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              <text>Postcard</text>
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                <text>In Front of Walker House, Silver Lake, NY</text>
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                <text>Wilson, Albert</text>
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                <text>Cooper, Ken</text>
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                <text>Courtesy of Ken Cooper</text>
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                <text>Postcard shows guests taking in the scenery at a popular hotel located next to the Silver Lake Railroad. Actually, it was the &lt;em&gt;second &lt;/em&gt;Walker House, the first having burned down in 1857. That earlier hotel was operated by Artemus B. Walker, whose desire to drum up business led to his role in an 1855 sighting of the so-called "Silver Lake Serpent." Two fisherman saw what they thought was a log, until a beast leaped from the water. Two years later, a fire at Walker House revealed the apparatus and he confessed to the hoax--it was an additional incentive to visit Silver Lake. &lt;br /&gt;&lt;br /&gt;Walker lived in Canada for a period, then returned to Silver Lake and built this later iteration of his hotel in 1869. He remained a promoter: his resort complex included boats, a diving platform, dance halls, and various amusements.</text>
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                  <text>This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." &lt;br /&gt;&lt;br /&gt;Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. &lt;a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener"&gt;Follow this hyperlink to a short introduction to the New Deal Gallery collection&lt;/a&gt;. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.&lt;br /&gt;&lt;br /&gt;Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.</text>
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                  <text>Cooper, Ken (project director)&#13;
&#13;
Ritz, Abigail (photography and project assistant)&#13;
&#13;
Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.&#13;
&#13;
Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.</text>
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              <text>Oil painting</text>
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                <text>In the Early Spring</text>
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                <text>This painting depicts a scene that combines natural elements with man-made features. The brick wall is clearly defined in the forefront of this painting, but our attention is directed to the waterfalls that flow behind it. The wall varies in height and seems to take on the shape of the waterfall behind it. Gaps and layers of the wall give the illusion that the waterfall is part of the man-made structures. The dreary background is abundant with parallel lines that make it appear as its own type of wall. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;About the Artist&lt;/span&gt;:&amp;nbsp;Like NDG artists Lucie Bayard and A.E. Cederquist, Cunning was a student of the famous artist-teacher &lt;a href="https://en.wikipedia.org/wiki/Robert_Henri" target="_blank" rel="noopener"&gt;Robert Henri&lt;/a&gt; at the New York School of Art. He remained close to this circle of artists via the Whitney Studio Club, and several of his works were featured in Whitney Bienniels or museum collections: “Old Dock” (1927); “Sunset—New York Bay” (1932); “Roadside Market” (1934). His 1934 painting “Manhattan Skyline,” created for the Public Works of Art Program, is at &lt;a href="https://americanart.si.edu/artwork/manhattan-skyline-6053" target="_blank" rel="noopener"&gt;Smithsonian American Art Museum&lt;/a&gt;. 1 work at &lt;a href="http://collection.whitney.org/object/2493" target="_blank" rel="noopener"&gt;Whitney Museum of American Art.&lt;/a&gt; 2 works at the &lt;a href="https://www.brooklynmuseum.org/opencollection/artists/3526/objects" target="_blank" rel="noopener"&gt;Brooklyn Museum&lt;/a&gt;. 1 more image at &lt;a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-5-folder-23" target="_blank" rel="noopener"&gt;FAP&lt;/a&gt;.</text>
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                <text>Cunning, John, 1889-1953</text>
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&#13;
Serbalik, John (biography)&#13;
&#13;
Cooper, Ken (biography)</text>
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                <text>New Deal Gallery, Genesee Valley Council on the Arts&#13;
&#13;
Object #FA18140</text>
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                <text>A stereoview card featuring the Lower Falls in the gorge at Letchworth State Park, New York.  On front of card: Western New York Scenery. 289 In the Gorge at Lower Fall. </text>
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                <text>Rounding, Jessica</text>
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                <text> Letchworth State Park, Visitors Center, accession number LE.2005.648.&#13;
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&#13;
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                <text>Castile, New York: Washburn, G.L. </text>
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                <text>Illustration of Seneca council house, in present-day Letchworth State Park, accompanied W. S. Ward's essay "The Valley of the Genesee."</text>
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                <text>Woodward, J. Douglas</text>
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                <text>D. Appleton &amp; Co, Publishers, New York</text>
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                <text>Cooper, Ken</text>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="13847">
                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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    </collection>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
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            <elementText elementTextId="14862">
              <text>Photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="14863">
              <text>4000 × 3000</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14856">
                <text>Inside the Biblio-Tech Cafe.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14857">
                <text>Biblio-Tech Cafe.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14858">
                <text>Gleason Andrew</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="14859">
                <text>Gleason Andrew</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14860">
                <text>2020-10-28</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="14861">
                <text>jpeg,3.4MB</text>
              </elementText>
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    <tagContainer>
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        <name>Biblio-Tech Cafe</name>
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      <tag tagId="1368">
        <name>Perry Knitting Co.</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
