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                <text>A photo of a group of men who worked for the Genesee Wyoming railroad, which provided transportation for the salt mined in Retsof</text>
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                <text>Group of migrant workers surrounding an olderJohn Deere tractor. The photo labels the "Head" of the workers, a man named Nickel. Workers are located at Marquart farms (est. 1943), a family owned farm spanning generations specializing in potatoes for potato chips. </text>
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                <text>A present day photo of the remains of a house in Retsof, Little Italy.</text>
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                <text>Jennie Mather was a resident of nearby Livonia in 1867. Her voice gives us the perspective of a woman whose life was filled with “visits” to Geneseo. Through her retellings, we see Geneseo as a place of adventure, festivals, and family centered events.</text>
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                <text>Map from the company's 1897 annual report shows the extent of this primarily industrial railroad, whose main purpose was to deliver coal from Pennsylvania mines to the industrial cities of Rochester and Buffalo. From the latter location, coal could be shipped via the Great Lakes. For a brief history of the BR&amp;amp;P in Mumford, see &lt;a href="https://openvalley.org/exhibits/show/caledonia-1892/item/808"&gt;here&lt;/a&gt;.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1897</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cooper, Ken</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="7170">
                <text>Scan by Google for HathiTrust</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1. jpeg, 1.7 MB&#13;
2. jpeg, 125 KB</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Map</text>
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            </elementTextContainer>
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        </elementContainer>
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        <name>Buffalo, Rochester, and Pittsburgh Railway</name>
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        <name>Map</name>
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  <item itemId="1391" public="1" featured="0">
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        <element elementId="7">
          <name>Original Format</name>
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              <text>Bird's eye view</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lake Chautauqua</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Matthews, Northrup &amp; Co.</text>
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            <description>An account of the resource</description>
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                <text>Birds-eye view maps were very popular during the last two decades of the 19th century. This high-end version almost certainly owes its existence to the popularity of the Chautauqua Institution, founded in 1874 and pictured in the lower left foreground. The costs of creating and printing such documents presupposed investment by local merchants, buyers willing to purchase them, or both. In this pre-air-conditioned era lake resorts like those on Lake Chautaqua were popular destinations; we see railways and steamboats conveying visitors from many points of origin.&#13;
&#13;
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            <name>Contributor</name>
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                <text>Cooper, Ken</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Retrieved from the Library of Congress, &lt;a href="https://lccn.loc.gov/2003671709" target="_blank" rel="noopener"&gt;&amp;lt;www.loc.gov/item/2003671709/&amp;gt;&lt;/a&gt;</text>
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        <name>bird's eye view</name>
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        <name>Chautauqua Institution</name>
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        <name>Chautauqua Lake</name>
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        <name>Jamestown, NY</name>
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      <tag tagId="950">
        <name>Watersheds</name>
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  <item itemId="1172" public="1" featured="0">
    <fileContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8458">
                  <text>This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." &lt;br /&gt;&lt;br /&gt;Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. &lt;a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener"&gt;Follow this hyperlink to a short introduction to the New Deal Gallery collection&lt;/a&gt;. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.&lt;br /&gt;&lt;br /&gt;Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1935-1940</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Cooper, Ken (project director)&#13;
&#13;
Ritz, Abigail (photography and project assistant)&#13;
&#13;
Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.&#13;
&#13;
Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
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              <text>Oil painting</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="9720">
              <text>29.5 x 23.5 in.</text>
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              <text>Condition: torn canvas, surface dirt</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Still Life</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A cryptic, maybe private allegory is signalled by this still life. We look downward to a table in disarray: yes, the towel is artfully draped, but eleven cherries are scattered from a bowl; the carafe of water doesn’t match a coffee cup and saucer; the presence of scissors can’t be logically inferred from the other objects. Maxey’s lighting, quite stark, arrives from the left to illuminate hard surfaces.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;About the Artist&lt;/span&gt;: Maxey’s art training took place at the National Academy of Design, New York. Working for the Federal Art Project during the 1930s, his paintings were placed in several New York locations: PS 109 (Brooklyn), PS 152 (Queens), New Utrecht High School, and the YMCA’s William Sloane branch; his paintings were shown at the Federal Art Gallery (1938, 1939). Maxey also was politically active: in an undated draft document, Maxey was one of many to propose an &lt;a href="https://www.aaa.si.edu/collections/holger-cahill-papers-6730/subseries-4-4/reel-5291-frames-1285-1287" target="_blank" rel="noopener"&gt;Artists’ Union&lt;/a&gt;, which in 1938 organized itself as the Federal Arts Committee and urged creation of a permanent Federal Arts Commission. Its executive board included actor Burgess Meredith, composer Leopold Stokowski, actor Lillian Gish, and painter Max Weber; Maxey was the group’s Executive Secretary. A bill jointly sponsored by Rep. John Coffee (WA) and Sen. Claude Pepper (FL) failed to gain support, and federal funding for artists withered. During the 1950s Maxey and his artist wife, Amelia (herself a WPA artist), moved to Bucks County, PA and ran a business specializing in painted furnishings. 13 more images at &lt;a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-15-folder-31" target="_blank" rel="noopener"&gt;FAP&lt;/a&gt;.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Maxey, Stevens, 1903-1969</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Federal Art Project</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1936</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Ritz, Abigail (photography)&#13;
&#13;
Cooper, Ken (biography)</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="9717">
                <text>New Deal Gallery, Genesee Valley Council on the Arts&#13;
&#13;
Object #FA18202</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="9718">
                <text>jpeg, 1.1 MB&#13;
jpeg, 13.7 MB</text>
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            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Still life</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>109</text>
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        <name>Federal Art Project</name>
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        <name>New Deal Gallery</name>
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        <name>painting</name>
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      <tag tagId="1148">
        <name>Stevens Maxey</name>
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      <tag tagId="1028">
        <name>still life</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Perry Knitting Co.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="12296">
                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="13847">
                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
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            <elementText elementTextId="12918">
              <text>Photograph</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="12919">
              <text>10x8 in.</text>
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        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="12910">
                <text>Perry's Main Street During the Christmas Season</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12911">
                <text>According to the Rice Collection annotation, this is a Philip Mayer photograph of the main street of Perry. This photograph was taken during the Christmas season during nightfall; holiday lights are strung over Main Street.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="12912">
                <text>Perry, NY Public Library </text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12913">
                <text>1956</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12914">
                <text>Ferraro, Michaelena</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="12915">
                <text>Clark Rice Photography Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12916">
                <text>jpeg, 624KB</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="12917">
                <text>1239</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14538">
                <text>Mayer, Philip</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14539">
                <text>Still image</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="313">
        <name>Christmas</name>
      </tag>
      <tag tagId="1381">
        <name>Clark Rice Photograph Collection</name>
      </tag>
      <tag tagId="147">
        <name>main street</name>
      </tag>
      <tag tagId="1368">
        <name>Perry Knitting Co.</name>
      </tag>
      <tag tagId="872">
        <name>Perry, NY</name>
      </tag>
      <tag tagId="1467">
        <name>Philip Mayer</name>
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    </tagContainer>
  </item>
</itemContainer>
