1900?</text>
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                <text>Cooper, Ken</text>
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                <text>1033</text>
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                <text>Early 20th-century postcard shows a well at what appears to be the Pioneer Log Cabin, built in 1872 to commemorate early settlers in Wyoming County.&#13;
&#13;
Addressed to Wm. Miller of Highlandstown, MD, its inscription reads: "A place where I have spent many happy moments and hope you may someday. A friend, M. M."</text>
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                <text>Cooper, Ken</text>
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                <text>Courtesy Ken Cooper</text>
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              <text>Tourist guide</text>
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                <text>Summer in New York State</text>
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            <description>An account of the resource</description>
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                <text>Published a year after the conclusion of World War II, the tone of this 36-page travel guide to New York is one of making up for lost time. "With motor travel again unlimited," we are told, "New York's 59,000 miles of improved highways beckon the autoist to enjoy the State's attractions from the vantage-point of his own conveyance." Clearly, the automotive age has begun in earnest. The state is divided into fifteen regional "Vacationlands," including the Genesee Valley and Finger Lakes. There are thematic sections highlighting activities for seemingly any taste: Fishing, Swimming, Hiking, Camping, Motoring, Historic Shrines... even Flowers and Geology make an appearance. It's an intriguing glimpse into the early trajectory of postwar tourism, which still is relatively outdoors-centered in its emphasis.</text>
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                <text>Writer, Herbert</text>
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                <text>Bureau of Information, Division of State Publicity, New York State Department of Commerce</text>
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                <text>1946-05</text>
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                <text>Courtesy of Ken Cooper</text>
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                <text>Photograph in southern Australia shows the ecological impact of open-pit mining and coal-fired power plants. But Albrecht also argues that "changes to the landscape in the Upper Hunter region of NSW severely distressed the people who lived there, a feeling not previously captured in the English language." He therefore proposes the term &lt;em&gt;solastalgia&lt;/em&gt; to name this feeling of displacement, defining it as "the homesickness you have when you are still at home."&lt;br /&gt;&lt;br /&gt;The photo appears in OpenValley to support a timeline created for the New Deal Gallery entitled &lt;a href="https://cdn.knightlab.com/libs/timeline3/latest/embed/index.html?source=1oYnni2nGfehzRnF55P-XlaNXrIeBxgLdKI34Sfo85g4&amp;amp;font=Default&amp;amp;lang=en&amp;amp;initial_zoom=2&amp;amp;height=650" target="_blank" rel="noopener"&gt;"Displacements."&lt;/a&gt;</text>
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                <text>&lt;a href="http://theconversation.com/the-age-of-solastalgia-8337" target="_blank" rel="noopener"&gt;Glenn Albrecht, "The Age of Solastalgia," &lt;em&gt;The Conversation&lt;/em&gt; 7 Aug. 2012&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Creative Commons License</text>
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                <text>jpeg, 42 KB</text>
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        <name>Australia</name>
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        <name>Coal</name>
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        <name>Mining</name>
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        <name>Solastalgia</name>
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              <text>Nitrate negative</text>
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          <name>Physical Dimensions</name>
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            <name>Title</name>
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                <text>Once a Missouri farmer, now a migratory farm laborer on the Pacific Coast, California</text>
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                <text>Farm Security Administration</text>
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            <name>Date</name>
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                <text>1936-02</text>
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                <text>Cooper, Ken</text>
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                <text>&lt;a href="https://www.loc.gov/item/2017759832/" target="_blank" rel="noopener"&gt;Library of Congress item #2017759832/&lt;/a&gt;</text>
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                <text>Unidentified couple, displaced perhaps by drought, is one of thousands photographed by Lange during the 1930s. This item consists of the original photo and a cropped version created for the Green New Deal: Solastalgia exhibit.</text>
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            <name>Format</name>
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jpeg, 891 KB</text>
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        <name>Climate Refugee</name>
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        <name>Dust Bowl</name>
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        <name>Green New Deal</name>
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        <name>Photo</name>
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